[nettime-fr] [75Hertz] SHOBOSHOBO 08# GO AUSTRALIA GO EDITION

[75Hertz <threshold@75hertz.com>]

SHOBOSHOBO 08# GO AUSTRALIA GO EDITION

PATERAS/BAXTER/BROWN (australie)
SECTION AMOUR (france)
NATASHA ANDERSON (australie)
WILL GUTHRIE (australie)

JEUDI 30 SEPTEMBRE 2004
20H30 / 5?

STUDIO 14 PARADIS
14, RUE PARADIS
METRO GARE DE L'EST



PATERAS/BAXTER/BROWN (australie)

Formed in mid-2002 in Melbourne by Anthony Pateras (prepared piano/electronics), Sean Baxter (percussion), and David Brown (guitar/electronics), the Trio was inspired by a shared desire to explore extreme forms of extended technique on conventional acoustic instruments in an improvised context.  Pateras/Baxter/Brown play acoustic, freely improvised music, utilising various compositional devices to create fluid and dynamic structures and sound. The cornerstone of the group sound is the use of "preparation"--a process of manipulating familiar acoustic sounds by introducing foreign objects directly onto and/or into the sound boards and sound producing components of conventional instruments.
Through the use of preparation, the group has at its disposal a shared set of sonic possibilities, where it often becomes ambiguous as to what instrument, or which performer, is producing the particular sounds that the listener hears. The Trio has developed a solid improvising language in which all players are simultaneously aware of the logic a given performance has taken and are free to develop that logic in practically any direction. This internal language is given even greater depth by the allusion to numerous traditions of percussive-based contemporary and traditional music, including contemporary classical chamber music, rarefied improvisation and non-western percussive traditions such as gamelan.
Pateras/Baxter/Brown perform regularly in Australia and at numerous high profile experimental music events including: Impermanent Audio in Melbourne in May 2003, the NOWnow festival in Sydney in January 2004, and at the Make It Now Festival of Improvised music in Melbourne in February 2004. They have released a CD on Synaesthesia called Ataxia (SYN009) which is now receiving rave reviews from both electronic and printed press internationally.  They are touring Europe in support of Ataxia in October 2004.
http://www.synrecords.com/label.html

SECTION AMOUR (france)
Émergence spontanée de la constellation Active Suspension/Clapping Music/Evènement !/Shoboshobo, la Section Amour est basée sur l'interaction entre un groupe d'artistes improvisateurs et un programme informatique, chef d'orchestre virtuel délivrant aléatoirement consigne de jeux, « couleurs », images. Droit de véto pour ou contre la machine, pour ou contre les autres improvisateurs, complètent un système de jeu perpétuellement ouvert, infiniment renouvelable. Le collectif compte dans ses rangs et selon les performances Karine Larivet (Noak Katoï), Olivier Lamm (O.Lamm), Damien Poncet (My Jazzy Child), Raphaël Seguin (Erich Zahn), Aurélien Potier (Relpot), F.P Clavel (François Pier), Stéphane Laporte (Domotic), Bertrand Groussard (King Q 4), Davide Balula et Mehdi Hercberg (Minifer).
http://sectionamour.evenement0.net/

NATASHA ANDERSON (australie)
Australian musician/installation artist performing with the unique combination of contrabass recorder(blokfluit), electronics, voice and mixed media. Since completing her music studies at the Amsterdam Conservatorium and with a masters in performance studies, she has performed and devised works in the genres of improvisation, electro-acoustic composition and performance/installation, presenting a wide range of music in Europe, Japan, New Zealand and around Australia.
Currently influenced by the work of visual artists Hannah Wilke, Helen Chadwick and Cindy Sherman, Natasha is interested in exploring how the framing of identity and embodiment may be articulated and read within performances that combine the aural with the visual. Rejecting any idea of essentialism, Natasha plays with an (often awkward) juxtaposition of dualities -- corporeal/instrumental, corporeal or instrumental/digital, acoustic/processed (Max/MSP), improvisation/composition and surface/interior as well as employing extreme frequencies and dynamics.
http://www.ausland-berlin.de/offen/viewEventEntry.do?blog:blogid=2443

WILL GUTHRIE (australie)
Will Guthrie est un percussionniste Australien qui utilise des instruments qu'il construit lui-même, des objets trouvés qu'il amplifie ainsi que les plus conventionnels toms et cymbales. Il apprécie différents styles de musique comme le rock, le jazz et le flamenco et ne veut pas se restreindre à un genre spécifique. Will préfère la diversité, il aime travailler dans diverses situations que ce soit avec des marionnettistes, des danseurs ou des plasticiens.
En Australie, il a organisé et présenté de nombreux concerts avec des artistes locaux. Il s'occupe également d'un label de musique expérimentale et improvisée : ANTBOY MUSIC. Il s'est produit en Australie, en Nouvelle-Zélande, en Chine, au Japon ainsi qu'en Europe ce qui lui a permis de rencontrer et de jouer avec Matthew Earle, Adam Süssmann, Greg Kingston, Robbie Avenaim, Jim Denley, Ferran Fages, Tim 'sic' Goldie, Tetuzi Akiyama, Katsura Mouri, Ichiraku Yoshimitsu, John Butcher, le danseur de flamenco Johnny Tedesco et les membres de la troupe de théâtre Snuff Puppets. Will habite à Nantes.

www.antboymusic.com


+ d'infos sur http://www.shoboshobo.com


-----------------------
www.75hertz.com
sound art network
-----------------------














-----------------------------------------------------------------------
This email has been sent with an unregistered version of MaxBulk Mailer
MaxBulk Mailer is a  new easy-to-use mail merge software for  Macintosh


 
 
< n e t t i m e - f r >
 
Liste francophone de politique, art et culture liés au Net  
Annonces et filtrage collectif de textes.
 
<>  Informations sur la liste : http://nettime.samizdat.net
<>  Archive complèves de la listes : http://amsterdam.nettime.org
<>   Votre abonnement : http://listes.samizdat.net/wws/info/nettime-fr
<>  Contact humain : nettime-fr-owner@samizdat.net