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Table of Contents: lostlove.robot38.com goes live! "josef clean" <press_releases@robot138.com> M1 - May Day - Brisbane/Melbourne molly hankwitz <mollybh@netspace.net.au> www.octapod.org.au/s/articles.html Sean Healy <evolver@loud.org.au> Playing bass with whale tails: Sean Healy <evolver@loud.org.au> DJ Spooky vs. the Hyperdub Kru "Katasonix" <data@katasonix.demon.co.uk> Asia Internet and Democracy Online Conference - May 2001 Steven Clift <slc@publicus.net> For the announcer:::ANNOUNCING THE SHORT LISTS FOR THE 2001 POETRY AND FICTION E "][mez][" <netwurker@hotkey.net.au> : : verbindingen: :: :: jonctions : :: 5 "constant" <info@constantvzw.com> Station Rose Webcast Lounge at Art Frankfurt Station Rose <gunafa@well.com> Media Channel Update Robert Atkins <robertatkins@earthlink.net> Invitation Kalina Bunevska <kbunevsk@soros.org.mk> Visit to Amsterdam "Lorenzo Taiuti" <md3169@mclink.it> Conference: Race in Digital Space fran ilich <ilich_030@hotmail.com> pension midi das ende der nahrungskette <jg@monochrom.at> Biennale / Video-Visual Poetry "ART ELECTRONICS" <clprezi@tin.it> ------------------------------ Date: Tue, 24 Apr 2001 17:11:46 -0400 (EDT) From: "josef clean" <press_releases@robot138.com> Subject: lostlove.robot38.com goes live! 24 APRIL 2001 FOR IMMEDIATE RELEASE josef clean and robot138.com are proud to announce the release of a new net.art project by chris bassett, the lostlove project. the work was released to a limited test audience on 5 april 2001, and is now being released for public viewing and use. the lostlove project is accessible at http://lostlove.robot138.com. microsoft internet explorer 5.0 is recommended, but any modern browser will work. no plugins are necessary. about the work: - ---------------------- losing at love is an experience everyone has gone through to some degree. the loves that we lose are the ones that we remember most vividly and for the longest. they also make the most interesting love stories. the lostlove project aims to compile stories about lost love. users enter stories which are then linked by the lostlove engine to create a metanarrative of a relationship. - ---------------------- about the artist: - ---------------------- chris recieved his BFA in graphic design from western michigan university in 2001. he has participated in many digital art exhibitions in the united states and worldwide, most recently in south africa and michigan. he is part of the cleansuit:collaborative (http://cleansuit.robot138.com), pursuing world domination through media. chris lives and works in the s.f. bay area of california. a previous net.art work of his is accessible at http://jkk.robot138.com. chris may be contacted at lostlove@robot138.com - ---------------------- http://lostlove.robot138.com ------------------------------ Date: Mon, 23 Apr 2001 20:31:32 +1100 From: molly hankwitz <mollybh@netspace.net.au> Subject: M1 - May Day - Brisbane/Melbourne (expanded version) DOWN UNDER the struggle continues in solidarity with movements to stop the FTAA, activists in Melbourne and Brisbane are planning demonstrations to shut Stock Exchanges (7am Brisbane) under the 'rubric' - M1 on May Day, 2001 In the expanding global economy, the Asia- Pacific is a vital territory for western nationalism and economic rationalism! Last September's S11 in Melbourne welcomed the AsiaPacific Economic Summit with speakers John Howard (Australian Prime Minister) and Seattle's Bill Gates with 10,000 strong blockade around Melbourne's Crown Casino, growing to 30,000 and lasting 3 days with multiple arrests and excessive police violence utilized to stop peaceful dissent. Western capitalism has tentacles near and far! Read all about it! http://www.s11.org http://www.indymedia.org (melbourne link) : ' ) **************************************************** Molly Hankwitz archimedia/leonardo electronic almanac Studio Instructor QUT - ACADEMY OF THE ARTS - VISUAL ARTS Lecturer in Digital Identities GU - School of Visual Arts mob: 0438 050759 m.hankwitz@qut.edu.au **************************************************** ------------------------------ Date: Wed, 25 Apr 2001 12:55:06 +1000 From: Sean Healy <evolver@loud.org.au> Subject: www.octapod.org.au/s/articles.html Have just uploaded a batch opf interview and articles that get published in Sydneys 3D mag, a free street press focussed on club culture.... http://www.octapod.org.au/s/articles.html where you'll find lots including these: I/V with Phil Jackson about Fractal Music - 3D,01. I/V with Ian Haig about Web Devolutions - 3D, 01. I/V with Flash wiz, BRAINGIRL - 3D, 01. I/V with Kat Mew, bout Leckytonic arts & her kitty core mutations, - 3D, 01. I/V with Taz from Vario Air, about multimedia CD making, - 3D, 01. I/Vwith David Thrussell from SNOG, Black Lung,etc about McDonalds & latest CD - 3D, 01. Interview with IKO, French video producer and streamer - 3D, 01. Techno Body Modification - 3D, 00. I/V with Alex Burns, editor of Disinfo.com - 3D, late 00. I/V with The Surveillance Camera Players - 3D, late 00. Videodelic review, mac live video Effects software from UI Software - 3D, late 00. I/V with Doctor Audio Morph - discusses Audio DNA - 3D, Oct, 00. Interview with Miriam English, Virtual Reality Association ( far out ;-) - 3D, Oct, 00. Interview with Robin Rimbaud aka Scanner - online privacy, future of music. - 3D, Oct, 00. I/V with Eick & Gemini Soldier of symbiotic, Brisbane based VR world builders - 3D, Sep , 00. I/V with Andrew Garton, of Toy Satellite computer & music collective in Melbourne - 3D, Sep, 00. I/V with Cindi & Justin of Tesseract - Syd video triggerers and Projectroom collective - 3D, Sep, 00. Electrofringe 2000 preview - 3D, Sep, 00. and my personal favourite ;-) an interview with this guy who makes ambient techno with a cactus!!!! Cactus Man - I/V with cactus composer, Greg Jenkins - - 3D, Sep,00. ciao!! any feedback welcomed :-) jean poole ------------------------------ Date: Wed, 25 Apr 2001 12:56:12 +1000 From: Sean Healy <evolver@loud.org.au> Subject: Playing bass with whale tails: Playing bass with whale tails: exploring the role of visuals at raves was my latest uni essay.... http://www.octapod.org.au/s/whalebass.html any feedback welcomed :-) sean in brisbane, OZ http://www.octapod.org.au/electrofringe/2000 ------------------------------ Date: Wed, 25 Apr 2001 00:25:08 +0100 From: "Katasonix" <data@katasonix.demon.co.uk> Subject: DJ Spooky vs. the Hyperdub Kru # # # SECRET DJ SPOOKY LONDON APPEARANCE - SPREAD THE WORD # # # DJ Spooky(NYC) vs. the Hyperdub Kru FRIDAY 4TH MAY Trams Bar (formerly Jaegos) 28-30 Rivington Street Shoreditch London EC2A 3DZ 6-2am FREE ENTRY Mood Modulators: DJ Spooky kode9 Dirty Sanchez Generation 4 www.hyperdub.com ------------------------------ Date: Tue, 24 Apr 2001 19:31:04 -0500 From: Steven Clift <slc@publicus.net> Subject: Asia Internet and Democracy Online Conference - May 2001 Please pass on to your contacts in Asia and anyone you think would be interested in learning about the