Australian Network for Art & Technology on Sun, 5 Oct 1997 20:57:17 +0200 (MET DST) |
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<nettime> Linda Carroli: Community or Collaboration |
(This text was found in a short version in the ANAT (Australian Network for Art and Technology) newsletter. Let this not deceive you, this article is not about art as such, its mediatheory. While working in Kassel for the First Cyberfeminist International, but also in a more general context (for as far as cyberfeminism is not covering the whole of mediatheory, but that I will discuss another time), I felt a strong need for clearer starting positions to think or work from. It seems as if mediatheory and netcriticism especially got stuck into a kind of regressive discourse after its first extatic, almost victorious years. Both the old optimism and the now dominating (?) nestling in familiar political positions seem unworkable for me. Netcriticism, net.theory needs much more attention at the moment then it is getting. We should build on subtleties and details of what has been developed/written/thought, combining them carefully, avoiding too obvious clichees. This article takes a different kind of perspective, (not entirely new, but too easily dismissed,) of how communication and exchange on the net basically work, thereby creating a better insight and avoiding false expectations or misunderstandings. After the mentioning of the word communities in the "the user is the context" debate, I thought it should be posted here. This is the entire version, which we are allowed to preview by its author Linda Carroli and the magazine Leonardo, where it will appear as part of "Digital Salon". I hope this will also evoke more Australian theory postings. J*) ----------------------------------------------------------------------- Virtual Encounters Community or Collaboration on the Internet? by Linda Carroli The space of computer mediated communications such as the internet - cyberspace - is constituted as an inhabitable, utilitarian and largely unregulated terrain of global proportions which overlays and reterritorialises existing nation-states, borders and territories. According to Kiesler, Seigel and McGuire, the more notable traits of computer mediated communications are the paucity of social context for information, few widely shared norms governing its use, the absence of regulating features and social anonymity. Through the interplay of these forces and network users, a social system has emerged which complies with Stone's assertion that "a virtual community is first and foremost a community of belief." Implicit in the notion of belief is that encounters on-line are not necessarily formed by consensus or formative of community but rather by collaboration and connection. Virtual networks have come to signify an intimate relationship between the local and the global which heralds the dispersal of established cultural institutions and the proliferation of diversity. Subsequently, computer networks provide the space in which new relations are necessitated and can be developed and formative of social networks. Given this, it is necessary to be suspicious of modernist social formations and hierarchies and interrogate their use-value and transposition in postmodern terrains as exemplified by the internet. This essay will examine the notion of 'community' as a construct or elaboration of virtual environments, seeking to displace it as a normative and unitary social formation. Underwriting western formations of community are ideas of consensus, rationality and collectivity. This paper will posit notions of radical encounter and collaboration as integral to the formation of social networks via the internet. For Williams, the term community is unusable as one via which distinctions can be made: "one is never certain exactly to which formation the notion is referring. It was when I suddenly realised that no one ever used 'community' in a hostile sense that I saw how dangerous it was." In the virtual environment, 'collaboration' has perhaps usurped 'community', teasing out, as it seems to do, various encounters with the 'other' as well as a shifted sense of process and multiplicity. Collaboration bears its own set of implications for socio-technological encounter, having inherited identity politics informed by the postmodern as well as its sense of irony, fragmentation and multiplicity which is absent from the notion of community. It is the purpose of this paper to posit collaboration as formational of social practice on the internet in ways which abrogate the notion of consensus, adopting in its place critical and shifting positionalities of partiality. The equation of cyberspace as a distinct social space of interactivity renders it indistinguishable as either public or private space. It is represented as the seamless extension of the private and public into each other or as the interstice between the public and private, in which some cease to be exclusively private and into which a range of identities can be projected. As Stone argues, "the distinction between inside and outside has been erased and along with it, the possibility of privacy." In creating disorder through the dissolution of public/private distinctions, the internet, as a frame for a multitude of encounters, represents a departure >from the political rationality in which, according to Foucault, the "integration of the individuals in a community or totality results from a constant correlation between an increasing individualisation and the reinforcement of this totality." That is, networks represent an alternative political technology for individuals to