Josephine Berry on Thu, 25 Jun 2015 18:36:45 +0200 (CEST) |
[Date Prev] [Date Next] [Thread Prev] [Thread Next] [Date Index] [Thread Index]
Re: <nettime> Claire Bishop?s Game: Sub |
Dear David and Armin, Thanks a lot for flagging my review of Bishop's book Armin. I really enjoyed writing it, and felt relieved to have the opportunity to sort through my serial disgruntlements with Artificial Hells in a coherent and restrained (!) way. I entirely agree with David that her side-stepping of networked aesthetics is a major flaw and that it reveals an inherent bias and limit to her work, which in the end seeks to maintain the sovereignty of aesthetic autonomy that her beloved participatory turn apparently challenges. Her insistence on the salutary nature of aesthetic judgements is a key example of this limit, since she wrongly contrasts aesthetic judgement to 'ethical judgements' alone - i.e. the misallocated question of whether artworks make socially useful interventions in the world - instead of considering how the distribution or democratisation of (the Kantian) judgement after Duchamp changes art from the roots up. This is Thierry de Duve's excellent argument - essentially that Duchamp's gesture of nomination (the readymade) updates Kant by distributing the universal faculty which guarantees art to the creativity to everyone. One universal - the power to judge 'this art is beautiful'- is exchanged for another: 'this is art'. Aesthetic judgements in this sense are transformed, via the death of the author, into the universal capacity to create which is precisely enacted (albeit hugely problematically) in participatory art forms. She wants to hold on to good old elitist judgement whilst claiming radicality by way of the practices she champions. A deep contradiction. I guess more worrying for me than Bishop's limits is the fact the contemporary networked aesthetics - so called 'post-internet art' has radically collapsed the creatively democratising ambitions of first wave net art, into an airless circulation of narcissistic reflections, or celebrations of generic equivalence, clad in corporate softwares. The degree to which this is the case, and if so why it is, is the discussion I think we need to be having too. Thanks for your generosity in sharing these ideas with us David. x Josie # distributed via <nettime>: no commercial use without permission # <nettime> is a moderated mailing list for net criticism, # collaborative text filtering and cultural politics of the nets # more info: http://mx.kein.org/mailman/listinfo/nettime-l # archive: http://www.nettime.org contact: nettime@kein.org