role the Internet is playing in civil society in this important region. - Steven Clift, Democracies Online - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Online Conference, Starts May 2001 ... --- Forward Please ---> The Internet and Democracy Across Asia: Online Trends in Governance, Civil Society and Media To participate, e-mail: do-asia-subscribe@yahoogroups.com Hosted by Democracies Online Newswire - Join over 1800 subscribers on our main low volume, announcement e-list - http://e-democracy.org/do - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - *** Full Details *** The Internet and Democracy Across Asia: Online Trends in Governance, Civil Society and Media - ------------------------------------------------------ An online conference via e-mail hosted by Democracies Online - http://www.e-democracy.org/do - May 2001 Join experts, practitioners, and journalists interested in role of the Internet in democracy, governance, civil society, politics, and media across the many countries of Asia. This is the first online event on these trends specifically focused on Asia. If you have a story to tell, research to share, or want to simply learn about what is happening, then join us. The online conference will begin in May 2001 once 150 participants subscribe to our facilitated e-mail list. The online exchange will last approximately one month. There is no fee to participate. Please help spread the word. To participate, send an e-mail to: do-asia-subscribe@yahoogroups.com Note: The e-mail list of participants will remain private and anonymous participation is permitted. "Lurkers" are welcome. You will be asked to confirm your subscription via e-mail. The DO- ASIA online event uses simple e-mail list technology. Posting rules and guidelines will help limit the number of messages each day in to enable those with slow or limited Internet connections to participate fully. The primary language of the online exchange is English. The use of other languages is appropriate and additional conversations, country or language-specific via other web forums or e-mail lists, organized by online event participants are encouraged. Country Contacts are sought to promote this event in specific Asian countries. If you can help make this a great online event, join the DO-ASIA Team by subscribing to our behind the scenes online event organizing e-mail list <do-asia-team-subscribe@yahoogroups.com>. Further information on the Democracies Online Newswire is enclosed. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Democracies Online Newswire - DO-WIRE http://www.e-democracy.org/do - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Join the Democracies Online Newswire - DO-WIRE 'must reading' 'highest quality' DO-WIRE is your primary source for what's important and happening with the convergence of democracy and the Internet around the world. DO-WIRE is a free, low volume, moderated e-mail announcement list. To subscribe for convenient e-mail delivery or read recent posts on the web, visit: http://www.e-democracy.org/do Or send the command "SUB DO-WIRE" in the message body to <listserv@tc.umn.edu>. Be sure to reply "ok" to the confirmation e-mail request you receive. Launched in January 1998, DO-WIRE now connects over 1800 experts, practitioners, journalists, and citizens from around the world. If you are interested in democracy online, which includes politics online, new media, e-governance, online advocacy, citizen interaction and related topics, then join us. Each week, well known e-democracy expert and speaker Steven Clift <http://publicus.net> forwards, with occasional analysis, up to seven carefully selected messages. Posts include news, article, and report web links, event and conference announcements, calls for papers, and often uncover important "primary source" online resources, projects, and initiatives of significance. DO-WIRE Member Submissions and Comments The large and diverse subscriber base on DO-WIRE makes this information exchange network so vibrant. Share your text-only submissions for review to: do@publicus.net In the end, comments from DO-WIRE members are the best invitation to join: 'must reading' 'highest quality' 'interesting content' 'keeps me informed ... not inundated' 'incredibly rich, diverse, deep coverage' 'best source ... invaluable resource' 'your contributions are ... informative and enlightening' 'thoughtful analysis and provocative personal perspective' E-Democracy E-Book Democracy online trends from the last decade are explored in Steven Clift's draft "E-Democracy E-Book." Themes previously covered by DO-WIRE are summarized in this article. The E-Book and dozens of articles, presentations, and highlighted posts are available online from: http://www.publicus.net Please forward this message to others who are interested in networking with others across the global democracy online community. If you have a web site, please add links as appropriate. Thanks. 20 APR 2001 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Democracies Online Newswire - DO-WIRE http://www.e-democracy.org/do - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Online Conference, Starts May 2001 ... --- Forward Please ---> The Internet and Democracy Across Asia: Online Trends in Governance, Civil Society and Media To participate, e-mail: do-asia-subscribe@yahoogroups.com Hosted by Democracies Online Newswire - Join over 1800 subscribers on our main low volume, moderated e-list - http://e-democracy.org/do - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - ------------------------------ Date: Wed, 25 Apr 2001 09:57:41 +1000 From: "][mez][" <netwurker@hotkey.net.au> Subject: For the announcer:::ANNOUNCING THE SHORT LISTS FOR THE 2001 POETRY AND FICTION ELECTRONIC LITERATURE AWARDS *************************************** THE ELECTRONIC LITERATURE ORGANIZATION ANNOUNCES THE SHORT LISTS FOR THE 2001 POETRY AND FICTION ELECTRONIC LITERATURE AWARDS Chicago, IL, April 17 - The Electronic Literature Organization (ELO) is pleased to announce the short lists for the first Electronic Literature Awards. The 2 $10,000 Award-winners will be announced at a ceremony May 18, 2001 at the New School's Swayduck Auditorium in New York City (Ground Floor, 65 Fifth Avenue, between 13th and 14th). 