eipcp on Mon, 10 Mar 2008 17:25:00 +0100 (CET) |
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<nettime-ann> exhibition and conferences - march/april 2008 |
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HAVE THE CAKE AND EAT IT, TOO Artists: Agentur, Bini Adamczak /
Persson
Baumgartinger, Zanny Begg / Oliver Ressler, Zanny Begg / Dmitry
Vilensky, Chto delat?, Marcelo Expósito / Nuria Vila, Anna Sigmond
Gudmundsdottir / Tone Hansen / Marit Paasche, Martin Krenn, Lia / Dan
Perjovschi Institutions
like
museum, university or clinic have been analysed and criticized
frequently as
power-knowledge-complexes because of their disciplining function. In
the
meantime, institutional critique itself, for example in the artistic
field,
became part of that canon, that one it was appealed against in the
beginning. Alongside its canonized history, which is often negotiated
by means of spatial
metaphors of the stepping out or the bringing into the institution and
for this
reason again and again imagines a possible outside, it should be asked
for
mechanisms of the powerful defined determination and its inclusions and
exclusions. How is it possible today, with that knowledge, to
articulate protest and
critique, to develop forms of structural (new) organization without
being taken
in by the idea of a dichotomy from inside and outside, by the question
of
either or? http://transform.eipcp.net/Actions/exhibitions/instituentpractices/ --- Borders,
Nations, Translations Boris
Buden, Encarnación Gutiérrez Rodriguez, Rada Iveković,
Sandro Mezzadra, Klaus Neundlinger, Stefan Nowotny, Gayatri Chakravorty
Spivak,
Hito Steyerl, Jon Solomon, Tom Waibel, Michaela Wolf Who
translates betrays: mother tongues, borders and, above all, the old
political dreams. The betrayers of all the nations will never form a
nation of their own. It is time for a new challenge. Is it possible to
articulate the emerging trans-national culture of translation in
non-cultural terms or, in other words, are we able to translate a
trans-national cultural space into a common trans-cultural political
action? --- How to Picture Protest? Marcelo Expósito, Oliver Ressler, Luisa
Ziaja --- The Art of Critique Alex
Demirović, Marina Garcés, Hakan Gürses, Maurizio
Lazzarato, What
is critique? It is
certainly not simply a practice of judging, much less of condemning. It
may be
that these kinds of reactive, abbreviated forms of “critique” charged
with
resentment are still being preached from the pulpits of academic
teaching and announced
from within the bunkers of art criticism, a practice that is perhaps
even
stronger than ever. In a contemporary concept of critique, however, it
can no
longer be a matter of a more or less rigorous yes or no to a certain
object.
http://transform.eipcp.net/conference
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