| marco poloni on Thu, 21 Nov 2002 00:04:02 +0100 (CET) |
[Date Prev] [Date Next] [Thread Prev] [Thread Next] [Date Index] [Thread Index]
| [Nettime-bold] unsuscribe |
>-- Original Message --
>Date: Tue, 5 Nov 2002 17:19:31 -0500
>From: Announcer <nettime-l@bbs.thing.net>
>To: nettime-l@bbs.thing.net
>Subject: <nettime> Events [10x]
>Reply-To: Announcer <nettime-l@bbs.thing.net>
>
>
>
>Table of Contents:
>
> World-Information.Org Amsterdam: Exploring the Network Society of Control
>
> Eric Kluitenberg <epk@xs4all.nl>
>
>
> PDPal - Request for feedback
>
> "Scott Paterson" <somebody@sgp-7.net>
>
>
> new work and README.txt
>
> Alan Sondheim <sondheim@panix.com>
>
>
> pubs/new media art
>
> "Soenke Zehle" <soenke.zehle@web.de>
>
>
> Rotterdam psychogeography 23-11-2002 || interact1.walk [test version]
>
> Wilfried Hou Je Bek <wilfriedhoujebek@yahoo.com>
>
>
> http://meta.am/ - panorama
>
> m e t a <meta@meta.am>
>
>
> <nettime> Events [10x]
>
> iara lee/ caipirinha <iaralee@caipirinha.com>
>
>
> Pixxelpoint Newsletter
>
> Blaz Erzetic <blaz@erzetich.com>
>
>
>
>
>------------------------------
>
>Date: Sat, 2 Nov 2002 16:44:30 +0100
>From: Eric Kluitenberg <epk@xs4all.nl>
>Subject: World-Information.Org Amsterdam: Exploring the Network Society
of
>Control
>
>World-Information.Org Amsterdam:
>Exploring the Network Society of Control
>
>******************************************
>World-Information.Org Amsterdam
>November 15 - December 15, 2002
>De Oude Kerk, Amsterdam
>http://www.world-information.org
>******************************************
>
>After World-Information.Org's successful presentations in Brussels,
>Vienna (2000), Munich, Helsinki (2001) and Berlin (2002) it is now
>preparing for a major event in Amsterdam. From November 15 through
>December 15, 2002, World-Information.Org will once again stage its
>extensive exhibition and conference program in the Oude Kerk, the
>earliest parish church in Amsterdam. Here the World-Information
>Exhibition will present digital culture projects by renowned and
>pioneering artists, historic and state-of-the-art control and
>surveillance technology and the results of World-Information.Org's
>research program. Visitors will be offered an art mediation program
>that will enable them to gain inside views of the comprehensive
>content of World-Information.Org.
>
>The exhibition consists of "World-Infostructure", "World-C4U" and the
>"Future Heritage Expo" a series of art projects. During the
>exhibition a temporary media lab will be installed in the Oude Kerk
>called "WIO-Works".
>
>World-Infostructure provides insights in the evolution of
>communication technologies and their consequences for society. It
>presents the progression of historic communication codes to
>state-of-the-art applications, and provides an overview of the
>relation between technology, private investments and common welfare.
>
>In World-C4U, the public experiences how organisations, companies and
>governments use state-of-the-art technologies for control and
>security through hands-on practical biometric applications and live
>demonstrations of surveillance systems. The exhibition also contains
>historical objects such as the code machine 'Enigma'.
>
>WIO-Works is a temporary media lab in which several groups work on
>different themes, each during five to six days. In the Oude Kerk,
>permanent screening facilities and information terminals will be
>equipped and discussions, presentations and workshops will be
>organised so that the public will gain hands-on experiences.