16 judges have whittled the international pool of 165 works down to a short list of 6 in each category. Final Judges Heather McHugh (Poetry) and Larry McCaffery (Fiction) will select the winner in each category. Tickets for the May 18th ceremony are available online for $10 @ http://eliterature.org/Awards2001 "Many of the first and second round judges commented on the remarkable diversity of works submitted," said Scott Rettberg, executive director of the ELO. "Collectively, these works represent the efforts of a nascent literary movement that takes the electronic media not only as a new means of distributing literature, but also as an interactive space that can be utilized to create entirely new kinds of literary art." **************************************************** SHORT LIST FOR THE 2001 ELECTRONIC LITERATURE AWARD FOR FICTION "Alternumerics" by Paul Chan of Brooklyn, New York, U.S.A. "Lexia to Perplexia" by Talan Memmot of San Francisco, California, U.S.A. "Patchwork Girl" by Shelley Jackson of Seattle, Washington, U.S.A. "_the data][h!][bleeding texts_" by Mez of Wollongong, New South Wales, Australia "These Waves of Girls" by Caitlin Fisher of Toronto, Canada "The Impermanence Agent" by Noah Wardrip-Fruin et al. of New York City, New York, U.S.A. **************************************************** SHORT LIST FOR THE 2001 ELECTRONIC LITERATURE AWARD FOR POETRY "Configuration" by Hilary Mosher-Buri of Iowa City, Iowa, U.S.A. "Cyberpoetry Underground" By Kominos Zervos of Gold Coast, Queensland, Australia "Him" by Dane Watkins of Somerset, England, U.K. "The Minotaur Project" by Kim White of Brooklyn, New York, U.S.A. "Nepabunna" by Geniwate of Prospect, South Adelaide, Australia "Windsound" by John Cayley of London, England, U.K. **************************************************** MEDIA CONTACT: Scott Rettberg <rettberg@eliterature.org> 773.769.3540 **************************************************** ABOUT THE WORKS NOTE: More extensive info is available at eliterature.org/Awards2001 +++++++++++ FICTION +++++++++++ "Alternumerics" by Paul Chan MEDIUM: Web (with font installation) URL: http://www.nationalphilistine.com/alternumerics/ Author's Decription: Alternumerics presents work based on a collection of fonts that explore the fissure between language, interactivity, and translation. The fonts, "Self portrait as a font", "Sexual healing / shift for harassment", and "The future must be sweet - after Fourier" transform the traditional form and function of computer based fonts by replacing the individual letters and numbers (or the alphanumerics) with textual fragments which connect and signify what is typed in a radically different way. Each fontpiece is accompanied by another piece of work that uses the font to explore the relationship between what is written, what is translated, and fundamentally, what is communicated when we use language to describe the slipperiness of the Self, the intangibility of Desire, or the sheer possibility of a Politics of the future. - --------------- "Lexia to Perplexia" by Talan Memmott MEDIUM: Web URL: http://trace.ntu.ac.uk/newmedia/lexia/index.htm Author's Description: Lexia to Perplexia is a deconstructive/grammatological look at the construction of User narratives through the attachment to the Internet apparatus. A mix between theory and fiction, the work makes wide use of neologisms, advanced coding, and graphics while exploring the hidden agencies of attachment and network desire. - --------------- "Patchwork Girl" by Shelley Jackson MEDIUM: CDROM CATALOG URL: http://www.eastgate.com/catalog/PatchworkGirl.html Author's Description: Patchwork Girl is a hypertext novel comprising original fiction and borrowed texts, art and theory. It tells the story of a female Frankenstein monster. - --------------- "_the data][h!][bleeding texts_" by mez MEDIUM: Web URL: http://netwurkerz.de/mez/datableed/complete/index.htm Author's Description: _the data][h!][bleeding t.ex][e][ts_r remnants from email performances d-voted to the dispersal of writing that has been n.spired and mutated according 2 the dynamics of an active network. the texts make use of the polysemic language system termed _mezangelle_, which evolved/s from multifarious email exchanges, computer code flavoured language and net iconographs. - --------------- "These Waves of Girls" by Caitlin Fisher MEDIUM: Web URL: http://www.yorku.ca/caitlin/waves Author's Description: These Waves of Girls is a hypermedia novella exploring memory, girlhoods, cruelty, childhood play and sexuality. The piece is composed as a series of small stories, artifacts, interconnections and meditations from the point of view of a four year old, a ten-year old, a twenty year old... - --------------- "The Impermanence Agent" by Noah Wardrip-Fruin, a.c. chapman, Brion Moss, and Duane Whitehurst MEDIUM: Web URL: http://www.impermanenceagent.com Author's Description: A small "Agent" window that the user places in a corner of their screen, a proxy server, and a web server. The Agent window tells a story. The proxy server monitors user web browsing and alters browsed pages. The information from proxy monitoring is used to customize the story, and the customized version is served to the Agent window from the web server. Customization continues until none of the original story remains. - --------------- +++++++++++ POETRY +++++++++++ "Configuration" by Hilary Mosher Buri MEDIUM: Web URL: http://home.dencity.com/buriweb/ Author's Description: A poem in seven parts, with instruction in a geometrical drawing and accompanied by "editor's" comments, related texts, and figures. - --------------- "cyberpoetry underground" by Komninos Zervos MEDIUM: CDROM Author's Description: cyberpoetry underground: the whole navigation is in a 3d textual space, text animations, hot-spotted panoramas of text, and synthesized voice sound poetry. It's authored for mac. Readers journey through 5 qtvr (quicktime virtual reality) 360 degree panoramas of text representing 5 stations of the london underground. In each panorama the text objects that make the scene are hyperlinks to animated sound/text cyberpoems. - --------------- "Him" by Dane Watkins MEDIUM: Web Web-URL: http://www.comfylux.com/him Author's Description: A hypertext poem where the lines lead to different aspects of male identity cut out of magazines and the reader becomes lost in the permutation. - --------------- "The Minotaur Project" by Kim White MEDIUM: Web web-URL: http://www.home.earthlink.net/~theminotaurproject/ Author's description: The Minotaur Project is a poem cycle in four parts. It is part of a longer poem that reimagines the classical myth of Kore. Minotaur is one of the elements Kore encounters in the underworld. When finished, this long poem will exist only in the computer. - --------------- "Nepabunna" by geniwate MEDIUM: CD-ROM Author's Description: The work uses remote sensing data from the Landsat 5 satellite as the starting point, then progresses to a mythopoeia of contemporary technology (using Australian Aboriginal themes) and finally cites string theory as an example of the nexus between science/beauty/truth. Poetry and digital media combine to examine this nexus. - --------------- "Windsound" by John Cayley MEDIUM: CDROM Author's Description: 'windsound' is a 'text movie' animated by transliteral morphs (textual morphing based on letter replacements) through a sequence of nodal texts. 