| Announcer on Wed, 27 Feb 2002 14:59:44 +0100 (CET) |
[Date Prev] [Date Next] [Thread Prev] [Thread Next] [Date Index] [Thread Index]
| <nettime> Events [x8] |
Table of Contents:
Privacy Lecture Series - Lisa Austin, March 19, 2002
Ana Viseu <ana.viseu@utoronto.ca>
Wertschoepfung [www.wert-schoepfung.de]
Frieder Rusmann <rusmann@kunsttot.de>
the face - the identity
zana poliakov <zana@c3.hu>
Impakt Festival 2001 Highlights now available for screening
Arjon Dunnewind <arjon@impakt.nl>
Sarai Reader 02 Launch in Delhi live on Audio
Ravi Sundaram <rsundar@del2.vsnl.net.in>
Net.opera
K Obadike <keith@blacknetart.com>
materials from Minneapolis events/performances
Alan Sondheim <sondheim@panix.com>
2002 WHITNEY BIENNIAL NET ART - PANEL DISCUSSION
z@apiece.net
------------------------------
Date: Sun, 24 Feb 2002 23:51:52 -0500
From: Ana Viseu <ana.viseu@utoronto.ca>
Subject: Privacy Lecture Series - Lisa Austin, March 19, 2002
[Hello, the next lecture will be held on March 19th and Lisa Austin will be
speaking. She will discuss the ever more fluid boundaries between internal
and external, between private and public, and their relationship to new
information and communcation technologies. Lisa will also discuss new ways
of reconceptualizing privacy that are better suited for today's
technological age. I think it will be a great lecture :-) Hope to see you
there. Ana Viseu]
- ------------------
PRIVACY LECTURE SERIES
<http://privacy.openflows.org>
THE CHALLENGE OF NEW TECHNOLOGIES: DO WE NEED A NEW PRIVACY THEORY?
Lisa Austin
Assistant Professor at the Faculty of Law
University of Toronto
Tuesday, March 19, 2002
6pm-7,30:00PM
140 St. George, Room 728
Faculty of Information Studies (building adjacent to Robarts Library)
University of Toronto
The lectures are free of charge and you do NOT have to register.
Abstract
As technology becomes part in most of our daily activities, the boundaries
between internal and external, privacy and public, start to shift and with
them the notion of privacy. Is it now time to sit down and rethink the
traditional privacy concept so that is better suited for the challenges of
an information age? In her talk Lisa Austin will discuss these issues. She
will take the audience through a discussion of the changing relationship
between the development and usage of information and communication
technologies and privacy advocacy. Lisa Austin will provide some guidelines
as to how privacy can be reconceptualized to better fit today's reality.
Bio
Lisa Austin is currently Assistant Professor at the University of Toronto,
Faculty of Law. Her research interests include privacy issues, property
law and the social implications of technology.
She is also completing her Ph.D. in Philosophy at the University of
Toronto, working in the area of philosophy of technology.
Prior to resuming her doctoral work, she served as a Law Clerk to Mr.
Justice Frank Iacobucci of the Supreme Court of Canada (1998-1999).
To sign-up for the Privacy Lecture Series announcement email list please go
to: <http://privacy.openflows.org/>
The Privacy Lecture Series is organized by Ana Viseu, a researcher
currently working at the University of Toronto on her Ph.D. dissertation
which focuses on the development and implementation of wearable computers.
Her research interests include questions of privacy, social dimensions of
technology, and the mutual adaptation processes between individuals and
technology. Ana holds a Master's Degree in Interactive Communication from
the Universidad Autonoma de Barcelona, Spain.
<http://fcis.oise.utoronto.ca/~aviseu>
The Privacy Lecture Series is co-sponsored by the Knowledge Media Design
Institute (KMDI) <http://www.kmdi.utoronto.ca/> and the Information Policy
Research Program (IPRP) <http://www.fis.utoronto.ca/research/iprp/>.
