| nettime on 19 Nov 2000 20:32:07 -0000 |
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| <nettime> 10 Announcements |
From: developer@lfoundation.org
Subject: lfoundation.org - PIECE 3 - ding #4 - LUXUS8DAYS
From: mail <mail@movingimagegallery.com>
Subject: A new media discussion
From: Tara McPherson <tmcphers@usc.edu>
Subject: JOB ANNOUNCEMENT: USC Interactive Media
From: Thomas Keenan <tkeenan@binghamton.edu>
Subject: Film & Electronic Arts, Bard College
From: "Stephan [iso-8859-1] Schrder" <spiv@hgb-leipzig.de>
Subject: 1 year www.verybusy.org / searchengine for netart
From: Andreas Broeckmann <abroeck@v2.nl>
Subject: DEAF_00 Symposium - Machine Times, 17-18 Nov - LIVE ONLINE
From: Aras Ozgun <aries@escape.net>
Subject: Pierre Levy Conference & Webcast Announcement
From: "yann@x-arn.org" <yann@x-arn.org>
Subject: Looking For Carbon
From: "[iso-8859-1] honor" <honorharger@yahoo.co.uk>
Subject: Spacings :: Mute @ Tate Modern :: Live Online
From: developer@lfoundation.org
Subject: lfoundation.org - PIECE 4 - bere- f i/o - LUXUS8DAYS
From: developer@lfoundation.org
Date: Thu, 16 Nov 2000 00:00:11 +0100
To: developer@lfoundation.org
Subject: lfoundation.org - PIECE 3 - ding #4 - LUXUS8DAYS
During the luxus 8 days program Peter Luining (lfoundation) will show
8 net.pieces, each day one piece. Online and at the same time at
LUXUS on: november 9, 11, 16, 18, 23, 25, 30 and december 3.
Presentations at LUXUS on above days from 13.00 - 17.00. The individual
online pieces are only 24 hours available on the net.
Thursday November 16 (00:00 - 23:59 C.E.T) - Piece 3 - ding #4
http://www.luxus8days.nl/pieces/3
*note: to experience Piece 3 - ding #4 you need the latest
version of the macromedia shockwave plugin. This can be downloaded
at: http://www.macromedia.com/shockwave/download
LUXUS - INDEPENDENT ARTSPACE
Boekhorststraat 99
Den Haag
http://www.luxus8days.nl
email: weijer@xs4all.nl
tel. +31-70-3926637
#...........................
#...........................
Date: Wed, 15 Nov 2000 21:11:30 -0800
From: mail <mail@movingimagegallery.com>
To: mail@movingimagegallery.com
Subject: A new media discussion
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A REMINDER
A new media discussion: November 16, 2000, 7-9 pm
at
Moving Image Gallery
414 Broadway 3fl
(at Canal Street)
with
artists:
Diane Bertolo
Angie Eng
Annette Weintraub
and
moderator: Helen Thorington
The artists will discuss their work and address issues raised by their
presentations in the ByPaths exhibit at the Moving Image Gallery,
November 2-26.
Diane Bertolo, whose work explores the relationships to technology of
personal, social and cultural constructs, presents "channelUntitled", a
work that tunes into spectres that haunt three instruments of
communication: the telephone, the computer and the radio.
Ang Eng's work probes the surface of awkward subtelties of everyday life.
In Empty Velocity, a work dedicated to the life of the digital nomad, she
combines the forces of technology and the wisdom of emptiness to describe
the contradictory nature of life.
Annette Weintraub's projects examine architectural envronments as
metaphorical spaces. In Crossroads, she works with images, animation and
audio to create layered, simultaneous narratives that explore the
capacity
of film and advertising culture to shape our sense of time and place.
Helen Thorington is the originator and producer of the turbulence
website,
and an artist whose current focus is on distributed Internet performance
events and intermedial transformations. She is the curator of ByPaths.
New Radio and Performing Arts, Inc.