'windsound' is based on original texts by myself, plus my own translation of a Song period lyric, 'Cadence: Like a Dream' by Qin Guan (1049-1100). It is designed to be viewed as an all-but-linear movie. Once started, it plays through a sequence taking about 20 minutes. While it plays continuously, the text which you read (where not composed) is algorithmically generated. (In later, still unfinished pieces such text movies are navigable, becoming similar to so-called 'obejct movies'.) While the piece has narrative and fictional qualities, it is submitted as poetry since I write out of a tradition of innovative poetry, and because the piece addresses linguistic structures at a granular level: as literal art. ************************************* ABOUT THE ELECTRONIC LITERATURE ORGANIZATION The Electronic Literature Organization is a 501(c)(3) nonprofit organization with a mission to promote and facilitate the writing, reading, and publishing of literature designed for the electronic media. Based in Chicago, ELO is directed by a national board of leading experts in electronic literature, internet business, and electronic publishing, and is additionally advised by an international board of literary advisors and a board of internet industry advisors. The ELO maintains the Electronic Literature Directory and an Electronic Literature Web Resource Center, staffed by a network of leading e-lit writers operating independently in different parts of the USA. ELO is supported by the donations of individual members, by corporations including ZDNet, and by foundations including the Ford Foundation. . . .... ..... net.wurker][mez][ n.sert cens][wh][or][e].ship here xXXx ./. www.hotkey.net.au/~netwurker .... . .??? ....... ------------------------------ Date: Wed, 25 Apr 2001 11:45:46 +0200 From: "constant" <info@constantvzw.com> Subject: : : verbindingen: :: :: jonctions : :: 5 > CE MESSAGE EST AU FORMAT MIME. Comme votre lecteur de courrier ne comprend pas ce format, il se peut que tout ou partie de ce message soit illisible. >> V E R B I N D I N G E N / J O N C T I O N S dddddddddd C O D E dddddddddd dd dd dd dd > > > > > dd dd ddddddddd dddddddddd dd 04 - 26 MAI dd MEI dd MAY dd dd dd dd dd dd dd dd dddddddddd dddddddd > > > >> >> > _____________________________________ http : www.constantvzw.com/vj5 CODE Four letters. A word which goes from one discipline to another. Which plays with limits. Computer code, genetical code, law code, codes of behaviour, dress codes... And when we think we've grasped it, it seems to be the opposite of what we expected. We use codes to program data and to solve genetic sequences. We call for code to inflict a penalty or to mention open source project. Every time this word appears, it raises questions about norms and deviations. When talking of the computer, the notion of code implies revelation as well as mystification of information. Is there a way out of the matrix? For its fifth edition, Jonctions, the new media festival of the association Constant, will focus on the idea of code: its definition, its history, and above all the different interpretations of the word code: genetic code, social code, gender codes... Jonctions5 invites you to drift into an arborescence of films and videos, lectures and demos, performances and workshops, scientific experiences and concerts. OPENING 04 /05 Dansaert Centrum 20:00 LECTURE Andrew Hodges (UK-Lecturer at the Wadham College, Oxford University) "Alan Turing, The Enigma" Andrew Hodges UK (mathematician, Research Fellow of Wolfson College, Oxford University) will present a web of connections illustrating the life and work of Alan Turing, the founder of computer science. Alan Turing lived from 1912 to 1954; his observations, as mathematician, philosopher, and openly gay man, now have more meaning than ever before. As Turing foresaw, the concepts of mind and machine, communication and codes, sexuality and society, rules and freedom, are now all in flux http://www.synth.co.uk/ - -- VIDEO INSTALLATION 04-26/05 Dansaert Centrum wed - sun 13:00 -19:00 Harun Farocki, "I thought I was seeing convicts", Frankreich/Deutschland, 2000, video, color/b/w, 27min Farocki's film is an assembly of images from video surveillance cameras in supermarkets and prisons, scenes from feature and documentary films. It shows the degredation of man as he becomes a mere object of control, questioning the point at which protection becomes control. http://www.farocki-film.de/ - -- VIDEOS 05+06 /05 Dansaert Centrum During the VJ5 and KFDA opening week-end, Constant invites you to 2 video projections. The first is made of 3 videos staging technology fantasy and itching. The second is dedicated to the Valins Experiment, conducted by Isabelle Stengers and Vincianne Despret. 13:00 +17:00 Programme 1 Anouk De Clercq Whoosh, B, video, 2001, 12 min - Première Motion pictures, motion graphics, music interplay in this poetic reflection on our accelerated age. Simon Pummell Blinded By Light, UK, video, 2000, 7 min The story of a man's struggle to learn to see. Craig Baldwin Spectres of the Spectrum, USA, 1999, 16mm, 93 min This science-fiction allegory traces a history of media technology from its early days to a 21st century "New Electromagnetic Order" that threatens to take total control of our lives. http://www.othercinema.com 15:30 Programme 2 Didier Demorcy Expérience Valins Isabelle Stengers B, 1999, video, 50 min Vincianne Despret The Valins Experiment was conceived with the aim of exploring and elucidating the multiple and confused relationships between body, consciousness, and situations able to produce emotional reactions. It shows that synthetic emotion is no more genuine or false than live emotion. - -- SOFTWARE WORKSHOPS Workshop 1.1 Recompile with "_deprecations" 8 to12 /05 Dansaert Centrum 14:00 - 19:00 Which code for today ? 1 Open Forms of Collaboration Programming is connected to desire. As techno users we are too often limited by the computer in the realisation of our projects. Code writing allows us to modify this: what do WE want the machine to do, what is OUR project? We can't do it alone. To achieve complex realisations, we have to invent new forms of collaboration, new forms of practice, and engage firmly in an alternative approach towards intellectual property. 08 05 Introduction The workshop will begin with an open discussion with Xavier Le Roy FR. Xavier Le Roy is a dancer, but has also trained as a molecular biologist. His experience as a performer and scientist made him suspicious of the notion of authorship and shaped his interest in the production of attainable utopias. 08 +09 05 Sounds In the Distance Udo Noll D said: I am not a programmer but an artist that can program. He has a long experience in projects where technology and collaborative art interact. Recently he decided to produce a continuous sound stream live on the net: someone walking with a minidisc can send the surrounding sound to a server that adds it to a dynamic database of audio samples. http://www.humbot.org - http://king.dom.de/equator http://king.dom.de/parole/ Workshop 1.1 Recompile with "_deprecations". 