>
>Future Heritage Expo includes projects by (a.o.) the following artists:
>
>Critical Art Ensemble
>http://www.critical-art.net/
>
>A collective of five artists of various specialisations dedicated to
>exploring the intersections between art, technology, radical politics
>and critical theory
>
>Critical Art Ensemble has in recent project focussed on the
>implications Biotechnology, a.o. in the project "GenTerra -
>Transgenic Solutions for a Greener World"
>http://www.critical-art.net/genterra/index.html
>
>
>Arthur Elsenaar & Taco Stolk
>BuBL Space
>Do you need a break from the daily mobile soap? Surround yourself
>with soothing space. Simply press your pocket-size BuBL device.
>Release a bubble of silence. You'll feel pleasantly isolated inside,
>even in a crowded place. Evaporate all phone signals up to three
>meters around. Enjoy the silence. Create your Personal BuBL Space.
>http://www.bubl-space.com
>
>
>The Yesmen
>The Yesmen have staged a series of stunning performances appearing in
>cognito as official spokesmen for the WTO at international trade
>conferences and seminars. Mistakenly identified and invited via their
>spoof website http://www,gatt.org they have recently announced a
>schedule for disbanding the WTO that lead to worried reactions
>world-wide including a parliamentary intervention in Canada.
>http://www.theyesmen.org
>
>Institute for Applied Autonomy
>The Institute for Applied Autonomy (IAA) was founded in 1998 as a
>technological research and development organisation concerned with
>individual and collective self-determination. Their mission is to
>study the forces and structures which effect self-determination; to
>create cultural artefacts which address these forces; and to develop
>technologies which serve social and human needs.
>In Amsterdam a recent "spot-the-cam-in-Amsterdam" action was held to
>map observation camera's in the inner city. IAA has developed a
>system that produces "maps of least surveillance" charting a route
>with as little as possible camera's through any given city, which
>will now be applied to Amsterdam.
>http://www.appliedautonomy.com/
>
>Jill Magid - System Azure
>Jill Magid is currently artist in residence at the Royal Academy of
>Arts in Amsterdam. She explores the aesthetics of surveillance, and
>proposes an alternative treatment of surveillance apparatuses. She
>has recently completed the first phase of a restyling of surveillance
>camera's of the Amsterdam police department by rhinestoning and
>restyling observation camera's at the main Amsterdam police station.
>Magid wishes to bring these observation and control systems in the
>public consciousness by developing an explicit aesthetics of
>observation machines that makes them more visible to the public eye.
>
>RIXC-Riga & Marko Peljhan
>The RIXC group from Riga and Marko Peljhan will set up an
>installation that maintains a live link with the Irbene 32m dish
>antenna, as part of the on-going electronic media monitoring project.
>>>From August 4-12, 2001, twenty five media artists and activists
>>>from three different continents gathered together in the forests
>>>of western Latvia at the site of a Soviet-era 32meter dish
>>>antenna. Formerly used to spy on satellite transmissions between
>>>Europe and North America by the KGB, the antenna was abandoned and
>>>nearly destroyed when the Russians departed in 1994. The dish is
>>>currently under repair for civilan use as one of the top 5 most
>>>precise radiotelescopes in the world.<<
>http://acoustic.space.re-lab.net/lab
>
>0100101110101101.ORG - VOPOS_GPS
>>>quote:
># Anything has been said about this renegade cyber-entity,
># accused of being "simple thief", dubbed as "media dandy"
># and "cultural terrorists" or, simply, "shit".
># 0100101110101101.ORG is the author of some of the most
># perfect media exploits of the last years, such as the
># creation and diffusion, at the opening of the 49th
># Venice Biennial, of the computer virus "biennale.py" or
># the memorable theft of the art gallery Hell.com.
>end quote<<
>
>As part of their project series Glasnost 01.ORG will present their
>project VOPOS_GPS, an interface that allows the audience a 24 hour
>tracking of all movements of 01.ORG via a GPS system.
