Re: <nettime> alt.religion.artworld

[{ brad brace } <bbrace@eskimo.com>]

with so much institutionally-sponsored, prescribed global
drips and leaks, perhaps one needs to re-learn how to read
singular notes, marks, gestures and textures once living on
islands of resistance

/:b

On Fri, 23 Jul 2010, Goran Maric wrote:

> What I see the problem with conceptual art of 70's and 80's is that it
> was a response to Modernism in Visual Art.  It was such a Modernist Art
> whose culmination concluded in fetishism of an individual (one) work of
> art that carried the physical mark of touch of its creator, genius, artist.
> This could be seen in treatment of paintings and sculptures of Abstract
> Expressionism by the art mainstream institutions at the time.
> The quality comes from an individuality of an item, not reproduction, not
> the repetition, but one and unique material entity is a very important part in
> defining the quality of an art work.
 <...>


PROXY Gallery
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global islands project:
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"We fill the craters left by the bombs
And once again we sing
And once again we sow
Because life never surrenders."
-- anonymous Vietnamese poem

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-- Mr Selvam, Akkrapattai, India 2004

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/:b












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