08 -12 /05 14:00 - 19:00 Centre Dansaert Centrum 10 +11/05 Peer to Peer The Freenet network is made up of decentralized computers. It has been created to guarantee absolute freedom of speech. The quality of its encryption and its peer-to-peer architecture have made Freenet a strong successor of Napster and Gnutella. Steven Hazel USA is musician and Freenet programmer. He will demo Freenet and explain how it can be used and developed. He will introduce his new project Soundmosaic and open the debate about copyright, the free flow of information and cultural goods. http://freenet.sourceforge.net/ http://www.oreillynet.com/cs/user/view/wlg/883.fleshmade 8 +12/05 agency B 12/05 Loïc Vanderstichelen B 16:00 agency will make a follow up to the workshop by archiving some of the discussed topics in the "uses of property database". It will focus on the practice of reappropriation inherent to programming. Loïc Vanderstichelen will discuss a critical aspect for the tenants of proprietary software: compatibility. For this he will give an introduction to the use of the emulators and to the problematics of audio and video compression. http://agencydb.grmbl.com/ 12/05 Discussion 19:00 Kaaitheater-studio's Round table within the context of Tricoter by Xavier Le Roy F. Questions about authorship, copyrights and attainable utopia's will be at stake. With the performer Jérôme Bel and Annabelle Hagman, jurist. 2 Interaction programming and scenarios The current practices of interactive creativity are too often synonymous with Photoshop and HTML.This workshop is aimed at bringing the participants beyond this and learning how to script in Lingo and discover the advanced scripts for Flash. 17 +18/05 Director with Lia, AU, graphic programmer, specialized in Lingo. She is the founding member of the art server hell.com, and contributed to the Japanese CD-ROM edition GASBOOK, her CD-ROM's have been awarded in festivals like Viper, Transmediale, World Wide Video Festival Rotterdam,... She will give a practical introduction to the lingo scripts for Director. http://www.silverserver.co.at/lia - http://www.re-move.org http://www.turux.org 19/05 Flash with Corrine Petrus NL , lives and works in Rotterdam. She is a computer-programmer She has her own Computer Consultancy Business called Webdiva. She taught Flash for several years and maintained a helpdesk. She'll give an introduction to advanced scripts for Flash. http://www.webdiva.nl. http://www.tech-women.nl/Bulletin/cyberfeminists.htm Workshop 2 Halles de Schaerbeek 23 to 25 /05 3 Performance in integrated live and media formats Dr Lizbeth Goodman Director Of The Institute For New Media Performance Research and head of the Department of Theatre and Performance Studies andVesna Milanovic, Researcher, School of Performing Arts University of Surrey (UK) The Extended Body Project is a prototype distance-teaching program suitable for the creation of multimedia performance events and tutorials on linked sites or 'classrooms' in real space and online. The aim of the project is to discuss the politics behind new media performance: gender politics, ethnic and the body politic, and the politics of transforming artistic practices, as well as to develop an awareness of how the theatrical and physical vocabularies of performance using digital technologies develop at the same time as the critical and theoretical. http://www.surrey.ac.uk/EBP/ PORT: Performance Online in Real-Time The PORT system juxtaposes real-time filmed moving bodies with their computer contours, or with previously recorded images. The modified image may be used as a modulator for the system. http://www.surrey.ac.uk/~dap2vm/image.html 23/05 17:00 - 20:00 Introductory talk about gender, sexuality and technology: being in the system and breaking free from it, etc. Brief presentation of 4 software packages for exbod (tk3, viewhear, ivisit and boardpower) and two derivative packages (port and vip). 24/05 14:00 - 19:00 A mock tutorial/performance session with colleagues in Amsterdam, London, Phoenix, Vancouver and New york. 25/05 14:00 - 19:00 Performance Online in Real-Time: tutorial + 19:00 A live link up to a theatre stage in London for a puppet show. Wrap-up discussion and plenary with TerreThaemlitz USA/JP http://www.comatonse.com/thaemlitz/. - --- CONCERT/VIDEO/PERFORMANCE Halles de Schaerbeek Terre Thaemlitz, "Interstices" 25 /05 19:00 Spoken words 20:30 Concert 300 Bef http://www.comatonse.com/listening/interstices.html Terre Thaemlitz' newest electroacoustique release, "Interstices" (meaning, "small spaces or cracks between objects"), ostensibly presents itself as an album about process. In particular, the accompanying text discusses two processes called 'framing' and 'systolic composition.' In particular, this project is interested in using 'interstitial' sounds andcompositional processes as metaphors for cultural processes which exist between dominant binarisms of sexuality, gender and ethnicity. The compositions in "Interstices" raise issues of transgenderism (including intersexuality and transsexuality), Queer pansexuality, identity politics, and the essentialist dangers of the disenfranchised 'homecoming' fantasy.Thaemltiz also discusses the frustrations of developing audio discourse in a marketplace whichrepeatedly restricts fair-use sampling, arguing that musicians should be able to use sampling in the same manner that writers use quotations with footnotes. As usual, he undertakes these discussions with a critical (and at times campy) eye to his own actions as a producer. Terre thaemlitz is a former "Underground Grammy Award" winning DJ from New York's Transexual clubs, and founder of Comatonse Recordings in 1993.. - --- EXPERIMENTAL CINEMA:" CALCULATED CINEMA" 16-22 /05 Filmmuseum Screenings 16 + 17/05 20:15 18 to 22/05 22:15 Reservations 02 507 83 70 (60-90 BeF - 120 pl) Calculated Cinema is a seven part series that focuses its attention on the pioneering use of computers and electronics in experimental films. It looks at the creation of new procedures in animation and, explores movement, light and synchronicity between music and image, weaving a fabric of cross-references. These concerns range from the first avant-garde groups, to examples in more recent work, from the binary geometry of calculated images to other arithmetical applications based on stills, and other principles of systematic composition. The juxtaposition of different techniques, eras, aesthetic directions, and very diverse natural images serve to establish both the relationships and contrasts that pertain to this field, and which can be observed in the works of artist-film-makers as Oskar Fischinger, Mary Ellen Bute, John and James Whitney, Jordan Belson, Peter Kubelka, Werner Nekes, Larry Cuba and Robert Darroll. 16 05 20:15 Calculated cinema will be introduced by Eugeni Bonet (SP) writer, film maker, curator and tutor at the Fine Arts Department, Barcelona. 