For more info contact Ana Viseu <ana.viseu@utoronto.ca>
[ - - - - - - - - - - - - - - - - - ]
Tudo vale a pena se a alma não é pequena.
http://fcis.oise.utoronto.ca/~aviseu
http://privacy.openflows.org
[ - - - - - - - - - - - - - - - - - ]
------------------------------
Date: Tue, 26 Feb 2002 20:08:28 +0100
From: Frieder Rusmann <rusmann@kunsttot.de>
Subject: Wertschoepfung [www.wert-schoepfung.de]
Frieder Rusmann/Johannes Auer
presents
Wertschöpfung / Creation of Value
- ---------------------------------
http://www.wert-schoepfung.de
- ---------------------------------
live-release:
8.-10.3.02
"ReadMe!"
Kunsthalle Basel
- ----
http://www.netzliteratur.net
http://www.das-deutsche-handwerk.de/rusmann
http://www.s.netic.de/auer
------------------------------
Date: Tue, 26 Feb 2002 21:41:51 +0100
From: zana poliakov <zana@c3.hu>
Subject: the face - the identity
Visual culture center OGLEDALO, Kraljevo
invites artists to a C O N T E S T
for a multimedial exhibition MIRROR OF THE BALKANS
The exhibition will be held in the National Museums' Gallery in Kraljevo
from 19. September to 12. October 2002.
The topic is THE FACE - THE IDENTITY
Media: web, photography, digital photography, video, audio.
for all the works made during 2001/02.
Contestants: all artists living and working in the Balkans and the parts of
the former Yugoslavia.
Application term: until 15. May 2002.
Works and applications should be sent by:
- - e-mail: up to 800 px, JPEG
to: ogledalo@tron-inter.net
- - by mail ( vhs copies, video, audio cassettes, CD-rom )
to: Centar za vizuelnu kulturu "OGLEDALO" ,36000 KRALJEVO - JUGOSLAVIJA
,Skopljanska 31.
Works chosen for the exhibition will be printed in the exhibiting size.
Application form:
- -name
- -place and year of birth
- -address
- -list of importaint projects and exhibitions
- -title of the work with its' year of make, technique and original size/lenght.
Contest results: 1.July 2002.
Each contestant will have a catalogue of the exhibition and his work
exposed on the web-page: ..................
Prize-winners are invited to visit the exhibition.
first prize:....................................
second prize:..............................
audience prize:.............................
------------------------------
Date: Wed, 27 Feb 2002 00:38:58 +0100
From: Arjon Dunnewind <arjon@impakt.nl>
Subject: Impakt Festival 2001 Highlights now available for screening
The Impakt Festival is an international festival for innovative=20
audiovisual arts. The 12th edition was organized from October 2 to 7=20
in the Centraal Museum in Utrecht, The Netherlands. The Highlights of=20
this festival are now available for screening.
Impakt Festival 2001
HIGHLIGHTS
ON TOUR
This program features a selection of the most remarkable and exciting=20
films and videos of Impakt Festival 2001. It includes works of rising=20
stars in the worlds of fine arts and film, and prize-winning artists=20
such as Annika Larsson and Miranda July. The program combines=20
aesthetic visualizations of the human condition, investigations in=20
innovative narration, Freud, family life and subversions of mass=20
media.
Lasso, Salla Tykk=E4 (Finland 2000, 4min)
A short movie about dramatic puppy love, or the beauty of a limber=20
boy's body. About desire, being young and how a whole range of=20
emotions can be evoked without words.
Getting Stronger Every Day, Miranda July (USA 2001, 6min)
An alienating video that deals with the scary thought of not taking=20
part in society any longer. The feeling of not belonging and not=20
fitting in, becoming estranged from daily life.
15.000.000 parachutes, Sebastian Diaz Morales (The Netherlands 2001, 25min)
"15.000.000 parachutes" is a story both inside and outside the frames=20
of what we understand as real. 15.000.000 refers to the number of=20
inhabitants in Jakarta, Indonesia. One parachutist attempted various=20
jumps from the national monument of Jakarta.
