Pit Schultz on Sun, 12 May 96 05:28 MDT |
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nettime: Writers Versus Publisher |
[received via RRE. this contextualizes the 're:distribution' thread at nettime-t@mail.thing.at, -- and please try to use direct e-mail for quotes which are not of general interest ;)] Date: Thu, 2 May 1996 08:06:41 EDT From: Alexandra Owens/ASJA <75227.1650@COMPUSERVE.COM> To: Multiple recipients of list JOURNET <JOURNET@qucdn.queensu.ca> Subject: Writers Versus Publisher The Authors Registry (212-563-6920) The Authors Guild (212-563-5904) American Society of Journalists and Authors (ASJA) (212-997-0947) For immediate release May 1, 1996 AUTHORS' GROUPS JOIN TO SUPPORT FREELANCE DAVIDS AS E-RIGHTS COURT BATTLE AGAINST GOLIATHS HEATS UP Authors' organizations representing tens of thousands of writers yesterday submitted a "friend of the court" brief in support of several freelancers who are embroiled in battle with the New York Times, Time Inc. and other major publishers and database producers over the hot writers' issue of the 90s: electronic rights. The show of solidarity came from the Authors Registry, the new royalty collecting and licensing agency that counts more than 50,000 enrollees, and two leading writers' groups--the Authors Guild and the American Society of Journalists and Authors (ASJA). The lawsuit, proceeding in U.S. District Court in New York City, is backed by the National Writers Union. Defendants are the publishers of the Times, Sports Illustrated (Time Inc.) and Newsday (Times-Mirror), and the producers of the Nexis and UMI article databases. At issue is whether the publisher defendants, after initial publication, had the right to license the database producers to sell articles by freelancers in online and CD-ROM formats without permission of the authors. The defendants maintain that no permission or extra payment was needed. The writers and their supporters argue that since, under the law, freelancers own the copyrights in their work, and the writers involved had not licensed electronic rights to the publishers, the additional use constitutes infringement. Atlantic Monthly, also a defendant when the lawsuit was filed in December 1993, recently settled with the writer whose work it had sublicensed for electronic use. Terms of the settlement have not been made public, but Atlantic now says it will negotiate electronic rights with freelance contributors. Originally, 11 writers were involved in the lawsuit, but in the nearly two and a half years the case has plodded through the court schedule, depositions and motions, several have dropped out. Both sides--the five remaining defendants and six remaining plaintiffs--have filed for summary judgment. U.S. District Judge Sonya Sotomayor is scheduled to hear arguments on the cross-motions in June. If neither side prevails, a trial would likely be ordered. "I am enormously appreciative that the Registry, the Guild and ASJA have supported our position," said the plaintiffs' lawyer, Emily M. Bass of Burstein & Bass. "They have spoken very eloquently on behalf of their members and very forcefully on behalf of all writers. Their brief brings home very clearly the economic impact that a ruling in favor of the defendants would have on freelancers." The "friend of the court" brief, prepared by Authors Guild lawyers for the Registry, the Guild and ASJA, points out that new technologies "extend the shelf-life of the contributions to periodicals by making the articles perpetually available for resale anywhere in the world." The brief continues: "The overwhelming majority of publishers procure specific licenses from authors for these electronic uses. To our knowledge, only defendants have claimed that the Copyright Act itself allows these specific uses without license." The writers' groups argue that the defendants' interpretation of the law "distorts the plain language of the statute, its legislative history and the clear intent of Congress, demonstrated over and over in the statute, that the market must properly reward authors as well as their publishers for their valuable work in order to encourage continued production of useful information. That fundamental policy of copyright demonstrates, we believe, that these plaintiffs own the reproduction rights that the publisher defendants purported to grant to the database defendants." As money flows into cyber-publishing, the right to profit from electronic use of articles has become a growing issue with writers. Now, as the Registry, the Guild and ASJA noted in their brief, the New York Times predicts it will take in $80 million in royalties over the next five years from the publisher's portion of search and download fees paid by users of the Nexis online database. To the freelancers, that would be good news except that the Times intends to keep all the money. According to Contracts Watch, an ASJA bulletin that keeps tabs on freelance rights issues, some periodicals have begun to split with authors the royalties received from such ventures as the Nexis and UMI databases while others pay fees for the rights. The Authors Registry was established in 1995 chiefly to collect electronic-use royalties of the sort that the defendants have refused to pay. It quickly gained wide support, now counting more than 30 writers' organizations and 95 literary agencies among its endorsers. The Registry began operations in February 1996. ### Contacts: Authors Registry - Paul Aiken, 212-563-6920 Authors Guild - Kay Murray, 212-563-5904 ASJA - Dan Carlinsky, 212-997-0947 # Pit Schultz, Kleine Hamburger Str. 15, 10117 Berlin, pit@contrib.de -- * distributed via nettime-l : no commercial use without permission * <nettime> is a closed moderated mailinglist for net criticism, * collaborative text filtering and cultural politics of the nets * more info: majordomo@is.in-berlin.de and "info nettime" in the msg body * URL: http://www.desk.nl/nettime/ contact: nettime-owner@is.in-berlin.de