exercise power or escape domination from the political rationality of the state and its institutions. According to Reid, internet users constitute a social network who "share a common language, a shared web of virtual and textual significances that are substitutes for, and yet distinct from, the shared networks of meaning in the wider community." This is in keeping with Williams observation that community is contingent on communication whereby "the process of communication is in fact the process of community: the sharing of common meanings, and thence common activities and purposes; the offering, reception and comparison of new meaning, leading to the tensions and achievements of growth and change." However, such notions of commonality are constitutive of consensual and rational organisation. While 'community' describes a social form which is nebulous, it nevertheless alludes to something which is whole and often geographically contingent, complying with ideas about metanarratives, rootedness and permanence which deny and falsify difference. Computer networks impinge on that order by providing an alternative field in which to perform connection and interactivity, to activate difference and fragmentation and in which rootedness to a place is attenuated: however, this as an assertion is not intended to disavow embodiment or location. Turkle evokes MUDs (Multi-User Dungeons) as a cyber-performance of 'community' which "imply difference, multiplicity, heterogeneity and fragmentations. Such an experience of identity contradicts the Latin root of the word, idem, meaning 'the same'." Similarly, it contradicts notions of community as it is reliant on commonality and sameness. For Rheingold, permeability between the on-line and off-line is essential for the word 'community' to be applied to virtual social worlds. This contingency raises the question of whether community can be formed via virtual networks - whether it is a valuable means of describing and knowing virtual social experience - when it must be made to work via the intersection of on-line and off-line experience. Increasingly, economic, social, cultural and personal experience is being performed through these virtual networks, tied as they are to movements of international capital and militarism and shaping much of what is external to them. The result is the resituation of both the human and the machine whereby the human becomes "more situated within the technology and the machine becomes part of the human world, boundaries to humanity's inscriptions and meanings become blurred." It is perhaps in this context that the more duplicitous imputations of collaboration come into their own as collaboration not only with others but also with technology: to collaborate infers not only an element of co-operation, but also of deceit, to somehow not be yourself. According to Turkle, "virtual communities ranging from MUDs to computer bulletin boards allow people to generate experiences, relationships, identities and living spaces that arise only through interaction with technology." Similarly, Haraway claims that "to 'press enter' is not a fatal error, but an inescapable possibility for changing maps of the world, for building new collectives." Cyberspace and the relations therein remains negotiable, providing alternative potentialities for the appearance of intimacy and partialism as is central to Haraway's exposition of cyborg politics in which she develops the trope of the cyborg, resultant from the collaboration of human and machine. The cyborg acts as a disavowal of origin stories, constantly producing its own illegitimacy to build less limited realities. As such, the cyborg operates via interface, connectivity and multiplicity to actively subvert traditional ideas about identity reliant on the notion of authenticity and therefore, fixity. According to Haraway, all technologies are regenerative/reproductive. Being on the internet is akin to being located in "the womb of the pregnant monster ... to produce a patterned vision of how to move and what to fear in the topography of an impossible but all-too-real present, in order to find an absent, but perhaps possible, other present." Despite its masculine and militaristic origins, the matrix of computer communications is imprintable. As a form, the matrix is unconfinable and ungovernable: the post-apocalyptic, artificial 'mother' which promises the regeneration of those failed by Hobbes' artificial man, the leviathan. The implication here is that whatever social networks and identities emerge on the internet, they are constitutively different from their precedents, from those external to it. A conceptual framework for these ideas about the generative possibilities of the internet and notions of collaboration is possibly aided by the notion of rhizomatics as articulated by Deleuze and Guattari: the rhizome connects any point with any other point, and none of its features necessarily refers to features of the same kind. It puts into play very different regimes of signs and even states of non-signs ... It is not made of units but of dimensions, or rather of shifting directions. It has neither beginning nor end, but always a middle, through which it pushes and overflows ... Unlike a structure defined by a set of points and positions, with binary relation between these points and bi-univocal relations between these positions, the rhizome is made only of lines: lines of segmentation and stratification as dimensions, but also lines of flight or of deterritorialisation as the maximal dimension according to which, by following it, the multiplicity changes its nature and metamorphoses ... The rhizome is