Alessio Cavallaro on Thu, 25 Jul 2002 09:54:02 +0200 (CEST) |
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[Nettime-bold] PRESENTATIONS :: KEN RINALDO + AMY YOUNGS :: ART, TECH + ALife |
dear colleagues fyi ... + kindly forward the following information (contained between top and bottom :::::: lines). thanks, regards alessio (apologies for cross-postings) :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::::::::::::::::::::::::::::::::::::::::::::::::::: The Australian Centre for the Moving Image (ACMI), in association with Monash University presents KEN RINALDO and AMY YOUNGS The Ohio State University, USA Musings on Art, Technology and Artificial Life 6.30pm Wednesday 7 August 2002 Treasury Theatre, Lower Plaza 1 Macarthur Street, East Melbourne, Australia free admission welcome / introduction Victoria Lynn Director, Creative Development, Australian Centre for the Moving Image Amy Youngs :: Hypernatural-Tech: an obsessive re-invention of the natural :: Youngs creates idealised, technologically-controlled versions of nature that engage viewers in a visual, tactile and auditory realm. She will show and discuss artworks that investigate the paradox of technological invasion and technological remediation of nature. Ken Rinaldo :: Technology Recapitulates Phylogeny: musings on artificial life :: Living systems, through adaptive behaviour and evolution, naturally seek symbiotic relationships with their environment, which is increasingly technologically mediated. Rinaldo will discuss and illustrate his hypothesis that technological systems - such as artificial life and genetic algorithms - learn and recapitulate the evolved wisdom of living systems, and how the relationship between biology and technology is therefore inevitably symbiotic. 8.15pm close Amy M. Youngs creates mixed-media interactive sculptures and environments which reveal her interest in the complex relationship between technology and our changing concept of nature and self. Her works have been widely exhibited internationally at art centres and galleries, including the Circulo de Bellas Artes, Madrid, Spain; the Visual Arts Museum, New York, USA; and the Art Institute of Chicago's Betty Rymer Gallery, USA. Her work has been reviewed and edited in a diverse range of publications, including Artweek, and she has published essays on genetic art (in Leonardo) and art, technology and ecology (in Nouvel Objet). She has taught at the Columbus College of Art and Design (Ohio) and the Exploratorium (California), and has been an Artist-in-Residence and visiting artist in numerous institutions, including California State University and Massachusetts Institute of Technology. She was awarded an Individual Artist Fellowship Grant from the Ohio Arts Council in 2002. Youngs is currently an Assistant Professor and the Director of the Foundations Program in the Department of Art at The Ohio State University, Columbus Ohio, USA. < www.cgrg.ohio-state.edu/~ayoungs > Ken Rinaldo is a new media artist and theorist who creates interactive installations that blur the boundaries between the organic and inorganic. He believes it is imperative that technological systems acknowledge and model the evolved wisdom of natural living systems, so they will inherently fuse to permit an interdependent earth. For over two decades Rinaldo has been working at the intersection of art and biology, including interactive robotics, biological art, artificial life, interspecies communication, rapid prototyping and digital imaging. His works have been commissioned and widely exhibited internationally at museums, galleries and events, including Transmediale, Berlin; Ars Electronica, Austria; The Kiasma Museum, Finland; The Australian Center for Photography, Sydney; Chicago Museum of Contemporary Art, USA; and the Dutch Electronica Arts Festival, The Netherlands. His work has been reviewed and edited in a diverse range of publications and books, including ArtByte NY, Art Press Paris, Leonardo, and Information Arts by Steve Wilson. He has curated exhibitions specialising in Art and Technology, and has received several grants and awards, including first prize for AVIDA 3.0, 2001, an international competition on Artificial Life. Rinaldo currently Directs and teaches robotics in the Art and Technology program at The Ohio State University, Columbus Ohio, USA. < www.cgrg.ohio-state.edu/~rinaldo > Further information please contact Alessio Cavallaro, Producer / Curator, New Media Projects, ACMI, email alessio@acmi.net.au Acknowledgments The Australian Centre for the Moving Image gratefully acknowledges Stelarc < www.stelarc.va.com.au >, Artist-in-Residence at the Faculty of Art and Design, Monash University, Caulfield Campus, for organising the presentations. ACMI also thanks Jon McCormack and Alan Dorin, Centre for Electronic Media Art (CEMA) < http://www.csse.monash.edu.au/cema > and School of Computer Science and Software Engineering, Monash University; Troy Innocent, Faculty of Art and Design, Monash University, Caulfield Campus; and BEAP 2002 Biennale of Electronic Arts Perth < www.beap.org >. Special thanks to the participating artists. Australian Centre for the Moving Image (ACMI) is dedicated to experiencing, exploring and enjoying the moving image in all its forms. Opening at Federation Square, Melbourne, in late 2002, the state-of-the-art complex will house a screen gallery, two multi-format cinemas, education facilities, screen lounges, and a dynamic range of related experiences. < www.acmi.net.au > :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::::::::::::::::::::::::::::::::::::::::::::::::::: ___________________________________________________ Alessio Cavallaro Producer / Curator New Media Projects + Acting Curatorial Manager tel 61 3 9651 1235 fax 61 3 9651 1600 mob 0402 044 336 email alessio@acmi.net.au 3 Treasury Place East Melbourne VIC Australia 3002 Australian Centre for the Moving Image - opening at Federation Square film - video - television - multimedia - internet - games - emerging media discover Australia's largest moving image collections - join now www.acmi.net.au ___________________________________________________ ********************************************************************** This footnote also confirms that this email message has been swept by MIMEsweeper for the presence of computer viruses. ********************************************************************** ------------------------------------------------------------------------------------------------------------------------------- This communication contains information which is confidential and the copyright of the Australian Centre for the Moving Image. 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