1 Notions of Calculus 16 /05 2 Elements of Image 17 /05 3 Geometry and Oscillographs 18 /05 4 Arithmetic of Frame and Bit 19 /05 5 Lumigraphy, Chromophony and Abstronica 20 /05 6 Machine-Language: Permutations 21 /05 7 Cosmic Arabesque 22 /05 - --- PRESENTATION/WORKSHOP Dansaert Centrum 13 /05 14:00 - 19:00 Ira Marom Is/D initiated the "Modern Museum of Transient Art" of Cologne (a museum of fictional sociology art that questions the manipulation of identity through information technology). - --- PARTIES + CONCERTS + SCIENCE Halles de Schaerbeek 19 +25 +26 /05 Capture 20:30 Final party 300 Bef This year the kunstenFESTIVALdesArts and Constant have chosen the Halles de Schaerbeek to host three experimental parties. Three nights, three party labs. 19/05 Physics for dummies and metal vibrations performances Object Foton, B Ultraphonist Foton, B Geographique B Thomas Köner G djs Vainqueur Chain Reaction, G Lem Heroika, B Trep Pneu, B 25/05 Gender détournement and blurred senses Terre Thaemlitz Comatonse USA + Jp 19:00 Spoken words 20:30 Concert 26/05 Sound ecosystem and multi-layered ground performances Weshm B + Ned Köhn B Chazam F Grand Magasin F Negative Entropy B + UK installations Michael Prime UK Zélie F djs Yvette Klein Traum, G Jacqueline Klein Traum, G Riley Reinhold/Triple R Kompakt, Traum, G Nurse Pneu, B - -- MEDIASPACE/VIDEOLIBRARY 04-26 /05 Dansaert Centrum Wed to Sun 13:00 - 19:00 Mediaspace Multidisciplinary space inviting the audience to watch websites, videos, cd-rom, beta programs, freewares and try-outs selection, and according to the festival program, to follow conferences, workshops, debates and video projections. And it's free! Videolibrary Popular cinema and its vision of code/Science fiction, horror and thriller/ Code as visual element and drama component/Hidden, exchanged, stolen/ Cause of blackmail and games, it is the initiated's weapon/ Playful tool or power attribute, it is the mean of access/But there is always a game rule/Who will follow the game, who will deviate it? - -- DISCUSSION 26 /05 Dansaert Centrum 16:00-18:00 A media-space in Brussels: access, workspace and education Debate on the need for a public media-space in Brussels. How, where, with who and for whom? Questions will be subject to public debate between experienced people from Brussels and abroad who will present models and ideas, and locals of different practices such as new media, education, artist, youth centers, activists and permanent education workers, who will talk about their need for such a space. If we consider the cultural potential of digital media, research and exchange, such a space cannot be limited to a consultation-space for video, cd-rom and internet work, but also as an education space for workshops and presentations, a meeting place where people from different practices such as socio-cultural, artistic, research & development can meet , exchange information and know-how. Along with a physical space, one must investigate the possibilities of a web-platform to give access to information, education and exchange. Adresses - Adressen Verbindingen/jonctions 5 Centre d'Entreprises Dansaert Bedrijvencentrum Dansaert 9-11-13 Rue d'Alost, 1000 Bruxelles Aalststraat 9-11-13, 1000 Brussel Constant: 02 539 24 67 Musée du Cinéma Filmmuseum 9 rue Baron Horta, 1000 Bruxelles Baron Hortastraat 9, 1000 Brussel 02 507 83 70 Halles de Schaerbeek Hallen van Schaarbeek 22a Rue Royale Sainte-Marie, 1030 Bruxelles Koninklijke Ste-Mariastraat 22a, 1030 Brussel 02 218 21 07 Kaaitheater Studio 81 rue Notre-Dame-du-Sommeil, 1000 Bruxelles Onze-Lieve-Vrouw Van Vaakstraat 81, 1000 Brussel 02 201 59 59 _____________________________________ Met de steun van/Avec l'aide de/ _____________________________________ Vlaamse Gemeenschapscommissie Kunstenfestival des Arts Vlaamse Gemeenschap IRISnet>> Stad Brussel/Ville de Bruxelles Musée du Cinéma/Filmmuseum Halles de Schaerbeek BNV Producciones Extensions 3#3 -Xavier Leroy Tabula Rasa ------------------------------ Date: Wed, 25 Apr 2001 18:58:24 +0200 From: Station Rose <gunafa@well.com> Subject: Station Rose Webcast Lounge at Art Frankfurt dear Gunafa Netizen, here is the Concept & Fahrplan for the Webcast Lounge at Art Frankfurt : 27.4.-1.5.2001 location: 1.1 F71 Messe Frankfurt daily 11am-8pm CET STReams : <http://www.stationrose.com> programm: - ------------------------------------------------------- 1.0 - STATION ROSE Webcast-Lounge (Konzept deutsch.) 1.1 - Webcast-Lounge (short concept english.) 1.2 - STReaming Fahrplan in the Webcast Lounge: Webcast Days 139 - 142. 1.3 - FRI/27.4. : Art Frankfurt Opening. Webcast 139 incl. STReam to EMAF festival: Station Rose is part of the congress STReaming their lecture from Frankfurt to Osnabrueck 3pm CET. 1.0 STATION ROSE Webcast-Lounge auf der Art Frankfurt 27.4. - 1.5.2001 - ----------------------------------------------------- http://www.stationrose.com http://www.artfrankfurt.de Konzept deutsch. Es ueberrascht nicht, dass zu einem Zeitpunkt, an dem die Euphorie des e-commerce nuechternen Fakten weichen muss, auch gleich die net-art für tot erklaert wird. Dabei wird bei allen Zusammenhaengen zumeist auf die Unterschiede vergessen. Beide nutzen das Medium Internet, allerdings nach ihren je eigenen spezifischen Logiken. Kurzzeiterfolge gelten auch bei e-commerce eher als Ausnahme, der Langzeiterfolg der net-art ist schon heute in der Fachwelt der Kunst unbestritten. Die net-art ist der juengste evolutionaere Schritt der sogenannten Medienkunst, die konsequent seit den 60-er Jahren die alten Denk- und Weltmodelle hinter sich gelassen hat. Station Rose versteht sich in der Kontinuitaet der Medienkunst, die in rascher Abfolge diverse Begriffe von Kunst und Praktiken generiert hat. Knapp formuliert, handelt es sich dabei um eine Kunst, die der Expansion bezueglich Mobilitaet des Menschen, des symbolischen Kapitals und der Medialisierung von Welt via Telemedien in tatsaechlich zeitgenoessischer Weise entspricht. Medienkunst, die sich selbst an der Schnittstelle zwischen Kunst, Technologie und Gesellschaft konzeptualisiert hat, ist eine avancierte Kunst, die heute eng mit den aktuellen Ideen und technischen Entwicklungen in der net-culture verbunden ist. In diesem Zusammenhang hat Station Rose seit 1999 das STReamen von Daten zu einer Grundlage der eigenen Arbeit gemacht. STR ist seit 1991 online. Seit 1.1999 finden regelmaessig Webcastings auf <www.stationrose.com. statt. 2000 schlugen wir der Art Frankfurt das Konzept der Webcast Lounge vor. Station Rose (Elisa Rose: Visuals, Gary Danner: Sounds) gestaltet und kuratiert auf der Art Frankfurt 2001 einen 110m2 grossen Messestand als Webcast-Lounge. Diese ist sowohl als begehbare Medien-Installation, als auch als Echtzeit-Sendestation erlebbar. Das installative Setting der Lounge und die diversen Computer mit ihren windows und doors in den cyberspace stellen dabei keineswegs einen Gegensatz dar. Denn es ist gerade das Surfen zwischen den unterschiedlichen Wirklichkeitsbereichen und den entsprechenden Moeglichkeiten sozialer Interaktion, das den Thrill der sparten-, genre- und raumuebergreifenden electronic-culture ausmacht. An den Abenden und Nachmittagen waehrend der Messe werden Livesendungen von der Lounge aus in das Internet geSTReamt, beziehungsweise werden Live-STReams von ausgesuchten internationalen Kuenstlern und Kuenstlergruppen aus dem World Wide Web in die Lounge projiziert. Am ersten Abend, zur Vernissage, wird STR eine audio-visuelle Performance STReamen, sowie um 15h ihren Vortrag beim Kongress des Festivals EMAF von der Lounge in Frankfurt aus streamen. Weiters werden Gaeste zu Wort kommen. Es wird eine speziell gestaltete Sitz-Lounge eingerichtet, deren Module je nach Situation neu angeordnet werden koennen. Destillate aus dem Fluss der Streams materialisieren sich zu Stoff, Print Outs, Sound Loops. Projektionen aus dem Internet tauchen die Webcast-Lounge in das passende Fluessig-Design, welches von STR & Gaesten jederzeit geaendert und upgedated werden kann. Das Ambiente der Lounge traegt die hypermediale Handschrift von Station Rose. Elisa Rose übernimmt die visuelle Gestaltung der Projektionen, der Stoff-Produktion und der Installation, Gary Danner das Sounddesign. Hans Romanov betreut die Info-theke in der Lounge. 