>HTTP://WWW.0100101110101101.ORG
>
>____________
>
>
>World-Info Conference 2002: The Network Society of Control
>De Balie, December 6 & 7, 2002
>
>De Balie, Centre for Culture and Politics in Amsterdam, will host the
>World-InfoCon conference 'The Network Society of Control', an
>international and interdisciplinary forum for the critical discussion
>of information politics in the network society. A wide variety of
>speakers and participants including researchers, politicians,
>representatives of social interest groups, activists and cultural
>workers will examine recent developments in information security,
>public opinion management, new legislation for intellectual property
>rights management in the digital domain, and the desire for a digital
>commons.
>
>The final program of the conference will be announced shortly and
>will also be made available at the website of De Balie:
>http://ww.balie.nl/wio
>
>____________
>
>
>World-Information.Org is an initiative of Public Netbase/t0 and is
>organised in co-operation with Waag Society / for old and new media,
>De Balie, Centre for Culture and Politics and Netherlands Media Art
>Institute, Montevideo/TBA. The project was previously presented in
>Brussels and Vienna.
>
>World-Information.Org is realised with the financial support of The
>Daniel Langlois Foundation for Art, Science, and Technology;
>Netherlands Culture Fund, Dutch Ministry of Foreign Affairs and Dutch
>Ministry for Education, Culture and Sciences; Mondriaan Foundation;
>Culture2000; VSB Fund and the Amsterdam Fund for the Arts.
>
>http://www.world-information.org
>
>
>
>------------------------------
>
>Date: Mon, 4 Nov 2002 12:59:04 -0500
>From: "Scott Paterson" <somebody@sgp-7.net>
>Subject: PDPal - Request for feedback
>
>Apologies for cross-posting
>
>Hi all,
>We recently completed the alpha phase for an art project called "PDPal"
for
>PDA's and were wondering if the members of this list would be interested
>in
>giving feedback about the project. I don't want to spam the list with the
>application but it is available for download at www.pdpal.com. For those
>of
>you who don't own or have access to a PalmOS-based PDA, there is, a stand
>alone version(2.3MB) for PC's that will run on your desktop.
>
>I am making a presentation of PDPal at the Doors of Perception conference
>(Nov. 14-16) and would love to get the project out there and hear feedback.
>
>Below is a description of the project.
>
>We look forward to your comments.
>Best regards,
>Scott Paterson
>Marina Zurkow
>Julian Bleecker
>
>+ + +
>
>http://www.pdpal.com
>
>+ + +
>
>About PDPal
>PDPal is a public art project for PDA's (personal digital assistants) in
>which users create pictographic maps, noting and exchanging moments from
>their urban experience. PDPal is the first art project to use the mobile
>platform as a mediating and recording device in order to transform everyday
>actions into a dynamic portrait.
>
>Currently in its first version, PDPal is hosted by an "urban park ranger"
>agent named Malewski. Users are prompted to collect and share their maps
>with other users via the infrared beaming capability of PDA's. User's
are
>able to add notes to their maps, and then "beam" their maps with the notes
>to other users. In the next version, PDPal will track where maps have
been
>beamed from user to user throughout the world. Using hot-sync technology,
>PDPal will upload users' maps to the PDPal server, thereby extending the
>application to the web.
>
>PDPal transforms our conventional understandings about maps and geography.
>When PDPal's users record their "position" as a set of "emotional
>coordinates", they are considering their experiences in the city as
>something beyond just street addresses and intersections. The city of
grids
>becomes the city of experiences. By inhabiting both the real and virtual
>realms, PDPal transforms the PDA into a device for writing and visually
>rendering your very own city of experiences.
>
>"We think of PDPal as an emotional Global Positioning System," says
>Paterson, one of the three-artist team. Evocative of Italo Calvino's
>Invisible Cities in the ambitions of transforming the everyday or static
>place into a personal experience, PDPal relies on fluid emotional qualifiers
>to define social place, instead of the formal precision of latitudes and
>longitudes, or street addresses and zipcodes.
>
>The current version of PDPal is on exhibit in installation form at Eyebeam
>Atelier in the Chelsea neighborhood of New York City as part of the group
>show, "Beta Launch". Malewski - a retired taxi driver specific to Chelsea's
>primary, non-art related industry - is one of 10 Urban Park Rangers in
>development. Each park ranger is developed specifically for a particular
>neighborhood.
