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NETTIME'S WEEKLY ANNOUNCER - every friday into your inbox
calls-symposia-websites-campaigns-books-lectures-meetings
send your PR to sandra.fauconnier@rug.ac.be in time!
0.......1........2........3........4........5........6
1...Olivier Auber.........Experience poietique / Poietic experiment
2...Molnar Daniel.........ancient times art regime
3...Crash Media...........Crash Media II out now...
4...shedhalle.............MoneyNations
5...Ricardo Dominguez.....SWARM: An ECD Project for ARS Electronica '98
.......1..............................................
Date: Wed, 20 May 1998 01:52:51 +0100
Subject: Experience poietique / Poietic experiment
From: Olivier Auber <auber@email.enst.fr>
Experience poietique / Poietic experiment
==============================================================
POIETIC GENERATOR
Real-time collective graphic interaction experiment on the web
Art and science research on real-time collective phenomena
The Poietic Generator is now accessible on the web 24 hours a day for
trials and consultations. For the moment, experiments consist of short
sessions announced a few days before in order to get together as many
participants as possible. Please check below the date of the next one and
inform some friends!
TUESDAY MAY 26, FROM 19:00 TO 20:00 (PARIS TIME = GMT+2)
http://www.enst.fr/~auber
The poietic image available on this site will be also displayed in real
time during the conference "Collective creation on the Internet" animated
by Charles Lenay, professor of philosophy and history of sciences, UTC
University, Compiegne, France.
PS 1 : you may also suggest dates of "rendez-vous" and occasions for
futures experiments
PS 2 : for the moment, the JAVA software runs better on PC than Mac, Ggrr...
PS3 : the softwares which allow this (non-profit!) project has been
developped by many contributors, specialy by some students and researchers
of the "Ecole Nationale Superieures des Telecommunications" (ENST, Paris).
==============================================================
................2.....................................
Date: Tue, 19 May 1998 07:30:05 +0200 (MET DST)
From: Molnar Daniel <b2men@biocom.bio.u-szeged.hu>
Subject: ancient times art regime
More Than a Decade Commodore 64 Scene CD
The Complete Guide and Encyclopaedia
http://www.nic.funet.fi/pub/cbm/c64/demos/hof/project.htm
///////////////////// Daniel Molnar a.k.a. cj b2men /
snail mail is H-6701 Szeged Hungary Europe POBox 285.
pager +36-50-415-392 + fax +36-62-496-138
b2men@eastedge.neurospace.net + the same /~b2men
if urgent <200 characters to 415392@pager.easycall.hu
.........................3............................
X-Sender: mail.yourserver.co.uk (Unverified)
To: (Recipient list suppressed)
From: Crash Media <crashmedia@yourserver.co.uk>
Subject: Crash Media II out now...
Mime-Version: 1.0
Date: Wed, 20 May 1998 18:19:22 +0100
------====###====------
_______ __
/ ___ \____________ _____| |__
/ \ \/\_ __ \__ \ / ___/ | \
\ \____| | \// __ \_\___ \| | \
\________/|__| (______/______\___|__/
_____ ___ __
/ \ ____ __| _/|__|____
/ \ / \_/ __ \ / __ | | \__ \
/ | \ ___// /_/ | | |/ __ \_
\____|____/\_____\_____| |__(______/
------====###====------
C R A S H M E D I A
I S S U E T W O O U T N O W
------====###====------
Where Media Reaches its Critical Mass
http://www.yourserver.co.uk/crashmedia/
------====###====------
Crash Media is an independent tabloid
and online publication, dedicated to
independent media practice;
released in print bi-monthly.
Crash Media online is a
thread based publishing environment
for instant publishing pleasure...
------====###====------
EXTRA SPECIAL : MEDIA & ETHNICITY
Shirin Housee on Media Imperialism, SuAndi on Black
Identity on the Net, John Hutnyk on Curry, Beer and
Cultural Packaging, and Jamika Ajalon on Archives, Media
and Black Activism
[http://www.yourserver.co.uk/crashmedia/esboard.htm]
ACCESS DENIED
MED TV, Deep Dish TV, Paper Tiger TV, Free Radio
Berkeley, Black Liberation Radio =96 When Grassroots Grow
Aerials. Plus: Micro Power FM Kit in this issue's Crash
Course, DeeDee Halleck and Joseph Cooper explore
communities in orbit and the National Lawyer's Guild
reveal more earthly suggestions for the future of low
power FM transmitters.