Candide, John Davis (USA 2001, 9min)
A stream of TV images leads the viewer of this video to a state of=20
superficial awareness of reality. Sounds from cartoons are heard with=20
these TV shots through which even the most shocking images become=20
surreal. Where is the line between fiction and reality?
PDOA public display of affection, Guillaume Graux (Belgium 2000, 24min)
In this video people meet, make love and read books in the midst of=20
endless supermarket shelves. Graux shows us an absurd society in=20
which people are very intimate with each other in public, yet at the=20
same time they never really seem to connect. As closed entities they=20
move through endless vacuums.
Cigar, Annika Larsson (Sweden 1999, 7min)
An elderly businessman offers a cigar to another man, who could be=20
his younger prot=E9g=E9. The significant part this cigar plays in the=20
typical business like environment is blown up to indecent=20
proportions. This particular portrayal of the cigar evokes=20
speculations on all details of the behaviour of the two.
Recruitment Video, Ann Course and Paul Clark (UK 2000, 3min)
A video filled with Freud, family life, sexual lust, mass production=20
of babies and parents depicted as sharks or sexmachines. All this=20
supported by the thrilling music of an old punk hit.
Special Report, Bryan Boyce (USA 1999, 4min)
With some subtle cutting and pasting, Boyce unmasks TV hosts as=20
maniacs eager for power and sex, who use electronic hypnosis to lead=20
the entire world population into slavery.
If you would like to order the 'Impakt Festival 2001 Highlights' for=20
screening please contact:
Arjon Dunnewind, arjon@impakt.nl, tel + 31 30 2944493
Impakt Festival, PO Box 735, 3500 AS Utrecht, The Netherlands
xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
Arjon Dunnewind
Impakt Festival
P.O. Box 735
3500 AS Utrecht
The Netherlands
If you use a courier service you must have your parcel delivered to=20
our office address:
Impakt Festival, Damstraat 19, 3531 BP Utrecht, The Netherlands
Tel.: + 31 30 2944493
2nd phone: + 31 30 2963408
mobile: + 31 6 5155 7875
=46ax.: + 31 30 2944163
e-mail:
arjon@impakt.nl (work)
arjon@xs4all.nl (home and abroad)
http://www.impakt.nl
------------------------------
Date: Wed, 27 Feb 2002 11:21:47 +0530
From: Ravi Sundaram <rsundar@del2.vsnl.net.in>
Subject: Sarai Reader 02 Launch in Delhi live on Audio
Dear Nettimers,
Sarai is happy to announce that the launch of the Sarai Reader 2 : The
Cities of Everyday Life and the Public Lecture by Ashis Nandy - "The City
of The Mind" will be relayed live worldwide on an audio stream from Delhi.
Time 7 p.m Indian standard time (5 and half hours ahead of European time
and 10 and a half hours ahead of Eastern time in the US), Wednesday the
27th, February 2002
Simply go to www.sarai.net at that time and click on the live stream icon.
The reader is a collaboration of Sarai and the Society of Old and New
Media, Amsterdam
The url for the reader is:
http://www.sarai.net/journal/reader2.html
Ravi Sundaram
------------------------------
Date: Sun, 24 Feb 2002 20:54:19 -0800 (PST)
From: K Obadike <keith@blacknetart.com>
Subject: Net.opera
For Immediate Release
Please forward
Keith+Mendi Obadike, whose past projects include
Blackness for Sale and Keeping Up Appearances, launch
a net.opera The Sour Thunder from
http://blacknetart.com/sour.html Thursday Feb 28th -
Saturday March 2nd with live (real video) streams
nightly from Yale University at 8:30pm
and 11:00pm EST. Mp3s from the opera will be available
for downloading.
The Sour Thunder tells a double-sided story blending
autobiography and speculative fiction. Sesom travels
from a land where scent is language to a land where
language is spoken. Mendi travels from Atlanta (the
US)
to Santiago (the DR). The Sour Thunder explores the
role of geography in identity and the idea of language
as a technology. It will be simultaneously performed
in and webcast from the Yale Cabaret and Afro
American Cultural Center.