1.1 STATION ROSE Webcast-Lounge at Art Frankfurt 27.4. - 1.5.2001 - ------------------------------------------------- (short concept english.) STATION ROSE Webcast-Lounge location: 1.1 F71 http://www.stationrose.com http://www.artfrankfurt.de Station Rose/STR (Elisa Rose & Gary Danner) create and curate the Webcast Lounge, set up in a booth of 110 m2. The Lounge can be experienced both as an accessible media-installation as well as a real-time webcasting station. The artists will be present. STR had noticed that net art, especially streaming/webcasting, has never been present as a topic at art fairs. So STR decided to suggest this as a topic to Art Frankfurt, thus being the first art fair to make room for art in the net. STATION ROSE Webcast-Lounge Between 6 and 8 p.m. there will be a live STReam from the Lounge, and/or live streams from selected artists/groups/stations will be projected on the walls of the Lounge. At the evening of the opening STR will STReam a live audio-visual performance >from the Webcast Lounge. For 5 days, visitors will have the opportunity to attend live webcasts or simply relax in the Lounge and watch archived webcast files, selected net art, and the flowmotion of the installation while listening to changing soundloops over the P.A. The Webcast Lounge has been fitted out with specially designed seats. Projections are beamed around the room, bathing it in a most fitting fluid design, which will be influenced by the artists, the visitor and the web. This installation is an audio-visual installation and a place to hang out at the same time, a further development of STRs Gunafa Clubbings/ Internet Lounges, begun in 1992. Elisa Rose is in charge of the projections, the installation, the visual design, Gary Danner handles the sounds. Hans Romanov welcomes the visitors at the info-counter. The visitor can choose between a selection of 40 pieces of current net art on a workstation in the Lounge. Before and during the art fair STR act as artists and curators, selecting net art projects beforehand. Different to the usual curating model, artists invite artists, and the Webcast Lounge is a media installation, a piece of art in itself. Some artists will be invited to STReam their content live into the Lounge from around the globe, others will perform live and present their work in person at the Webcast Lounge. 1.2 - STReaming Fahrplan in the Webcast Lounge: Webcast Days 139 - 142. - --------------------------------------------- time is always CET. 27.4.: 15-15:30 : Station Rose STReams their lecture to the congress at EMAF. 18-21h: Station Rose live, plus guests, Livestreams at http://www.stationrose.com Webcast Day 139 28.4.: 15-17h: ParaRadio, Budapest/Ungarn, Livestream at http://www.pararadio.hu 18-20h: badpacket, Toronto/Kanada, Livestream at http://www.badpacket.com Webcast Day 140 29.4.: 16-17h: Brooke A. Knight, University of Maine/USA, Livestream at http://www.altarts.org/desktop/index.html 18-20h: 0100101110101101.ORG, Livestream at http://www.stationrose.com Webcast Day 141 30.4.: 15-20h: artcart, Livestream at http://www.stationrose.com Webcast Day 142 01.5.: 16-17h: pingfm.org, Livestream at rtsp://real.radiostudio.org:5540/encoder/pingfm/pingfm.rm 18-20h: Nichola Feldman-Kiss, Quebec/Kanada, Livestream at http://www.artengine.ca/projectmolly Webcast Day 143 Live presentations/lectures at the Lounge: 29.4.: 18-20h: 0100101110101101.ORG 30.4.: 15-20h: artcart Besides the streaming projects around 40 netart-projects chosen by STR will be posted at <www.stationrose.com> as a link-list on 27/4/01. Visitors can check them out in the Webcast Lounge, and we shall present them over the projection walls throughout the days. More details soon. 1.3 - FRI/27.4. : Art Frankfurt Opening. - -------------------------------------- Webcast 139 plus STReam to EMAF festival: Station Rose is STReaming their contribution to the congress from Frankfurt to Osnabrueck 15:00 CET. - ----------------------------------------------------------------- 15:00-16:00 : Get connected Station Rose at EMAF Congress: The history of streaming media, Elisa Rose und Gary Danner http://www.emaf.de/2001/english/time_27.html Simulcasts: STR is STReaming to EMAF via their server www.stationrose.com. Viewers in the lounge can follow the EMAF congress via the EMAF server. 18:00-22:00: official opening of the Art Frankfurt. get an impression of the Webcast Lounge, the Artproduction and the visitors and guests either there or through the webcast. Audio visual live-perfomance by Station Rose. Playing the LEITMOTIF. See you in Frankfurt ! stay with us & don´t go away! "Cyberspace is Our Land!" ;-) station rose 04-2001 ------------------------------ Date: Wed, 25 Apr 2001 12:14:55 -0400 From: Robert Atkins <robertatkins@earthlink.net> Subject: Media Channel Update www.MediaChannel.org APRIL 25, 2001, NEW FEATURES: ART, CULTURE AND CORPORATIONS A satire of Citigroup's Web site, Daniel Garcia Andujar's trademarked phrases. Robert Atkin's latest News and Reviews. http://www.mediachannel.org/arts/gallery/index.html SPECIAL REPORT: THE KREMLIN'S MEDIA TAKEOVER 15 years after the Chernobyl accident, the Russian press is facing its own meltdown. MediaChannel affiliates unravel the mess. http://www.mediachannel.org/originals/putin.shtml NEWS DISSECTOR: BANKING ON MEDIA As the Summit of the Americas in Quebec saw positive coverage this weekend, another globalization force, the World Bank, was reaching out to journalists for help, reports Danny Schechter. http://www.mediachannel.org/views/dissector/worldbank.shtml INDIA: NEW MEDIA, OLD INJUSTICE A dot-com news site is lauded as the savior of Indian journalism. But are India's unglamorous stories and impoverished newspapers being left in the cold? http://www.mediachannel.org/views/oped/indiatech.shtml DAILY MEDIA NEWS Breaking news stories about the media internationally, from mainstream and alternative sources. http://www.mediachannel.org/news/today/ ********************************************************* TAKE OUR SURVEY! (AND GET AN E-BOOK!) Please take a few minutes to help MediaChannel provide you with the resources and information of most interest to you. 