[http://www.yourserver.co.uk/crashmedia/adboard.htm]
UNDER THE NEEDLE
The Blind Rhythm Makers in Freak Alien Abduction. Kodwo
Eshun explains the futurhythmachine to Chris Flor and
Ulrich Gutmair - and Poets Get Paid (Micz Flor knows
why).
[http://www.yourserver.co.uk/crashmedia/utnboard.htm]
CULTURE CLUB
>From Bedroom to Bauhaus: Communication Follows
Commitment... r a d i o q u a l i a reframe the webwaves,
cunninglingo are on everybody's lips, Prison Radio and
Radio Space, as well as Bedroom Communications on a
global scale: fanzine culture.
[http://www.yourserver.co.uk/crashmedia/ccboard.htm]
STRANGEWAYS
As Gregor Samsa awoke one morning from uneasy dreams he
found himself transformed in his bed into a gigantic
insect... Nick Gonzales, Janko Vook and Die Kunst do
something completely different.
[http://www.yourserver.co.uk/crashmedia/swboard.htm]
MEDIUM ROAST
Revolutionary Vagrants and Hacker Honchos on a Cyber-
Comedown. Korinna Patelis, Florian Zeyfang and Josephine
Berry crack the ethos while Ian Gasse explores The
Battleground of Hegemony: Mass Media in the Early 19th
Century ... with stunning parallels to today's
independent media debate
[http://www.yourserver.co.uk/crashmedia/mrboard.htm]
BALZAC NATION
After the Fall (resolution number two by J.J. King) leads
Lo-Fi Joe off the urban Richter Scale - with poems by
David Fujino
[http://www.yourserver.co.uk/crashmedia/bnboard.htm]
------====###====------
[not all image based contributions for Crash Media can be
found online, the web version of Crash Media is mainly
text]
CONTRIBUTORS TXT & IMG:
Olyvia Adjaye, Jamika Ajalon, Josepine Berry, Luchezar
Boyadjiev, Tanya Burton, Graham Clayton-Chance, Joseph
Cooper, Emer, Kodwo Eshun, Liz Eversole, Chris Flor, Micz
Flor, Ian Gasse, Nick Gonzales, Millie Guest, Ulrich
Gutmair, DeeDee Halleck, Honor Harger, Shirin Housee,
John Hutnyk, Richard Hylton, JJ King, Die Kunst,
Liverpool Black Sisters, Manu Luksch, David Mackintosh,
Pom Martin, Armin Medosch, Prema Murthy, National
Lawyer's Guild, Korinna Patelis, Imogen O=92Rorke, Natascha
Sadr Haghighian, Catherine Seale, Justin Spooner, SuAndi,
Tina Weiner, Martin Vincent, Janko Vook, Florian Zeyfang
EDITORIAL, LAYOUT & DESIGN:
Josephine Berry and Micz Flor
SPECIAL THANKS TO:
Florian Clausz, Rachel Cooper, Mukhtar Dar, the FACT
team, Robin Hamman, Lisa Haskel, Damian 'Zipper' Jaques,
Alan Korn, David Mackintosh, Ed van Megen, The Mutoids,
Iliyana Nedkova, Laurie Peake, Graham Parker, Chris Paul,
Simon Robertshaw
------====###====------
Crash Media combines a 12 page tabloid newspaper with an
online publication. The tabloid edition is an attempt to
create an offline forum for independent media practice.
The website is built as an open publishing environment in
which the contributor can bypass all editorial control
and publish their views and replies directly on the WWW.
Crash Media is made in Salford/Manchester, published by
Skyscraper Digital Publishing - publishers of Mute
magazine. Crash Media will also create a soft landing for
the agendas under discussion in the temporary media lab -
Revolting - happening in Manchester this autumn.
[temp URL: http://www.yourserver.co.uk/revolting ]
------====###====------
GET THE PRINT VERSION OF CRASH MEDIA:
FOR UK RESIDENTS ONLY: To receive a free copy of Crash
Media, issue 1 or 2, send a stamped and self-addressed
envelope to Crash Media (address below). For single copy
affix 1st class stamp to A4 or A5 sized envelope. If you
want to receive 10 copies, please affix 2 pounds worth of
stamps to an A4 sized s.a.e.