an anti-genealogy. It is short-term memory or an anti-memory ... In a rhizome what is at stake is the relationship with sexuality, but also with the animal, the vegetal, the world, politics, the book, the natural and the artificial ... all kinds of 'becomings'. The rhizome forms the line between points, and therefore forms both the connection and the flight, the in-betweenness of collaboration by which the 'one' is always divisible. Collaborations are multiplied - as diverse as cybersex, MUDs and chat - operating in an ever-expanding field of connectivity and rendered not only active, but interactive. It is process-oriented, disordered, never a beginning nor an end. Encounters are inherently collaborative. The encounter is generative, heralding the possibility of any number of 'becomings'. The encounters are sites of transit and the encounter itself is transitionary. According to Turkle, the internet is the site of reconstructed relationships whereby community and identity can be perceived as 'cultural work in progress' rather than as a given. As performed in cyberspace on the internet, encounters are measured as moments - the ethics of which are not always apparent - in which subject positions are not fixed. For Haraway, "politics rests on the possibility of a shared world. Flat out. Politics rests on the possibility of being accountable to each other in some nonvoluntaristic 'I feel like it today' way." Locating this type of accountability as community is problematic as it evokes the binarist antagonism of individual/community in which the individual with attributed rights is privileged over the community, inscribed with an ethic of care. According to Young, "individualism and community have a common logic underlying their polarity, which makes it possible for them to define each other negatively. Each entails a denial of difference and desire to bring multiplicity and heterogeneity into unity, although in opposing ways." The notion and practice of collaboration impinges on that privileged sense of order, operating between the 'individual' and the 'community'. Collaboration, in this context, infers identities which are viral, liminal, hybrid, syncretic and potentially destabilising. The encounter, implicit in collaboration, represents the site for reinscribed cultural and identity politics in which, as Turkle states, "we have learned to take things at interface value. We are moving toward a culture of simulation in which people are increasingly comfortable with substituting representations of reality for the real ... We join virtual communities that exist only among people communicating on computer networks as well as communities in which we are physically present." In this context, those ideas of belief, as espoused by Stone and the practice of collaboration become integral. Collaboration, representing both the connection and the flight, provides the context for more detailed consideration of virtual social networks as the viable means of demonstrating and attending to desire, diversity and difference without subscribing to the legitimising force of consensus. Lyotard notes his wariness of the practice of consensus, calling for "an idea and practice of justice that is not linked to that of consensus." Consensus denies difference, imposing its own hegemony. The type of social encounters resultant from this shift are inherently different to the utopian "ideal of community [which] entails promoting a model of face-to-face relations at best." In the fragmented space provided by the internet, consensus is impossible and irrelevant, a utopian ideal. So framed, collaboration attends to multiplicity and partiality without subscribing to consensus as a manifestation of commonality and an articulation of the unitary. As an act of collaboration, social encounters can subscribe to and "develop a self-conscious politics of partiality ... which does not absorb difference with a pre-given and predefined space but leaves room for ambivalence and ambiguity". Young proposes a politics of difference be developed to replace "community as the normative ideal of political emancipation ... A model of the unoppressive city offers an understanding of social relations without domination in which persons live together in relations of mediation among strangers with whom they are not in community." It is advocated here that computer networks provide a utilitarian space for establishing this model and appraising the means by which a semblance of collaboration may be achieved therein: to encounter and exchange with the stranger is to collaborate in interactivity and connection to achieve unknown and unspecified results. Probyn identifies Foucault's technologies of the self as a means of investing the process of community with care for difference and as an operational question for community: central to the technologies of the self is an attention to the passion of knowledge, a passion which does not reify knowing but rather entails a probability that one occasionally will lose oneself, only to find it in another place, caught up with other knowledge and people, in the reflection of another angle and perspective. The proposition in this essay is that the internet can operate as 'another place' in which one can 'lose oneself' and that being 'caught up' with others involves a collaborative encounter rather than a consensual one. For Probyn, the point is to put difference to work not as adjectives to 'oppression' but rather as constituting an image-repertoire of conjunctural selves to be spoken ... The self is not an end in itself; rather it is the opening of a perspective, one which allows us to conceive of transforming