Andreas Broeckmann on Fri, 13 Sep 96 18:05 METDST |
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nettime: DEAF96 / ZKP 1+2 reprints / Delocations/Reflexive Responses |
Andreas Broeckmann (V2_Organisation) writes: DEAF 96, the Dutch Electronic Art Festival, opens on Tuesday, 17 September (till 22nd) here in Rotterdam. For this occasion, we are producing reprints of ZKP 1 (Next 5 Minutes) and ZKP 2 (Cyberconf) which will be on sale here at the V2_Archive at Hfl.17,50 (= US$11). This will just about cover production costs. Depending on the demand we'll do a reprint of the reprint. You can reserve copies (also for mailorder) with Peter Duimelinks <peterd@v2.nl>. Geert Lovink and Pit Schultz (nettime) will be participating in the Delocations/Reflexive Responses panel during DEAF96 which has been organised in cooperation with Tim Druckrey and which will also feature Kathy Rae Huffman and Margarete Jahrmann (PopTarts), Armin Medosch (Telepolis Online), Mark Tribe (Rhizome) and Benjamin Weil (adaweb). Here follows a description of the programme: DEAF96, 18 September, 19.30 - 22.30 hrs Delocations 1: Digital History/Reflexive Responses Despite its potentials for the multi-mediatic presentation of information and cultural contents, the Internet is still used for verbal discourse much more than for visual imagery. Even visual artist who employ the net as the site of their artistic practice often place an emphasis on words, a situation which urgently raises the question of the quality of visual presentations on the Internet. Taking up this problem, the working group Delocations 1: Digitial History investigates the relationship between words and images in digital media and will lead to the production of a CD ROM and a WWW site. It assesses the function of language in the development of critical approaches to media history, visualisation, and contemporary theories of representation in a hypertextual environment. The first part of the programme consists of a lecture by media theorist Timothy Druckrey and a presentation of the Delocations project by artist-designer Mike Quee and CornŽe Jacobs, organiser of the project for the Rotterdam Centre for the Arts. In the second part, the wider context of the project will be tackled in a panel discussion about this and other projects and strategies aimed at the development of a critical discourse about art and media on the Internet. Reflexive Responses: Networks, Criticism, and Discourse, Timothy Druckrey On-line criticism, often a cross between chat-room and rant and yet an increasingly important tool for the development of the contemporary discourse about digital media, must face some crucial issues of history and judgement. The urgent issues of organizing and distributing the contributions to this discourse are unequivocally linked with those of content and thematic scope. Though appropriately built on the premise of user-participation and access, the lists, web projects, e-journals, etc., belonging to this genre are often scattered, irregularly updated, and seemingly disorganized. Amid an avalanche of threats and innovations which on-line editors are facing, the necessities of reflection are sometimes jettisoned in favor of well-meaning knee-jerk reactions. Yet, it becomes ever more important to think about the ramifications of distributed information in a historical perspective and in forms that are both dynamic and considered. Reflexive Responses attempts to confront and incite an approach to web criticism across a range of topics and will discuss networked discourse as a fundamental issue of the political, intellectual and theoretical consequences of network ideology which today present themselves on an international scale. The objectives of the discussion are: to account for the shifting histories of technology in terms of its relationship with cultural theory and experience; to integrate social and aesthetic issues into the discourse of technology; to develop initiatives for the support of independent production, distribution and creative projects Drawing on several models (Nettime, Telepolis, MediaFilter, Rhizome, t0, Reflex, Delocations a.o.), the panel will focus on the challenge to traditional publishing and on strategies of net-discourse that avoid the pitfalls of pop criticism or zealous euphoria in favor of reasoned and reflexive responses. Participants will outline strategies and experiences in providing critical content and will offer proposals for the development of theoretical models for continuing this work. Participants will include: - Tim Druckrey - Kathy Rae Huffman, Margarete Jahrmann, PopTarts - Cornee Jacobs, Delocations - Geert Lovink, Nettime/Memesis - Armin Medosch, Telepolis Online - Pit Schultz, Nettime - Mark Tribe, Rhizome - Benjamin Weil, adaweb - a.o. ............................................................................ .......................................................... V2_Organisatie * Andreas Broeckmann * abroeck@v2.nl Eendrachtsstr.10 * NL-3012XL Rotterdam * t.+31.10.4046427 * fx.4128562 <www.v2.nl> <www.dds.nl/n5m> <www.v2.nl/east> coming up: DEAF96, the Dutch Electronic Arts Festival, 17 - 22 Sept 1996 <www.v2.nl/DEAF/> (DEAF96 exhibition - 29 Sept) -- * distributed via nettime-l : no commercial use without permission * <nettime> is a closed moderated mailinglist for net criticism, * collaborative text filtering and cultural politics of the nets * more info: majordomo@is.in-berlin.de and "info nettime" in the msg body * URL: http://www.desk.nl/~nettime/ contact: nettime-owner@is.in-berlin.de