Patrice Riemens on Wed, 29 Oct 1997 12:17:07 +0100 (MET) |
[Date Prev] [Date Next] [Thread Prev] [Thread Next] [Date Index] [Thread Index]
<nettime> Leyshon & Thrift: Money/Space: "Back to the Future?" |
Andrew Leyshon's and Nigel Thrift's book on the geography of (international, national, and local) money is a fail-safe recommanded read. Covering different ground, but generally (not alweays) running on parallel track with Saskia Sassen's research on global capitalism at work (though they by and large ignore it), the two geographers from Bristol give an outstanding account and analysis of where the money resides, what it does, and especially what kind of people are socially active behind the 'inescapable and universal laws of the market'. The final conclusion of the book gives (immo) a good idea of their general argument. ....................................................................... "Back to the Future?" (...) If we had to choose a space and time to which the current City (of London) seems cosest, it would be an eighteenth century city. This might seem a bizarre choice. Yet one might argue, on basis of current historical research which has, to an extent, pushed back the historical frontier of 'modernity', that many of the current indexes of our present were already in place in the eighteenth-century city - from blossoming consumer cultures, through to many and variegated senses of time, from insecure nation states through to large and powerful financial markets (which, for example, already used futures), from greater freedom for certain kinds of women through to the heterogeneity of social groupings, from various new forms of public sphere (like the press and pamphlets) through to the play of many different forms of cultural apprehension (such as astrology and various forms of science). Most especially, the eighteenth-century city was the site of a blooming oral-visual culture to which we would argue that we are currently 'returning', one in which the boundaries between art and science were less clear (cf Michel Serres), and one which, partly through the sheer force of noise and smell, more entirely aware of the _vecu_, more open to what Prendergast calls an 'epidermal sensibility'. We would argue that what followed the eighteenth-century city - the controlled spaces of the nineteenth-century specular order, based upon the hegemony of print - are now being either cleared away or highly modified. We are moving, towards a city which generates, attends and reflects an oral-visual culture, a city in which pixels are replacing movable type, a city which offers new affordances', that is new cultural resources, new vocabularies, new senses of how to do things, some of which are good, some of which are bad, and each of which offers new ocular, kinesthetic, tactile and auditory skills. This new "city of bits" (Mitchell) display many of the same elements as the eighteenth-century city, from its emphasis on consumption to its many and variegated senses of time, from the insecurity of the nation state through to large and powerful financial markets, from greater freedom for certain women (in certain senses) through to the diversity of social groups, from various new forms of the public sphere (like e-mail and the Internet), through to the play of many different forms of cultural apprehension (from new-age religions, through many implicit religion, to the fact that we probably live at the high point of astrology), from a belief in all manner of monster and mythologies (lurking in the sewers, or coming out of the television and computer screens), through to a renewed appreciation of the ordinary marvels of everyday (and night) life. Most particularly, it seems to me that, in opposition to Jameson<D5>s idea of vaulting and dysfunctional postmodern cities or Sennet's and others' lament of community lost, what we see is a city - a more dispersed city it is true - which still exist on a human (but not humanistic) scale and is still caught up in identifiably human concerns. We therefore find it oddly reassuring that the largest number of Internet buletin boards are concerned with _Star Trek_, and that much of the discussion on the Internet is concerned with sex. It also suggests that we should be about as worried about the 'return' of electronic oral-visual cultures as non-electronic oral-visual cultures were worried about the rise of literate cultures. These new cultures will certainly change our apprehension of the urban world and in quite severe ways, but we will still have many customs in common with the past. The new era will still contain many echoes of the old. In other words, business wil go on, but never as usual - because it never has. (from Andrew Leyshon & Nigel Thrift, Money/Space: Geographies of Monetary Transformation. London: Routledge 1996 (404p). (ISBN 0-415-03835-9) (p353/4 -final conclusion) --- # distributed via nettime-l : no commercial use without permission # <nettime> is a closed moderated mailinglist for net criticism, # collaborative text filtering and cultural politics of the nets # more info: majordomo@icf.de and "info nettime" in the msg body # URL: http://www.desk.nl/~nettime/ contact: nettime-owner@icf.de