our selves and our communities ... It is to make the sound of our identities count as we work to construct communities of caring, to technologise and transform ourselves in the care of others. Such commitment to the ongoing theorising of the self operates as a political position from which to activate the technologies of social and personal transformation in which the differences of active speaking subjects and the disclosure of differences has value and by which unitary formulations of community are destabilised. Such an equation further relates to the proposition that social relations as they are performed on-line are akin to those of the unoppressive city which Young describes as "places where strangers are thrown in together." In this setting, "politics must be conceived as a relationship of strangers who do not understand one another in a subjective and immediate sense, relating across time and distance." The conditions of computer mediated communication, as extrapolated previously by Kiesler, Seigel and McGuire, indicate that these politics are integral to the formation of virtual social networks. From Reid's observation that "users' acceptance of IRC's [Internet Relay Chat] potential for the deconstruction of social boundaries is limited by their reliance on the construction of communities," it can be surmised that certain aspects of 'making our identities count' have taken a secondary position to the formation of an idealised and possibly normative virtual community. This is why other practices of social interaction and individuation, such as encounter and collaboration, which destabilise the process of unitary community and identity need to be made operational. For Lingus, western societies have deferred to a practice of the rational community which conceals and excludes: beneath the rational community, its common discourse of which each lucid mind is but the representative and its enterprises in which the efforts and passions of each are absorbed and depersonalised, is another community, the community that demands that the one who has his own communal identity, who produces his own nature, expose himself to the one with whom he had nothing in common, the stranger. The notion of a 'community of strangers' has increasing currency by virtue of its inherent contradiction, intervening on the sense of commonality which forms community as a unitary whole. Given that many cultural and social indicators remain invisible and available primarily by disclosure in a virtual context, "one enters into conversation in order to become an other for the other." Accordingly, internet interactions involve a number of self-representations via "the creation of replacements and substitutes for physical cues and the construction of social hierarchies and positions of authority." As well, these processes of representation can operate to compensate for some perceived lack, as desire for the other, or, as previously stated, for building less limited realities. In the confluence of representation and reality in virtual environments, simulation takes on greater significance in reflecting desire and identity by hypertextual strategies which are inherently collaborative. It might also require a fascination with the abject whereby one "imagines its logic, projects [one]self into it, introjects it and as a consequence, perverts language - style and content". According to Turkle, "in my computer-mediated worlds, the self is multiple, fluid and constituted with machine connections; it is made and transformed by language; sexual congress is an exchange of signifiers; and understanding follows from navigation and tinkering rather than analysis." Technology becomes facilitative in the deconstruction of a range of conventional and normative categories of interaction. The displacement of such constrictive conventions permits internet users to generate their own modes of relating which defines them as a network of strangers, produced and reproduced as and by collaboration. In cyberspace, anonymity renders everyone who enters a stranger and then, strangers to each other. For Kristeva, radical strangeness is built into human psyches and place-bound identities. In cyberspace, an in-between space, the borders of one's self are both threatened and drawn, blurring one's identity, making currency of the decentred self. McAfee argues that "even though the experience is profoundly unsettling, it produces an awareness of one's being there." For Kristeva, this is this experience of the abject - defined as "the in-between, the ambiguous, the composite" - which is duplicitous where "a time of oblivion and thunder, of veiled infinity and the moment when revelation bursts forth." In the annihilation which marks the experience of border-dwelling, what it is to exist is revealed, making (non-unitary) selfhood possible. In the intermediary space availed by the internet one only has awareness of oneself and all others are strangers. According to McAfee, "the foreigner presents an opportunity and not an abyss. By being shaken loose from the they, this self sees the radical strangeness of others as the continual possibility for being a subject, a split subject whose mirror is always partial. Without completion, possibility thrives." It is in these encounters with strangers, outside the realm of the nation-state or the rational community, that Kristeva suggests an ethics of respect for the irreconcilable. Such an assertion correlates with Haraway's formulation of cyborg politics in which the politics of encounter are neither naturalised nor absolute, but in a constant state of flux, open to negotiation, sociability, perversion and