This net.opera features the website design and flash
art of John Vega and the hypertext eMixes of Houston
Baker, Christian Campbell, Coco Fusco, Duriel E.
Harris, Nalo Hopkinson, John Keene, Ferentz Lafargue,
Wahneema Lubiano, Dawn Lundy Martin, Paul D. Miller
aka Dj Spooky, and Ronaldo V. Wilson. The live
performance features Iona Brown, Marcus
Gardley, Peter Macon, and Laurie Woodard with set
design by Torkwase Dyson, lighting design by Tan
Falkowski, costume design by Camille
Assaf,choreography by Tim Acito, and scent design by
Iona Brown.
For the most recent information on this project,
please go to: http://blacknetart.com/sour.html
or email thesourthunder@blacknetart.com
####
=====
http://blacknetart.com
(new work 9/21/01)
__________________________________________________
Do You Yahoo!?
Yahoo! Sports - Coverage of the 2002 Olympic Games
http://sports.yahoo.com
------------------------------
Date: Mon, 25 Feb 2002 23:14:31 -0500 (EST)
From: Alan Sondheim <sondheim@panix.com>
Subject: materials from Minneapolis events/performances
(Maria Damon invited Miekal And, Azure Carter, and myself, to speak/per-
form at the University of Minnesota, Minneapolis; the following are
materials from my part of the events. - Alan)
Minneapolis evening performance residue 2/22/02:
(I performed, then Miekal And. I ran video/still images, wrote the
following text; all this was projected from a laptop - the text written
live - sometimes 2-3 videos would play at once - the text brackets the
audio-visual.)
my work's concerned with language, sexuality, the virtual body and
subjectivity - all of these elements interacting online and off -
i'm concerned with what happens beneath the surface, the coding, the
psychoanalytics, the substances
i'm concerned, i'm very concerned thank you! It's r-rated, not X-rated -
the difference I think is based on penetration? I'm not really sure...
I do codework and what might be considered virtual -body work online. For
example - sorry about the errors - they accumulate - for example the mime
piece I showed yesterday - please exit through that door over there!!!
<===== sure!!! well, we know nothing about mime. we do know that hmmm...
there are glass boxes and ropes and things and sometimes the hula =-
you've got a bit of all this here - it's like a language mapped across the
body - for that matter the hula is really an exact mapping, azure's
smoking again -
down the stairs, up the stairs, etc. etc. so this seemed a bit boring and
we sent the mimes to hell - heh heh the fire's really hot!
but the digital layer does add something else to it - a kind of sign
imposed on the body from outside - it's through the framework - it's not
present in the space we're performing in... these are darker works...
about a year ago we were at the experimental television center in owego
upstate ny and were able to create a piece i'd wanted to do for a long
time - exploring literal writing on the body - in a kind of presencing of
both sexuality and inscription - that comes next - that's here - the sound
triggers the cameras through an analog synthesizer... we write chinese
ideograms on each other - from an early period of the development of the
characters - we come together, erase them through our contact - we're
apart - we stamp each other with hanko - one at the beginning and one at
the end - I seem to be making less typing mistakes than usual for this
kind of stuff. i showed this in Buffalo and Loss Glazier thought that I
was hmmm... like it was a big movie done but you know better, Minneapolis!
anyway the ideograms are those for breath, circulation, respieration
(heh!), turning, - and above the genitals, a symbol for negation - it's
the same in contemporary Japanese - I'm in the wrong font here...