------====###====------
Send your contributions for issue 3 now! If you want to
send text, please use email, fax or the postal address.
Images should be scanned at 150dpi and can be attached
(compression: Winzip for Stuffit welcome) - before
jamming our data pipelines: consider sending large work
with the post. Thanks.
!!!!! Deadline for issue 3: 25th of June !!!!!
------====###====------
Crash Media
University of Salford
Art and Design Technology Research Unit
Peru Street
UK - Salford M3 6EQ
fax: +44.161.295 6180
mail: crashmedia@yourserver.co.uk
url: http://www.yourserver.co.uk/crashmedia
ISSN 1462-1347
..................................4...................
Date: Tue, 19 May 1998 15:42:26 +0000
From: shedhalle <shedhalle@access.ch>
Subject: Shedhalleinfo:MoneyNations
moneynations@access
a Web- and VideoZine with contributions of artists, activists
and theoreticians from Middle and Central European cities
including a Conference
>from 24. October- 25. Oct. 1998
and a Presentation of the Zines
>from 23. Oct. to 15. Dec. 1998
at Shedhalle Zurich, Seestr. 395, CH- 8038 Zurich
Phone :++41-1- 481 5950, Fax.: ++41-1-481 5951, shedhalle@access.ch
second part of moneynations@access with artists, activists and theoreticians
from Central and South America at the Swiss Institute, New York (concept
will follow from Swiss Institute)
"..For business purposes.the boundaries that separate one nation from
another are no more real than the equator. They are merely convenient
demarcations of ethnic, linguistic and cultural entities. They do not
define business requirements or consumer trends." (IBM 1990)
"The aparatuses of discourse, technologies and institutions (capitalism,
education, mass media a.s.f.) which produced what is generally recognized as
the "national culture"...but the nation is an effect of these cultural
technologies, not their origin. A nation does not express itself through its
culture: it is the cultural aparatus that produces "the nation". What is
produced is not an identity or a single consciousness...but (hierarchically
organized) values, dispositions and differences. This cultural and social
heterogeneity is given a certain fixity by articulating the principle of
"the nation". The national defines the cultures unity by differentiating it
from other cultures, by marking its boundaries; a fictional unity, of course,
because the "us" on the inside is itself always differentiated."(Donald,
1988)
The project "moneynations@access" has a double focus. It is concerned with
the complex and contradictory nature of contemporary cultural identities,
and with the role of national-politics in relation to the "transnational flow
of capital" and their affect on the reconfiguration of those identities.
The part of the project initiated by the Shedhalle Zurich addresses these
issues in the context of the current changes in a European identity, which
has always been defined and is now newly defined in relation to the important
"Others", i.e. America, the "East", Islam, Japan or the Orient. In the case
of the first part of "moneynations@access", our greatest interest will placed
in the question how the big Other, "the former Eastern Bloc", is redefined in
relation to the constitution of a West European Union as a "fortress", and
its contemporary economic politics. The production of a pan-European identity
will not only be investigated before the background of contemporary national-
politics, but also in its historical context of the Third Reich, the Cold War,
and the effect which the so-called "collapse of Socialism and Communism" had,
on the one hand for a leftist discourse, and on the other hand for the power
structures of transnational accumulation of wealth.
The question is to what extent is the Western "identity" composed in
opposition to the former Eastern Bloc states and to what extent does this
affect the so-called "fortress" and its restrictive migration politics? How
are the West in the East, and the East in the West represented and valued?
What kind of reports and information does the media convey? In what way does
the market and the promotion of the "Euro", as the new common currency,
morally exclude and marginalize people within Europe? And what are our
perspectives as to a critical discourse, now, after the utopia of Socialism
is breaking down, converting into Neo-Liberalism?
The aim of "moneynations@access" is to create a "counter-institutional
pool" of theorists, (media) activists and artists from Middle and Central
European cities. However, this "counter-information network" will not consist
of a group of a few individuals. The aim is to exchange a wide range of
policies of resistance; to link new identities and economic theories with
anti-border campaigns, anti-racist and feminist movements; to discuss,
understand and criticize the protectionism of Western Europe with regard to
migration, while "capital flows beyond national borders and labor rights.