120 Tysen Street, Staten Island, NY 10301-1120
email: newradio@interport.net
URLs: http://turbulence.org
http://somewhere.org
#...........................
#...........................
Date: Wed, 15 Nov 2000 19:12:20 -0800
From: Tara McPherson <tmcphers@usc.edu>
Subject: JOB ANNOUNCEMENT: USC Interactive Media
USC Interactive Media
USC's School of Cinema-Television, one of the nation's leading
institutions in this field, has a tenure-track, open rank position in
Interactive Media. We are seeking someone with a broad vision and experience
who can help develop and direct a trans-disciplinary program in this area, one
that draws upon all existing divisions within the School: Production, Critical
Studies, Writing, Animation, and Producing.
Specifically, a candidate's experience should include production in the
interactive field, teaching at the college or university level, and an
engagement with the social and cultural impact of the new technologies. Other
desirable qualifications include: a combination of theory and practice; a
substantial body of publications, exhibitions and/or productions; and
administrative experience.
Since the rank is open, the salary is negotiable, commensurate with
experience. Interviews begin immediately. We wish the position to be filled no
later than Fall 2001. Interested parties should address inquiries or forward a
bio, CV and the names of three references to Prof. Jerry Isenberg, Chair of
the Interactive Search Committee, School of Cinema-Television, The University
of Southern California, University Park, Los Angeles, CA 90089-2211. Deadline
for submission is January 10 2001.
USC is an EOE/Affirmative Action employer.
#...........................
#...........................
Date: Thu, 16 Nov 2000 16:57:30 -0500 (EST)
From: Thomas Keenan <tkeenan@binghamton.edu>
To: nettime <nettime-l@bbs.thing.net>
Subject: Film & Electronic Arts, Bard College
Nettimers, please note our interest in "production skills in film/video,
interactive multi-media, digital media/networks or a hybrid combination of
these forms" for the job described below. Tom Keenan <keenan@bard.edu>
----------------------------------
POSITION IN
FILM AND ELECTRONIC ARTS
The Film and Electronic Arts Program at Bard College invites applications
for a full-time, tenure track position in media production and studies.
Assistant or Associate level, salary commensurate with experience and
qualifications, to begin Fall 2001.
We are looking for an individual who possesses:
a strong record as a practicing artist; outstanding creative
accomplishments in contemporary imagemaking and a commitment to the issues
and discourses within the field. The successful candidate is also expected
to have area/s of historical, critical or aesthetic specialization, and be
confident in developing related history/theory course offerings within a
rigorous, liberal arts environment.
An ideal candidate should demonstrate evidence of (1) teaching
effectiveness appropriate for an undergrad population (2) production
skills in film/video, interactive multi-media, digital media/networks or a
hybrid combination of these forms (3) a strong commitment to encouraging
media as a creative practice (4) intellectual engagement in areas of their
own research (5) a commitment to teaching media as an academic discipline
within the context of a liberal arts setting.
Bard College is a small liberal arts college with a strong emphasis on the
arts. The undergraduate enrollment is 1,200 with a significant number of
production, history and aesthetics and media related student interest.
The Film and Electronic Arts program is designed to integrate various
creative practices with the study of theory and criticism. The program's
emphasis leans neither towards fixed professional formulas nor mere
technical expertise, but toward imaginative engagement and the cultivation
of an individual artistic voice that has a command over the entire
creative process.
Please send letter of application, a cv, and names of three references to:
Film and Electronic Arts, c/o Human Resources, Bard College, P.O. Box
5000, Annandale-on-Hudson, NY 12504. AA/EOE For additional info go to
http://inside.bard.edu
ENDS
#...........................
#...........................
Date: Fri, 17 Nov 2000 04:25:30 +0100
From: "Stephan [iso-8859-1] Schröder" <spiv@hgb-leipzig.de>
To: nettime-l@bbs.thing.net, nettime@bbs.thing.net
Subject: 1 year www.verybusy.org / searchengine for netart
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1 YEAR - VERYBUSY.ORG (v.3) www.verybusy.org
The one and only searchenige for NETART related projects.
don't hesitate - submit ya work today.
autonomous platforum for netartists and related people.