I'll skip about - to show how this works... Azure's a lot younger than me
but we're married. we showed some images in the university in Florida and
the students thought she was my daughter... you can have absolutely no
idea what that led to.
this piece with foofwa d'imobilite also uses the five camera setup - he's
a brilliant dancer from switzerland... we did a number of works
deconstructing ballet and emphasizing both the labor and the sexuality
involved -
then of course there are the extensions of these body issues through
mathematics - but these are stationary images - we'll just use the sound -
that was a bit of a lacanian mystery with all those symbols...
but i began to get interested (I began to get interesting? Not on your
life) - I began to get int. etc. in transforming images into mathematical
functions and then modifying them through a program called Mathematica -
it produced the result you see above left but also could modify existing
digital images -
In all of them the body's surrounded by mathesis, a mathematical space
that heightens the contrasted areas... In the movie above left - those are
Azure's nipples mapped onto a mathematical framework, turned into a
three-dimensional mapping which is then deconstructed by transforming
positions and parameters... Azure stood at the end of the dance piece; it
was important that she stood - it brackets the relationship of the males
who were in a kind of competition - the fast guitar - the dahdahdah - the
dance - as if we could overpower each other - the vertical positioning
changed everything -
well, I worked through a character called Nikuko - "meat girl" in Japanese
- - who started off as a snack-bar girl and ended up as a demiurge. Azure
played nikuko and I played Doctor Leopold Konninger in a series of texts,
videos, soundworks, and performances. Nikuko would pirouette for Doctor
Leopold Konninger or
anyway as you can see a lot of the work has to do with bodily abjection as
well - the relationship between the body and various forms of
discomfort...
what happens if you map flesh onto asteroids? or onto three-dimensional
space itself - creating convoluted spaces... -
all of this - this section - based on the near earth object (NEO) email
list I belong to - warning me, through NASA, of whatever asteroids are
about to hit the planet. there are also images of flybies (?) flybyes of
asteroids, al silent of course - so I worked on making them work for me...
this is part of a series of works using Nikuko and Dr LK - produced at the
same place using analog synthesizers - they were run as a series at
Millennium Film in NY - you see the references to piroettes here.. she
dances and dances for the doctor. the two of them are locked together like
gears or cams in a localized sexual economy written by george grosz -
there's no escape from it/them, from the obsessiveness -
how did we get here? the deconstruction of the body, of inscription on or
around the body, of ballet, of writing on the body, of an incipient
sexuality, of machinery and functional gears... we could end with a couple
of things -
Miami Everglads and the welcome movie and then there was the mess of the
Everglades and the violent sexuality of Miami and its highest crime rate
in the country and the corrupt university and civic government and and and
and about Miami, as someone said, Trust me you don't want to go there
but this isn't about Miami so much as about deconstruction and the body
and inscription and sex and language and and and and and ...
just one more runthrough - the "new one" btw (by the way) refers to a
computer i got from the place to use while I was there - it's not THIS
machine - THIS machine is a lot better - I can really DREAM on this
machine - and as you see it allows a lot of movies to play at once.
testing one two three can you hear me?
testing one two three can you hear me?
I'm azure Carter's neurotic husband, welcome to -
Cyberspace (If I were Miekal I could make that really big and move all
over the page!
Alan ..
_
Self-Decoding Code
unbreakable code text
defined by line and letter
position: KILL ALL PEOPLE
- ---
key:
1,1 1,2 1,3 1,4 1,5 1,6 1,7 1,8 1,9 1,10 1,11 1,12 1,13 1,14 1,15 1,16
1,17 1,18 1,19 1,20 1,21 2,1 2,2 2,3 2,4 2,5 2,6 2,7 2,8 2,9 2,10, 2,11
2,12 2,13 2,14 2,15 2,16 2,17 2,18 2,19 2,20 2,21 2,22 2,23 2,24 2,25
2,27 3,1 3,2 3,3 3,4 3,5 3,6 3,7 3,8 3,9 3,10 3,11 3,12 3,13 3,14 3,15
3,16 3,17 3,18 3,19 3,20 3,21 3,22 3,23 3,24 3,25
- ---
instruction for decoding:
to find out the value of the 9th letter:
count 9 pairs in: 1,9 gives you the value of the 9th letter.
look at the 9th position in the text; it is "b".
therefore "b" goes in the 9th position.