The communication network starts out on two different levels. First a
mailing list will be issued to instigate open email conversation via a
WebZine, in which people from different disciplines can submit texts,
projects and suggestions referring to the issues. The WebZine will be
established by the end of June. The Second exchange medium is a VideoZine.
The VideoZine will be used as a correspondent network initiated by a so-
called editorial correspondent group. They contact artists, activists and
theoreticians from Central Europe, who wish to address counter-institutional
strategies within the framework of the project. The VideoZine starts right
now. The first video has already been made by the Liga (a group of non-profit
gallery spaces) from Budapest. The videos will be sent to Zurich, where we
will copy them for the editorial group members. (have a look on ...how to
proceed) The Shedhalle in Zurich established a project team (Agnes Bieber,
Sascha Rvsler, Natalie Seitz , Marion v. Osten). The Shedhalle team will be
responsible for the coordination of the information, texts and videos, and
will establish the Web- and VideoZine in cooperation with the "editorial
correspondent group", different (media=1F) activist groups in South-Eastern
and Central Europe as well as with the ProHelvetia offices in Bratislava,
Kraksw, Budapest and Prague. Extracts of the incoming internet texts will
be published in a special edition of a Newspaper. This Newspaper will
function as a small publication and could be organized together with
"nettime" (Geert Lowink, Amsterdam). The video productions of the VideoZine
will be presented at the Shedhalle in October 1998 in the context of a
conference of theoreticians, anti-racist groups, media activists and artists.
The VideoZine, the Webproject and the Newspaper will also be presented in the
Swiss Institute, New York, in November 1998, where the project will be
proceeded with Central and South American participants. The aim of the project
initiated by the Shedhalle is not only to represent the "East" in the "West",
but also to encourage the further use of the WebZine and the VideoZine for
"multiple" shows or screenings in the various cities and countries of the
participants. It would be our wish that the project will be more than a "one
off exemplary project", but an attempt to establish communication and
discourse between critical working people on both sides of borders.
Theoretical Background:
The West and the Rest... In the past years, the concept of Euro-Centrism has
repeatedly been accused to stand for the hegemony of Western cultural
conception, since the euro-centrist concept always seems to reflect a
"Western" view of Europe only. The "construction of Europe" as a "fortress"
has started in 1989: A fortress that excludes the Central European cultures,
and with media that blocks them out at the borders. This "fortress Europe"
produces new cultural identities, which are on the one hand based on
regionalism and on the other hand the very same is denied and replaced by a
common European identity. Who is in and who is out is redefined. New
boundaries and new identities are produced, which are strongly related to
market orientated values and ideologies. The international economic
"competition", as an effect of the so-called globalization, serves as the
main argument for the European Union. The spatial matrix of contemporary
capitalism is one that combines and articulates tendencies towards both
globalization and localization. Even if capital significantly reduces the
friction of geography, it cannot escape its dependence on spatial fixity.
Space and place cannot be annihilated. "The new culture of enterprise
enlists the enterprise of culture to manufacture differentiated urban or
local identities. These are centered around the creation of an image, a
fabricated and inauthentic identity, a false aura, usually achieved through
the recuperation of "history (real imagined, or simply recreated as pastiche)
and of "community"(again, real, imagined, or simply packaged for sale by
producers). (Harvey,1987:274). In this context the Schengen Agreement fixed
the boundaries of cultural identities into borders that are protected by
military and laws. Meanwhile the "East" has become a low-wage location for
international investors. New technologies of control have been developed on
the borders: genetic fingerprints; high-tech equipment; new border
architecture has been erected; and the fortress is now protected by a
specially trained border police who decide on the new Western European
identity as a part of their job. Those developments, i.e. social
restructuring, spatial transformations and discontinuities of identities are
to be seen in the context of the social and economic restructuring of the
former socialist states through investment, commercialization and
privatization as well as through transnational accumulation developments.
The conception of identity in a "Western European" society is increasingly
tied to the lifestyle attributes of a more flexible, creative and efficient
service elite. These cultural discourses or distinctions of the "European
identity crisis" include repressive political means against so-called
"illegalized" people at the borders and within the "fortress Europe". These
exclusions and stigmatizations of the "Others" are present in Middle and
Western European cities too, where a low wage working class of "illegalized"
people serves the service elite to polish up their status, whereas in the
inner cities there is an increase in repressive and racist politics against
different marginalized groups. Along its eastern and southern edges, Europe,
as an economic and political entity, must now re-negotiate its territorial
limits. Last year a lot of critical events and campaigns took place focussing
on these developments (Kein Mensch ist illegal, Innenstadtaktionen) .