regeneration. Rather than characterise virtual encounters as being formative of rational community this essay has considered various discontinuities for rewriting social interactions in a multitude of differentiated contexts availed by the internet. Given that new technologies have been associated with the dispersal of cultural institutions or hegemony, it would seem an exercise in redundancy to seek to transpose the construct of community into a virtual environment, especially given its association with unitary social formations. I have sought to represent computer mediated interactions as collaborations based on processes of interactivity, connectivity and encounter, as ephemeral performances of multiplied and shifting identities in cyberspace (an abyss) for the purpose of outlining the inadequacy of the term community for on-line social practice. In so doing, this essay partially accounts for a practice of complexity as one which repudiates binarist production of identity and which generates an awareness of 'not knowing'. Subsequently, virtual environments provide for encounters with 'the stranger' who, in most off-line contexts, would be seen as an interloper requiring assimilation rather than as an opportunity for perverting unitary formations of the social and generating expanding fields of social interactivity and connectedness. ### end Word Count: 3380 FOOTNOTES 1 Sara Keisler et al cited in Elizabeth Reid, "The Electronic Chat: Social Issues on Internet Relay Chat', Media Information Australia, No 67, 1993, p 62 2 Allequere R. Stone cited in Donna Haraway, "The Promises of Monsters: A Regenerative Politics for Inappropriate/d Others' in Larry Grossberg, Cary Nelson and Paula A. Treichler, Cultural Studies, Routlegde, New York, 1992, p 325 3 Raymond Williams (Culture and Society), cited in David Watt, 'Interrogating 'Community': Social Welfare Versus Cultural Democracy', in Vivienne Binns (ed), Community and the Arts, Pluto Press, Sydney, 1991, p 62 4 Allequere R. Stone, 'Will The Real Body Please Stand Up? Boundary Stories About Virtual Cultures', in Michael Benedekt, Cyberspace: First Steps, MIT Press, Massachusets, 1992, p 105 5 Michel Foucault, "The Political Technology of Individuals", Luther Martin, Huck Gutman & Patrick Hutton (eds), Technologies of the Self: A Seminar with Michel Foucault, Tavistock, London, 1988, p 161 - 162 6 Reid, op.cit., p 70 7 Raymond Williams (Culture and Society) cited in David Watts, ibid., p 61 8 Sherry Turkle, Life On The Screen: Identity in the Age of the Internet, Weidenfeld & Nicolson, London, 1995, p 185 9 Howard Rheingold (The Virtual Community) cited in ibid., p 246 10 Bernadette Flynn, "Woman/Machine Relationships: Investigating The Body Within Cyberculture", Media Information Australia, No 72, 1994, p 12 11 Turkle, op.cit., p 21 12 Donna Haraway, 'The Promises of Monsters', op.cit., p 327 13 Donna Haraway, ibid., p 295 14 Gilles Deleuze and Felix Guattari, On The Line, Semiotext[e], New York, 1983, p 47 - 49. 15 Turkle, op.cit., p 177 16 Donna Haraway quoted by Constance Penley and Andrew Ross, 'Cyborgs at Large: Interview with Donna Haraway", Constance Penley and Andrew Ross, Technoculture, University of Minneapolis Press, Minneapolis, 1991, p 11 17 Iris Marion Young, "the Ideal of Community and the Politics of Difference", Linda Nicholson, Feminism/Postmodernism, Routledge, New York, 1990, p 307 18 Turkle, op.cit., p 23 19 Jean-Francois Lyotard, The Postmodern Explained to Children, (trans. ), Power Institute of Fine Art, Sydney, 1992, p 24 20 Young, op.cit., p 302 21 Ien Ang,"I'm a feminist but ... 'Other' women and postnational feminism" in Barbara Caine & Rosemary Pringle (eds), Transitions: New Australian Feminisms, Allen & Unwin, Sydney,1995, p 58 22 ibid., p 302 - 303 23 Elsbeth Probyn, "Technologising the Self: A Future Anterior for Cultural Studies" in Grossberg et al, op.cit., p 509 24 ibid. 25 Young, op.cit., p 318 26 ibid. 27 Reid, op.cit., p 68 28 Alphonso Lingus, The Community Of Those Who Have Nothing In Common, Indianna University Press, Bloomington, 1994, p 10 29 ibid., p 88 30 Reid, op.cit., p 70 31 Julia Kristeva, Powers of Horror, Columbia University Press, New York, 1982, p 16 32 Turkle, op.cit., p 15 33 Noelle McAfee, "Abject Strangers: Toward and Ethics of Respect", in Kelly Oliver (ed), Ethics, Politics and Difference in Julia Kristeva's Writing: A Collection of Essays, Routledge, 1993, p 121 34 Julia Kristeva, op.cit., p 4 35 Julia Kristeva cited in McAfee, op.cit., p 121 36 ibid., p 132 ------------------------------------------------------------------------------ >FROM THE DESK OF THE AUSTRALIAN NETWORK FOR ART AND TECHNOLOGY anat@camtech.net.au postal address: PO Box 8029 Hindley Street, Adelaide, SA 5000, Australia street address: Lion Arts Centre, cnr Morphett St and North Tce, Adelaide web address: http://www.anat.org.au/ telephone: +61 (0)8-8231-9037 fax: +61 (0)8-8211-7323 Director: Amanda McDonald Crowley (tel: 0419 829 313) Administration & Information Officer: Honor Harger Memberships: $A10 (unwaged), $A20 (waged), $A40 (institutions) ANAT receives support from The Australia Council, the Federal Government's arts funding and advisory body ---------------------------------------------------------------------------- ----- End of forwarded message from nettime maillist ----- --- # distributed via nettime-l : no commercial use without permission # <nettime> is a closed moderated mailinglist for net criticism, # collaborative text filtering and cultural politics of the nets # more info: majordomo@icf.de and "info nettime" in the msg body # URL: http://www.desk.nl/~nettime/ contact: nettime-owner@icf.de