>
>PDPal is distributed through a beaming box developed by the public art
>organization Creative Time, as well as through the internet at
>www.pdpal.com. Through the beaming box - on constant "beam mode" - PDPal
>is
>offered freely in storefronts, galleries, lobbies, retail locations and
>elsewhere. The final version of PDPal will launch during the Summer 2003
>at
>the Walker Art Center in Minneapolis. PDPal will also be made available
>through ten beaming boxes throughout New York City as part of Creative
Time'
>s wireless initiative.
>
>About the artists
>PDPal was created by polymedia artist Marina Zurkow and architect Scott
>Paterson in collaboration with technologist Julian Bleecker. The project
>conceptually merges Zurkow's work in experience design, narrative and
>character development with Paterson's interest in the interface between
>physical and virtual space. Bleecker brings expertise in mobile platforms
>and a passion for technology as a mode of cultural production.
>
>Zurkow is best known for her animated internet series, "Braingirl" which
>screened at Sundance, the Rotterdam Film Festival and on MTV.
>
>Paterson's work seeks the possibility for "architecture", as a protocol
>between the virtual and the real, that is an interface between the activity
>of our daily lives and the space of the internet.
>
>Bleecker's work focuses on the material and semiotic means by which
>knowledge about the world is established, and how technology is able to
>create playful and serious contestations as to the sanctity of this
>knowledge. Prior to PDPal, his work has been largely as an essayist,
>reviewer and commentator. PDPal represents his first serious foray into
>the
>realm of technology as artistic practice.
>
>About Creative Time
>Creative Time, a New York-based nonprofit organization, has commissioned
>and
>presented adventurous public arts projects of all disciplines. Creative
Time
>co-commissioned PDPAL with the Walker Art Center in Minneapolis.
>
>About Eyebeam
>Eyebeam Atelier is a not-for-profit new media arts organization established
>to provide access, education, and support for students, artists, and the
>general public in the field of art and technology. PDPAL was developed
>during an artists' residency in the summer of 2002, and is part of Eyebeam's
>"Beta Launch" group exhibit, running Oct 15- Dec 1, 2002.
>
>About the Walker Art Center
>The Walker Art Center, a pioneer and catalyst for new media and traditional
>forms of art granted PDPAL an "Emerging Artists, Emergent Media" grant
in
>2002, with support from the Jerome Foundation. The Walker Art Center is
a
>co-commissioner of PDPAL with Creative Time in New York.
>
>About Palm, Inc
>Palm, Inc., a pioneer in mobile and wireless Internet solutions and the
>world leader in handheld computing, was founded in 1992. Palm, Inc
>generously supported PDPal through a donation of Palm Pilots.
>
>
>
>
>------------------------------
>
>Date: Mon, 4 Nov 2002 23:20:11 -0500 (EST)
>From: Alan Sondheim <sondheim@panix.com>
>Subject: new work and README.txt
>
>
>
>
>
>new work at http://www.asondheim.org/portal
>
>over-18 please
>
>0.README.txt at end:
>
>more work forthcoming
>0.README.txt 3.jpg 37.jpg 41.jpg 5.jpg 6.jpg 8.jpg 9.jpg MI3.AVI MI4.AVI
>b2s.mov burlings.mov face7.jpg face8.gif flesh.swf insert.jpg leg.jpg
>life.mov look2.jpg mi5.avi mirror3.jpg mmau.mov more1.jpg more2.jpg
>more3.jpg more4.jpg more5.jpg more6.jpg mov.txt movie.txt nipple.jpg
>nude.jpg nude2.jpg other00.JPG other01.JPG other02.JPG other03.JPG
>other04.JPG other05.JPG other06.JPG other07.JPG other08.JPG other09.JPG
>other10.JPG other11.JPG red.mov seam1.jpg seam2.jpg seam3.jpg seam4.jpg
>seam5.jpg skein01.jpg skein02.jpg skein03.jpg skein04.jpg skein05.jpg
>skein06.jpg skein07.jpg skein08.jpg skein09.jpg skein10.jpg terror00.mov
>terror01.mov terror02.mov theory1.jpg theory2.jpg theory3.jpg theory4.jpg
>theory5.jpg theory6.jpg theory7.jpg theory8.jpg torso.jpg torso0.jpg
>torso1.jpg torso2.jpg tub2.jpg tub5.jpg tub6.jpg tub7.jpg tub8.jpg
>urn8.jpg
>
>README.txt:
>
>These files are remnants, residue, of larger works such as Trilby, 35
>minutes in length. The still images are used in video; the .mov files
>are chained together, modified; sound is added.