---------------------GERMAN TEXT-----------------
Die SUCHMASCHINE für NETZKUNST:
www.verybusy.org
feiert 1 jähriges Bestehen der vorliegenden Version (3).
In diesem Rahmen möchte ich mich bei allen bedanken die ihre Netzkunst
Projekte angemeldet haben (inzwischen ca. 800) , die verybusy.org auf
ihren Sites verlinkt haben und durch die zahlreichen Beiträge die Idee
einer autonomen Plattform überhaupt erst untermauert haben.
Für die Zukunft wird eine Generalüberholung der Datenbank mit einem
gewichtigen Partner in der Medienkunstszene fokusiert.
__________________________________________________________
BESCHREIBUNG:
Das Ziel von verybusy.org ist zum einen Einstiegspunkt für
Netzkunstinteressierte zu sein, zum anderen die Arbeit des Archivierens
und Dokumentierens dieser Kunstform aufzunehmen.
Verybusy.org versteht sich dabei als ein "Container" - ein Skelett,
welches durch die dezentrale Eingabe der Netzkunst begeisterten Benutzer,
beständig gefüllt, erweitert und damit verbessert wird. Im Gegensatz zu
anderen (Medien/Netz)Kunst- oder Kulturservern und kommerziellen
Suchmaschinen, beschreitet verybusy.org - "center for hardwired arts"
einen neuen Weg. Der Inhalt der Projekt-Datenbank ist weder durch
automatische und damit Kontextlose Suchroboter aufgeblasen, noch durch
die einzelne Objektivität einer Redaktion eingeschränkt. Die Maxime des
Servers beruhen auf Autonomität, da dies ein Maximum an Objektivität
gegenüber heutiger Netzkunst erbringt. Neben der Kunst Datenbank
unterstreicht der Server das autonome Handeln der Benutzer in zahlreichen
anderen Bereichen. So ist es möglich das Titelbild frei zu gestalten,
Dateien auszutauschen, Diskurse zuführen und selbst die Fehlermeldungen
(404 Datei nicht gefunden) kann durch den Besucher gestaltet werden.
__________________________________________________________
Um die verybusy.org Netzkunst Datenbank direkt auf Ihren Seiten zu
implementieren, fügen Sie folgenden Code in Ihre Seite ein:
-- copy & paste ------------------------------8>< - - - -- -----
<form action="http://www.verybusy.org/cgi-bin/search.pl" name="Formular"
target="_blank">
SEARCH AT www.verybusy.org
<input type="text" name="searchkeys" size="20">
<input type="hidden" name="parameter" value="all">
<input type="hidden" name="target" value="_blank">
<input type="submit" name="Submit" value="go">
<input type="button" name="add" value="add project"
onClick="document.location.href =
'http://www.verybusy.org/add_remote.htm'">
</form>
-- copy & paste ------------------------------8>< - - - -- -----
stephan (spiv) schröder.
__________________________________________ ___ __ _ _
www.verybusy.org ::::::::: center:::4::hardwired::::arts ::::::::: ::::
... . .
___________________________________ ___ __ _ _
Stephan (Spiv) Schröder
[ mail ] ....... spiv@genex.de / mail@spiv.de
[ phone ] ... 0341-2291601
[ mobile ] .. 0173-5732381
[ web ] ....... www.spiv.de *last update: 03.11.2000*
___________________________________________ _
Advertising:
www.verybusy.org >>>>>>> searchengine 4 netart.
#...........................
#...........................
Date: Fri, 17 Nov 2000 10:30:34 +0200
To: syndicate@aec.at, nettime-l@bbs.thing.net
From: Andreas Broeckmann <abroeck@v2.nl>
Subject: DEAF_00 Symposium - Machine Times, 17-18 Nov - LIVE ONLINE
DEAF_00 - DUTCH ELECTRONIC ART FESTIVAL
SYMPOSIUM - MACHINE TIMES
Dates: Friday November 17 - Saturday November 18, 2000
Location: Lantaren/Venster, Gouvernestraat 133, 3014 PM Rotterdam
and at http://www.v2.nl/deaf/ (Live!)