- ---
comment:
as you can see this code is very self-serving!
- ---
_
these people
these party people screw you over with their fucking drugs, it's a drag to
be around them, he wants you to screw his wife, she wants you to screw her
husband, they'll open their holes to anyone really annoying he's a real
pest and tremendously needy he's just awful and screwed up she's
unbelievably a total mess some sort of jerk and far too fucked up and
they're incredible sluts and going to suck anything in sight suicidal and
depressed half the time a horrible baby diseased and never going to leave
you alone smelly between the legs and ready for violence all the time and
needy beyond belief and incapable of loving anyone and saddled with a
borderline personality and he's a total loser and she's a fucked-up tease
who won't do a thing and they're part of a lousy crowd and she's going to
screw you over and really annoying he's a real pest and tremendously needy
he's just awful and screwed up she's unbelievably a total mess some sort
of jerk and far too fucked up and they're incredible sluts and going to
suck anything in sight suicidal and depressed half the time a horrible
baby diseased and smelly between the legs and ready for violence all the
time and needy beyond belief and incapable of loving anyone and saddled
with a borderline personality and he's a total loser and she's a fucked-up
tease who won't do a thing and they're part of a lousy crowd and she's
going to screw you over and really annoying he's a real pest and
tremendously needy he's just awful and screwed up she's unbelievably a
total mess some sort of jerk and far too fucked up and they're incredible
sluts and going to suck anything in sight suicidal and depressed half the
time a horrible baby diseased and never going to leave you alone smelly
between the legs and ready for violence all the time and needy beyond
belief and incapable of loving anyone and saddled with a borderline
personality and he's a total loser and she's a fucked-up tease who won't
do a thing and they're part of a lousy crowd and she's going to screw you
over.
worse and worse
Female ritual of cutting-off. The generation of the vase. Hungry ghosts.
Squeezing the food and feeding them. All sorts of phenomena. Alan came all
over her he's just awful and and then he's a total loser and Azure pissed
all over his eyes and mouth needy beyond belief and saddled with a
borderline personality and ready for violence all the time and diseased
and Alan held her breasts out for everyone to touch they're going to suck
anything in sight Azure pulled the ropes so tight they cut his skin
Azure's going to screw you over and tremendously needy far too fucked up
and Azure bit his nipples until they bled never going to leave you alone
or a horrible baby Alan bit her nipples until they bled incapable of
loving anyone and some sort of jerk and a real pest and they're part of a
lousy crowd and and then Azure's a fucked-up tease who won't do a thing
and Azure's unbelievable or he's screwed up smelly between the legs and
really annoying incredible sluts and a total mess his hole was open to
anyone who wanted to fuck stay away just stay away they went at it Alan
came all over her he's just awful and he's a total loser and Azure pissed
all over his eyes and mouth needy beyond belief and saddled with a
borderline personality and ready for violence all the time and diseased
and he held her breasts out for everyone to touch they're or going to suck
anything in sight Azure pulled the ropes so tight they cut his skin
Azure's going to screw you over and tremendously needy far too fucked up
and a horrible baby Alan bit her nipples until they bled incapable of
loving anyone and some sort of jerk and a real pest and they're part of a
lousy crowd and and then Azure's a fucked-up tease who won't do a thing
and Azure's unbelievable or he's screwed up Azure pulled and bit his cock
with her teeth suicidal and depressed half the time smelly between the
legs and really annoying incredible sluts and a total mess her legs were
spread so wide everyone could see her hole stay away just stay away they
went at it he held her breasts out for everyone to touch they're going to
suck anything in sight far too fucked up and Alan bit her nipples until
they bled incapable of loving anyone and some sort of jerk and a real pest
and they're part of a lousy crowd and and then Azure's a fucked-up tease
who won't do a thing and Azure's unbelievably or he's screwed up Azure