>
>We collude between death and sex, to the limits of distortion - space-time
>burns around configurations of terror and the body.
>
>The skin is always a skein of communication. Words are performative only
>to the extent they can persuade physical reality beyond the sememe -
>propaganda or persuasion of language.
>
>Sexuality, body, language, create a matrix of interpenetrations, an
>almost impossible separation of interior and exterior. Space inflates,
>the temporal dimension shudders, reverses, cycles, escapes.
>
>The background of the work is in http://www.asondheim.org/index.html -
>the Internet Text, which continues to be build.
>
>New files will be added here from time to time and cdroms are available.
>
>Alan Sondheim and Azure Carter, sondheim@panix.com
>
>
>===
>
>
>
>------------------------------
>
>Date: Tue, 5 Nov 2002 09:55:27 +0100
>From: "Soenke Zehle" <soenke.zehle@web.de>
>Subject: pubs/new media art
>
>- ----- Original Message -----=20
>From: domiziana giordano=20
>To: DSI=20
>Sent: Monday, November 04, 2002 3:50 PM
>Subject: <no subject>
>
>
>DIAN - Digital Interactive Artists' Network=20
>
>
>
>http://dian-network.com
>
>November:=20
>
>DIAN - Digital Interactive Artists' Network -Stockholm, Sweden=20
>Our focus for the month of November is DOMIZIANA GIORDANO and REINER =
>STRASSER. We proudly present their work:=20
>
>"The Doorman"=20
>
>http://dian-network.com/navigation.html=20
>
>"The doorman" is an interactive, 'photo-cinematic' flash piece, created
=
>with documentary photos of the subject shot over two months. Like =
>insert-cuts in films, the sequences can be played over time and arranged
>=
>in your mind.=20
>
>A doorman spends his days in the dark of his lodge. His chair gives onto
>=
>a wall at one corner of the entrance hall. He cannot have an entire view
>=
>unless he stands on the sill of his porter's office window. Like the =
>doorman of a theatre who cannot enjoy the show, the doorman sits in his
=
>lodge, just witnessing other people passing by.=20
>
>This doorman though, can only hear people entering and leaving the =
>building. His contact with the world outside is limited to the screen of
>=
>a small black and white TV he watches all day long and the letters and
=
>pictures of a newspaper.=20
>
>He hears someone else's life, he watches someone else's life. Time and
=
>life is passing by him. Is he really alive? To live in the dark of a =
>lodge. Was this his intentional choice or was it the only job he could
=
>find?=20
>
>How much the architect's design of the location interferes with the =
>wasting of the doorman's life?=20
>
>
>DIAN - Digital Interactive Artists' Network - is a network for artists
=
>who are seriously involved in using Internet technology in the domain of
>=
>contemporary art.=20
>
>
>
>address: http://dian-network.com=20
>e-mail: info@dian-network.com
>
>------------------------------
>
>Date: Tue, 5 Nov 2002 01:03:56 -0800 (PST)
>From: Wilfried Hou Je Bek <wilfriedhoujebek@yahoo.com>
>Subject: Rotterdam psychogeography 23-11-2002 || interact1.walk [test version]
>
>GENERATIVE PSYCHOGEOGRAPHICAL Experiment
>
>Saturday 23 November 2002
>Gallery Room
>Benthuizerstraat 96-B
>Rotterdam
>Gather at 17.00
>http://www.socialfiction.org
>
>"[T]he great city is the best organ of memory man has
>yet created" - Lewis Mumford
>
>If the city is a database of human culture through the
>ages than generative psychogeography is the query best
>suited for weaving unconnected facts into a logical
>dataset.