SPEAKERS:
FRIDAY November 17:
12.30 Peter Weibel (artist and theoretician, A)
13.30 Atau Tanaka (sound artist, J)
15.30 Nils Abramson (holographist, S)
16.30 Kodwo Eshun (pop music critic, GB)
SATURDAY November 18:
12.00 AE (Gisele Trudel/Stephane Claude): S8P antennas, transmissions (video
and sound performance, CDN)
13.30 Robert Levine (anthropologist, USA)
15.30 Eugene Thacker (theoretician of science, USA)
16.30 Douwe Draaisma (psychologist, NL)
MODERATORS:
- Birgit Richard (cultural scientist, D)
- Timothy Druckrey (cultural theoretician, USA)
Further information about the speakers is available at http://www.v2.nl/deaf
TICKETS:
DEAF_ticket hotline: +31 (0)10 277 22 82 at Theater Lantaren/Venster.
PRICES:
Normal price: one day: fl.100,- , two days fl.150,-
Reduced price: one day: fl.60,- , two days: fl.100,- (CJP, studentcard, 65+)
BOOK:
The book that comes with the festival includes essays of the participants
of the symposium, plus extra interviews with Francisco Varela
(neurologist), Detlef Linke (neurologist) and Mark Taylor (theologist). It
also features the projects of the following artists: art+com, Claudia
K^Ölgen, Atau Tanaka and Kasper Toeplitz, Gerald Van Der Kaap, Andrej
Ujica, Mari Soppela, Woody Vasulka, Perry Hoberman, Ana Giron, Eike, Martin
Reinhard and Virgil Widrich, Barsamian, John F. Simon jr., Marnix de Nijs,
Ikuo Nakamura, Akitsugu Maebayashi, Ron Kuivila, Christian Kessler, Dieter
Jung.
A complete schedule of the whole festival can be found on our website:
http://www.v2.nl/deaf
#...........................
#...........................
To: nettime-l@bbs.thing.net
Date: Wed, 15 Nov 2000 23:09:14 -0500
From: Aras Ozgun <aries@escape.net>
Subject: Pierre Levy Conference & Webcast Announcement
---- deCenter presents ----
(http://www.decenter.org)
PIERRE LEVY
author of
Becoming Virtual: Reality in the Digital Age
and
Collective Intelligence: Mankind's Emerging World in
Cyberspace
speaking on:
OMNIVISION
"After television, omnivision. Cyberspace allows us to show
everything to everybody from everywhere. We are collectively
building and exploring a hyper-icon that is a virtually
infinite fractal image of mixed reality and fiction : the great
simulation. What does it mean to learn and teach when
billions of hyperlinked automedia broadcast their versions
of truth? What kind of global cyberdemocracy shall we
invent when the whole planet will be connected and will
discuss everthing in virtual communities?"
Monday November 20, 6pm
Wolff Conference Room, 2nd floor 65 Fifth Avenue
New School University
Webcast: http://www.dialnsa.edu/pierrelevy
Sponsored by the Sociology Department of the Graduate
Faculty and the Media Studies Department, New School
University
#...........................
#...........................
Date: Thu, 16 Nov 2000 15:18:21 +0000
To: nettime-l@bbs.thing.net
From: "yann@x-arn.org" <yann@x-arn.org>
Subject: Looking For Carbon
H-H H H <O=O>
| H-H / <O=O>
H H <O=O>
H #ff0000 O #0000ff
Next online meeting in LFC world : \ / \ /
Wednesday November 22 C'- C. C'- C.
6:00 PM / FRANCE + YUGOSLAVIA / \ / \
8:00 PM / MOSCOW - C. C'- C. C'-
12:00 PM / USA (NEW-YORK) \ / \ /
C'- C. C'- C.