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MediaChannel previews a new gateway to media policy information, discussion, resources and organizations worldwide. http://www.mediachannel.org/policycenter/index.html ************************* MEDIACHANNEL EVENTS: NEW YORK, APRIL 26 Join Media Channel editor Danny Schechter for a lunch time talk on media and democracy at the Writers Guild of America East, 1 PM, 555 W 57th St. 212-767-7808 for more information. SAN FRANCISCO, APRIL 27-29 Join Project Censored, MediaChannel and many of our affiliates at the Press Freedom Conference and Alternative Media Expo. http://www.projectcensored.org/frontpagenews/11-26-00altmedia.html More events, action alerts and other notices on the BULLETIN BOARD http://www.mediachannel.org/bulletinboard MEDIACHANNEL'S BULLETIN BOARD AND MARKETPLACE jobs*events*action alerts*services*equipment*programming & more http://www.mediachannel.org/bulletinboard http://www.mediachannel.org/market ******************************************************** THE GLOBAL OWNERSHIP CHART Thanks to the merger boom, media power is more concentrated than ever. A new online chart presents the global media overlords in vivid color. http://www.mediachannel.org/ownership ******************************************************** GLOBAL NEWS INDEX *Bookmark This!* Find newspapers and news sites worldwide with quick links to over 600 news sources sorted by region and country. http://www.mediachannel.org/links/links-frameset.html ******************************************************** ------------------------------ Date: Wed, 25 Apr 2001 10:23:15 +0200 From: Kalina Bunevska <kbunevsk@soros.org.mk> Subject: Invitation The Contemporary Art Center - Skopje, Macedonia cordially invite you to attend the opening of the exhibition Self - Portraits Carol M. Cho & Marko Georgiev Wednesday, 25.04.2001, 8 PM CIX gallery Working in a factory in the US as a physical worker, I came back every day with bruises and cuts over my entire body. I was obsessed with them, because while one wound had healed, another would be formed. Looking at my self, naked in the mirror, I cannot recall the period when I was without these marks. The obsession was so large that that I decided to register every damage that my body would suffer. The photos present records of the body injuries from the work. They are selected not because of the esthetic power but because of the trivial story that stands behind these images. - Carol Cho ------------------------------ Date: Wed, 25 Apr 2001 09:20:51 +0200 From: "Lorenzo Taiuti" <md3169@mclink.it> Subject: Visit to Amsterdam This is a multi-part message in MIME format. - ------=_NextPart_000_0044_01C0CD69.05B6CC60 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Dear Nettimers i will be passing for a few days in Amsterdam in mid May. Are there interesting things going on on art&media? Or new situations, = studios etc...? Please let me know Ciao Lorenzo Taiuti=20 - ------=_NextPart_000_0044_01C0CD69.05B6CC60 ------------------------------ Date: Wed, 25 Apr 2001 21:40:20 -0500 From: fran ilich <ilich_030@hotmail.com> Subject: Conference: Race in Digital Space Conference: Race in Digital Space Race in Digital Space A National Conference April 27-29, 2001 MIT Campus This three-day conference begins Friday, April 27, 2001. The conference will include plenary and breakout sessions in Building E51, an art exhibit and reception in the List Visual Arts Center (Friday evening) and a Digital Vaudeville peformance in Walker Memorial (Saturday evening). Full details and online registration forms can be found at http://cms.mit.edu/race Free and open to the public. ------------------------------ Date: Thu, 26 Apr 2001 11:35:54 +0200 From: das ende der nahrungskette <jg@monochrom.at> Subject: pension midi pension midi http://www.monochrom.at/pension-midi/ eroeffnung am samstag, 28. 4., ab 11:30 klangturm st. poelten (landhausplatz) hinkommen, laben. der theremin-heurige wartet schon. ------------------------------ Date: Thu, 26 Apr 2001 14:53:53 +0200 From: "ART ELECTRONICS" <clprezi@tin.it> Subject: Biennale / Video-Visual Poetry _______________________________ KARENINA.IT (poesia in funzione fàtica), progetto web di Caterina Davinio, partecipa e collabora al Bunker Poetico della Biennale di Venezia 2001. Presto sul sito uno speciale dedicato alla Biennale, al Bunker, e un grande spazio aperto alla "poesia contro il potere". Karenina.it (poetry in "fàtica" function), web project by Caterina Davinio, participates and cooperates with the Poetic Bunker of the Venice Biennial 2001 Very soon in the web site a great space dedicated to the Biennial, to the Bunker, and an open space for the "poetry against power" __________________________________ 26-27-28 April 2001 Cineteca Comunale di Rimini / Palazzo Gambalunga (Italy) The XX National Indipendent Film and Video Festival Round 2001 is going to present: "Electronic Poetry Visions International Video-Visual Poetry" Caterina Davinio Curator Artisti / Artists: BEATRICE BABIN, ANTAL LUX, ANNA ALCHUK, OLGA KUMEGER, SERGEY LETOV, LARA LEE, BRICE BOWMAN, HALSEY BROWN, WALTER UNGERER, VONDA YARBERRY, JOHN PRESCOTT, AKENATON, CHRISTINE RHEYS, EMILIO FANTIN, CATERINA DAVINIO, CARLA VITTORIA ROSSI, SEBASTIEN PESOT, CLAUDETTE LEMAY, JOANNA EMPAIN, ROBIN DUPUIS, ISABELLE HAYEUR. 27-27-28 aprile 2001 Cineteca Comunale di Rimini / Palazzo Gambalunga Nell'ambito della ventesima rassegna nazionale di film e video indipendenti Round 2001 sarà presentata la sezione fuori concorso: "Poevisioni Elettroniche" Poesia videovisiva internazionale A cura di Caterina Davinio - -- KARENINA.IT (poesia in funzione fàtica) Nel modello delle funzioni di Jakobson fàtico è l'uso della lingua che persegue lo scopo di tener aperto e funzionante il canale tra gli interlocutori. Tra arte e critica, tra happening e performance telematica, Karenina è un luogo di aggregazione virtuale sul tema della scrittura e delle tecnologie, nel quale confluiscono esperienze di artisti, curatori, teorici internazionali, in una rete che conta migliaia di contatti nel mondo. Index: http://www.geocities.com/Paris/Lights/7323/kareninarivista.html Project: http://www.geocities.com/Paris/Lights/7323/manifesto.htm Art Electronics and Other Writings - Archive / Videotheque http://space.tin.it/arte/cprezi To be removed from our mailing list send us a message with REMOVE in the object - Questo messaggio è indirizzato ad artisti, scrittori, giornalisti, a persone che si occupano di informazione on line e sappiamo interessati al nostro progetto. Se il suo indirizzo di posta elettronica fosse capitato per errore della nostra mailing list (che conta oltre 6000 contatti) ce ne scusiamo, la preghiamo di comunicarcelo e provvederemo immediatamente a rimuoverla dalla rubrica senza arrecarle ulteriore disturbo. Grazie per la collaborazione. # distributed via <nettime>: no commercial use without permission # <nettime> is a moderated mailing list for net criticism, # collaborative text filtering and cultural politics of the nets # more info: majordomo@bbs.thing.net and "info nettime-l" in the msg body # archive: http://www.nettime.org contact: nettime@bbs.thing.net