>
>This is an example of the .walk software
>psychogeographers will be running during the
>experiment .
>
>This experiment is Phase 0 in the eventual
>construction of the UGPC (Universal Generative
>Psychogeographical Computer).
>
>
>// Interactive Generative Psychogeography
>// Filename: interact1.walk
>// This open source software is produced by
>// www.socialfiction.org
>//
>// T = Time (in minutes)
>// E = Exportcode
>// C = Counter
>
>E = 3
>C = 0
>
>Repeat
>
>{
>
>E = X
>
>1 st street left
>2 nd street right
>X street left
>
>When 2 programs meet
>
>{
>
>Exchange E
>
>C + 1
>
>}
>
>Count T 0 to 60
>If time = 60
>
>{
>
>abort to Root
>print C to socialfiction.org
>
>}
>
>}
>
>
>
>=====
>http://www.socialfiction.org
>http://www.socialfiction.org/psychogeography
>
>
>no fratsen
>
>__________________________________________________
>Do you Yahoo!?
>HotJobs - Search new jobs daily now
>http://hotjobs.yahoo.com/
>
>
>------------------------------
>
>Date: Tue, 5 Nov 2002 02:22:48 -0700
>From: m e t a <meta@meta.am>
>Subject: http://meta.am/ - panorama
>
>
>
>// realtime geographic collage application
>
>
>
>
>
>http://meta.am/flux/panorama/
>
>
>
>
>
>
>
>
>//m
>127.0.0.1
>
>http://meta.am/
>216.71.65.73
>
>
>
>
>
>------------------------------
>
>Date: Sat, 2 Nov 2002 09:52:23 -0500
>From: iara lee/ caipirinha <iaralee@caipirinha.com>
>Subject: <nettime> Events [10x]
>
>- --============_-1175873447==_ma============
>Content-Type: text/plain; charset="us-ascii" ; format="flowed"
>
>upcoming from caipirinha productions, would be grateful if nettime
>could list it in the calendar of events. thanks for the great work
>you guys do.
>
>iara lee
>
>
>
>- --------------------------------------------
> DROP BUSH, NOT BOMBS
> no blood for oil, no war on iraq
>- ---------------------------------------------
>
>
>BOOK LAUNCH: FILM+LECTURE+PHOTO EXHIBIT
>
>IRAQ UNDER SIEGE:The Deadly Impact of Sanctions and War (new edition)
>
>please join us for an evening of conversation about how the last
>twelve years of sanctions and war have affected the iraqi people,
>why the u.s. government is gunning for iraq, and what we can do to
>challenge this.
>
>WEDNESDAY * NOV 13TH * NYC
>@ caipirinha productions
>510 la guardia place- 4th fl
>btw bleecker and houston
>
>from 7 to 9pm
>
>trains: A/C/E or the D/F/Q to west 4th st, or 6 train to bleecker
>to reserve a seat, $5 advance tickets at www.caipirinha.com or first
>come first serve at the door
>
>speakers: anthony arnove, hany khalil
>photos: alan pogue, andre vieira, karen robinson, bill hackwell
>film excerpts: noam chomsky's lecture 'unending wars'
>'paying the price: killing the children of iraq' by john pilger
>'hidden wars of desert storm' by gerard ungerman & audrey brohy,
>narrated by john hurt
>
>www.southendpress.org/books/iraq.shtml
>www.caipirinha.com
>- -------------------------------------------
>Praise for IRAQ UNDER SIEGE:
>
>"This remarkable book is an invaluable documentation of the tragedy,
>and deserves reading by every citizen interested in the appalling
>reality of US and UK foreign policy." -Edward W. Said
>
>"This book gives us a key to understand the New World Order, and
>warns about how Iraq's tragedy may be a model for global bullying and
>global impunity in coming times." -Eduardo Galeano
>
>"This is not only the horrible story of children dying as a result of
>sanctions, but a story our papers are so reluctant to write about."