^Ýselect your avatar/atom color / \ / \
- C. C'- C. C'-
http://lfc.x-arn.org \ / \ /
^Ýupload your own samples C #000000
Looking For Carbon, is a 3d / vrml based Multi-Users world
in which every Avatars/Atoms are sounding (loop).
You can intervene on global sound by locating you in this
"DNA-cloud world" regarding to others, modify the pitch of
your/other Avatars/Atom by rotating them.
It also include a chat room where you can discuss the way
of mixing generated sound.
\___/ \___/
+ / \ __ / \
Ar-N2 + - O ----OH -----> Ar N = N --- 0 ---OH
\___/ \___/
/ \ / \
Looking.For.Carbon
©_left/G.Cliquet/ARN 10 2000
information/bug reports/comments feel free to contact greg@x-arn.org
#...........................
#...........................
Date: Fri, 17 Nov 2000 21:36:50 +0000 (GMT)
From: "[iso-8859-1] honor" <honorharger@yahoo.co.uk>
To: xchange@re-lab.net
Subject: Spacings :: Mute @ Tate Modern :: Live Online
[ The following text is in the "iso-8859-1" character set. ]
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ANNOUNCING A SPECIAL LIVE WEBCAST FROM TATE MODERN IN
LONDON, THIS SUNDAY 19 NOVEMBER.
**** Spacings: Pre-fab Man Meets the Invisible City****
The first Mute Seminar on Culture and Technology
http://www.tate.org.uk/webcasting/live.html
< sincere apologies to anyone who receives this twice, or
receives this in error >
Time and Date
1430 - 1730 [ GMT ]
1530 - 1830 [ Central European Time ]
East Room, Level 7, Tate Modern, London, UK
Are you turning your Edwardian dilapidated dwelling into a
pirate media ship? Could you say wherever you lay your
mobile phone 'that's my home'? Do you ever get the feeling
your supermarket is watching you? Do you associate public
space with franchised cappuccino bars? Have you heard of
airlines' new deportation class? Do you aspire to live out
of town, in the city centre, or in cyburbia?
What do any of these questions have to do with each other?
Technology and culture magazine Mute
<http://www.metamute.com> has organised an afternoon of
discussion and screenings to examine the feedback loops
between physical and information space. Held simultaneously
on-site at Tate Modern <http://www.tate.org.uk>, and online
via Real Audio, the event will explore how the speeds,
flows and database logic of information networks impact in
urban and national geographies. Which new spaces are
opening up and which ones are getting lost as public space
gets 'branded to the bone' and the 'digital agora' gives
rise to a wave of direct action?
Presented live online (in audio) using the Real Player.
Live audio available at:
http://www.tate.org.uk/webcasting/live.html
ABOUT THE EVENT
The seminar will features presentations, discussions and a
20 minute preview of Patrick Keiller's forthcoming C4
series,"Dilapidated Dwelling" on today's housing and
planning status-quo will be screened.
Invited speakers are:
- Ros Diamond - part-time lecturer on the MSC in advanced
architectural studies at the Bartlett Graduate School
(Space Syntax Department)
- Kodwo Eshun - author of 'More brilliant than the Sun:
Adventures in Sonic Fiction' and techno-cultural critic
- Patrick Keiller - documentary filmmaker and director of a
forthcoming TV series on housing and urban thinking,
'Dilapidated Dwelling', to be screenedon C4.
- Florian Schneider - film maker, writer and media
activist, member of thecollective action network 'No One is
Illegal' and co-organisor of the 'Cross the Border'
campaign <http://www.contrast.org/borders/>.
- James Stevens - founder of the independent media lab
Backspace and co-organiser of the user-constructed, free
wireless broadband network 'consume.net'
<http://www.consume.net>
Spacings will be moderated by David Panos - cultural critic
and research director of newly formed documentary and
social & qualitative research company, Year Zero
TECHNICAL DETAILS
If you haven't listened to webcasting online before, read
these instructions carefully.