pulled and bit his cock with her teeth suicidal and depressed half the
time smelly between the legs and really annoying incredible sluts and a
total mess his hole was open to anyone who wanted to fuck her tight shaved
cunt and labia engorged with him Alan came all over her he's just awful
and he's a total loser and Alan pissed all over her eyes and mouth Azure
pissed all over his eyes and mouth needy beyond belief and saddled with a
borderline personality and ready for violence all the time and diseased
and he held her breasts out for everyone to touch they're or going to suck
anything in sight Azure pulled the ropes so tight they cut his skin
Azure's going to screw you over and tremendously needy far too fucked up
and a horrible baby Alan bit her nipples until they bled incapable of
loving anyone and some sort of jerk and a real pest and they're part of a
lousy crowd and and then Azure's a fucked-up tease who won't do a thing
and Azure watched him tied up and fucked by anonymous men he's screwed up
suicidal and depressed half the time smelly between the legs and really
annoying incredible sluts and a total mess his hole was open to anyone who
wanted to fuck his enormous cock spurting cum everywhere stay away just
stay away they went at it Alan came all over her he's just awful and he's
a total loser and Azure pissed all over his eyes and mouth needy beyond
belief and saddled with a borderline personality and ready for violence
all the time and diseased and or going to suck anything in sight Azure's
going to screw you over and tremendously needy far too fucked up and Azure
bit his nipples until they bled never going to leave you alone or a
horrible baby he bit her nipples until they bled incapable of loving
anyone and some sort of jerk and a real pest and they're part of a lousy
crowd and and then Azure's a fucked-up tease who won't do a thing and
Azure spread her menses across his eyes and hair Azure's unbelievable or
he's screwed up Azure pulled and bit his cock with her teeth suicidal and
depressed half the time smelly between the legs and really annoying
incredible sluts and a total mess
_
0:
1:
20:
21:
139: " Beguine.
174:You cry.
295: nothing more so show me the door"
700:You kiss yourself.
844: yours! "
857:
2603:millimeter pistol.
2622:
2771:door. It is brown, wood. I shoot them. The pistol hums, it doesn't go
4234:up.
4238:
4239:I woke up frightened, Nikuko, frightened of everything.
7062:of struggle in the pipes.
9587:
10191:in the hole of the forest
14834:moved slowly nothing moved
14923:
27359:thicket. why did they burn the shelter down? in the center
28978:subtlety of embers...
42397:
42666:
80608:over.
80614:
_
------------------------------
Date: Tue, 26 Feb 2002 20:17:46 -0500
From: z@apiece.net
Subject: 2002 WHITNEY BIENNIAL NET ART - PANEL DISCUSSION
PANEL DISCUSSION - 2002 WHITNEY BIENNIAL NET ART
Friday March 8th, 7pm-9pm
Tishman Auditorium
66 West 12th Street
New York NY 10011
Live WebCast @ http://netart-init.org @ 7pm EST
FREE!!
A panel discussion featuring artists included in the net art section of
the 2002 Whitney Biennial. The discussion will include panelists'
presentations of their respective work, followed by a moderated
discussion by Christiane Paul, Adjunct Curator of New Media Arts at the
Whitney Museum and responsible for the Biennial net art selection.
The selection of Internet-based art for the 2002 Biennial strives to
give an
impression of the variety of forms that net art can take and of the
multiple themes that have emerged over the years. Among these themes are
data visualization and mapping, database aesthetics, gaming paradigms,
agent technology, community as well as nomadic devices.
This event is the result of a collaboration between the Whitney Museum
and the "Netart Initiative", (http://netart-init.org) of which MFA
Design and Technology Program at Parsons School of Design is a founding
member. This event is sponsored by the Center for New Design at
Parsons School of Design. The Biennial 2002 Net-based art installation
is
sponsored by FranceTelecom North America.
------------------------------
# distributed via <nettime>: no commercial use without permission
# <nettime> is a moderated mailing list for net criticism,
# collaborative text filtering and cultural politics of the nets
# more info: majordomo@bbs.thing.net and "info nettime-l" in the msg body
# archive: http://www.nettime.org contact: nettime@bbs.thing.net