>- -Daniel Singer, European Correspondent, The Nation
>
>"This is a book not only for the activist, but also for anyone
>concerned with justice and with foreign policy." -The New
>Internationalist
>- ---------------------------------------------------------
>
>- --============_-1175873447==_ma============
>
>
>------------------------------
>
>Date: Mon, 04 Nov 2002 00:20:22 +0100
>From: Blaz Erzetic <blaz@erzetich.com>
>Subject: Pixxelpoint Newsletter
>
>Pixxelpoint 2002 - International Computer Art Festival
>
>- -- Newsletter - November 3 2002 --
>
>Hi to everyone!
>
>For the ones who want to visit Pixxelpoint and come to Nova Gorica,
>we've put some useful info and hotel contacts. Go on our site under
>'Visit Us'.
>
>Opening: November 22 at 8 pm.
>Exhibition will be opened November 23 - 29 everyday 9 am - 9 pm.
>
>Like previous years, Pixxelpoint will feature lectures and concerts.
>This year we'll enjoy the music of Al Capone Strajh Trio, Rambo Amadeus,
>DJ Ivol, DJ MIha Klemencic (Random Logic) and Audioworx.
>To see complete program go on our site under 'Program' section.
>
>If you need invitation letter, please contact Mrs Pavla Jarc at
>mestna.galerija-NG@guest.arnes.si
>
>In case you have a question or comment, don't hesitate to send us an
>e-mail at
>info@pixxelpoint.org
>
>Best regards,
>Blaz Erzetic & Pixxelpoint staff
>http://www.pixxelpoint.org
>
>PS
>If you don't want to receive further informations about Pixxelpoint,
>please kindly reply to this email with "Remove" in subject line.
>
>
>
>
>Pixxelpoint 2002 - Mednarodni festival racunalniske umetnosti
>
>- -- Novice - 3. november 2001 --
>
>Pozdravljeni!
>
>Za tiste, ki si zelijo ogledati Pixxelpoint, smo objavili uporabne
>informacije in kontakte hotelov. Na nasih straneh pod 'Obiscite nas'.
>
>Otvoritev: 22. november ob 20h
>Razstava je odprta med 23. in 29. novembrom vsak dan od 9h do 21h.
>
>Kot prejsnja leta, bodo tudi letos potekala predavanja in koncerti.
>Tokrat bomo lahko uzivali ob glasbi Al Capone Strajh Trio, Rambo
>Amadeus, DJ Ivol, DJ MIha Klemencic (Random Logic) and Audioworx.
>Celoten program na nasih straneh pod 'Program'.
>
>V primeru, da imate kaksno vprasanje ali pripombo, vas vabimo, da nam
>le-to posljete na nas elektronski postni predal
>info@pixxelpoint.org
>
>Lep pozdrav,
>Bla? Erzetic in Pixxelpoint osebje
>http://www.pixxelpoint.org
>
>PS
>Ce ne zelite vec prejemati novic o Pixxelpoint-u, prosimo, odpi?ite na
>prejeti email z "odstrani" v naslovni vrstici.
>
>
>------------------------------
>
># distributed via <nettime>: no commercial use without permission
># <nettime> is a moderated mailing list for net criticism,
># collaborative text filtering and cultural politics of the nets
># more info: majordomo@bbs.thing.net and "info nettime-l" in the msg body
># archive: http://www.nettime.org contact: nettime@bbs.thing.net
marco poloni
m ++41 78 632 20 28
_______________________________________________
Nettime-bold mailing list
Nettime-bold@nettime.org
http://amsterdam.nettime.org/cgi-bin/mailman/listinfo/nettime-bold