To listen to this webcast, you'll need access to a computer
with a sound card, a connection to the internet (at least
28.8K), and the Real Player installed. This can be
downloaded for free that the Real Networks website
<http://www.real.com>. The direct link to the free
RealPlayer is
<http://proforma.real.com/real/player/player.html?src=000919realhome_2,000919rpc
hoice_h1&dc=922921920>.
Make sure you download the BASIC VERSION of the Real
Player.
It would be best if you knew that your computer is able to
play audio in the Real Player before you listen to the
webcast.
Until the webcast begins at 1730 GMT there will be no audio
available at the above website..
BACKGROUND
http://www.tate.org.uk/webcasting
This year Tate are operating a pilot programme of
webcasting. Webcasting is the term used to describe the
real-time delivery of moving images, moving text and
sound, over the internet. Webcasting software allows
internet audiences to listen or watch types of media,
which have, up until now, been considered too large and
bulky for consumption over the internet.
Over the next 6 months, webcasting will operate in a pilot
phase at Tate Modern within the Education and
Interpretation department. The long-term objective is for
the remit of the Webcasting Programme to be Tate-wide. The
objective is look to the future and thoroughly research
and test possibilities, which may eventually form the basis
of a long term plan for webcasting across Tate sites. In
this pilot phase, aspects of Tate's public events programme
will be webcast live to internet audiences, and events
will be documented and presented on Tate's website for
audiences to view afterward. Education and interpretation
materials will be developed for the internet, and online
discussion forums introduced. Webcasting activities being
explored in the pilot phase include:
- Tate Modern's Public Events programme
- The Turner Prize
- Online Interpretation materials
- Online Conferences & Discussions
- Video Conferencing
- Online Audio Tours
- Distance learning & Online Courses
- Workshops and Seminars
FEEDBACK
As these webcasts are part of a testing process, I would
very much appreciate it if listeners of the event can
provide qualitative feedback that will help shape the
character of live webcasts from Tate Modern in the future..
MORE INFORMATION:
About the webcast: Honor Harger, Webcasting Curator, Tate
Modern
honor.harger@tate.org.uk
PH: (44) 020 7401 5066
http://www.tate.org.uk/webcasting/
About Tate or getting tickets for the event: Tate Box
Office
PH: 020 7887 8888
Tickets: £10 (concessions £7)
http://www.tate.org.uk
About Mute: Mute Magazine
mute@metamute.com
http://www.metamute.com
=====
<london + amsterdam>
_______________.play
<honor@va.com.au> <http://www.radioqualia.net>
_______________.work
<honor.harger@tate.org.uk> <http://www.tate.org.uk/modern/>
____________________________________________________________
Do You Yahoo!?
Get your free @yahoo.co.uk address at http://mail.yahoo.co.uk
or your free @yahoo.ie address at http://mail.yahoo.ie
#...........................
#...........................
Date: Sat, 18 Nov 2000 00:00:22 +0100
To: developer@lfoundation.org
Subject: lfoundation.org - PIECE 4 - bere- f i/o - LUXUS8DAYS
During the luxus 8 days program Peter Luining (lfoundation) will show
8 net.pieces, each day one piece. Online and at the same time at
LUXUS on: november 9, 11, 16, 18, 23, 25, 30 and december 3.
Presentations at LUXUS on above days from 13.00 - 17.00. The individual
online pieces are only 24 hours available on the net.
Thursday November 16 (00:00 - 23:59 C.E.T) - Piece 4 - bere- f i/o
http://www.luxus8days.nl/pieces/4
*note: to experience Piece 4 - bere- f i/o you need the latest
version of the macromedia shockwave plugin. This can be downloaded
at: http://www.macromedia.com/shockwave/download
LUXUS - INDEPENDENT ARTSPACE
Boekhorststraat 99
Den Haag
http://www.luxus8days.nl
email: weijer@xs4all.nl
tel. +31-70-3926637
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