"MoneyNations@ access" is trying to broaden these critical actions by
relating them to the perception of the so-called EAST in institutional
politics, and its consequences regarding the construction of the borders, new
nationalism and low-wage production locations.
The Crisis of the "Blind Spot" In the current reports of the West it is
obvious that the propaganda machines of the "Cold War" go on, either through
refusing to recognize the situation in Central Europe, or through its
capitalization. The postulation of Capitalism in all its violence is
legitimized through the reasoning of cultural difference: On the one side
that of "the East", historically associated with racist representations,
and on the other side that of power claims against the former socialist
states. Nationalism and racism are constructed on this, and the West uses it
to polish up its identity, or better, to create a status of an "acceptable"
identity.
The premisses of the perception of the "East" are confirmed by the
misrepresentation of an intellectual and cultural tradition of Central
Europe during Socialism; by the never-ending representation of poverty; by
spectacular reports on the "new-rich" and the "Mafia"; by the former
categories of business; by professionalism, advertising and competition; and
above all, by the unquestioned Western European legislation of rights of
asylum made for Central Europeans. The social change from Socialism to
Capitalism was described by many "Eastern" friends of mine as an every-day
conflict. In capitalism the way you have to behave, do business, produce art,
or dress, seemed to create a barrier: In order to cope with this adjusting of
your personality you either had to position yourself against it, or over-
affirm it. The capitalist ways of behaving are received as colonization.
They reflect power relations and Western categorization of values.
Alternatives like "self-professionalizing" or models of non-profit orientated
ways of life are rarely found.
The representation of European history in relation to a socialist tradition,
used only as a negative projection, creates, historically and socially, a
blind spot, which produces an identity crisis in the former Eastern Bloc
states and its citizens. The only cultural identity which is given to the
former Soviet states is that of an "older (deeper) European tradition", the
tradition of the "Abendland". This sentimental and nostalgic view refers to
a tradition of "culture", which is the very heart of the difference between
Europe and the so-called "non-cultural" Others (Africa , America, Asia and
Islam). This collective memory of "what Europe once was", excludes the
experiences of forty-five years of life in socialist states, as if it had
never existed. For a Western-socialized person, it is hard to understand what
effect this devaluation can have on a person's identity. Once there is that
feeling that Capitalism has "won", we, as Westerners, realized what that
might mean with regard to our critical potential.
Former West - Former East It is an aim of the project to reflect on this
historical "blind spot" and its political and social implications. We
suggested that it may be interesting to start a discussion, not from the
point of view of traditional, materialistic leftist discourse, but rather
from a perspective of identity politics. Working together with feminist
activist groups and theoreticians from the "East", in this context, seems
to be highly political. How did the social and economic situation for
women and homosexuals change during the transition from the former socialist
to the now almost completely capitalist situation? How is feminism, as
analytic category, valued on each side of the border? Is there a
deconstructing feminist economic movement which questions the over-
determination of the economic discourse in terms of being right or left wing?
What position and what kinds of resistance politics might we share together
against the transnational accumulation processes? Where are the differences?
How is the political valued? What part plays Pop Culture in the former
west/former east resistance politics to build new subjectivities which go
beyond a "whites only" and traditional "genderdifference" identity? All
this questions and more might be asked, answered or discussed through several
media in the project. Join and Let's start.
How to Proceed and how to Take Part: The project will develop progressively
on an exchange basis throughout the next month and can be accessible and
presented in different places and institutions and in all the cities of the
participating artists and theoreticians (if wanted). The project should not
stop because of the conference in Zurich or elsewhere, it can proceed as
long as necessary. The submissions of the Web- or VideoZine correspondents
can be of a documentary, narrative, fictional or theoretical character.
Besides the presentation of political and economic background data and
information, the contributions can be texts, internet projects, photo stories
and videos. They can be, for example, in the form of a guided tour through a
city by video. (Where does gentrification happen? Where does the
transformation of the city start? etc.), or may be a report of activities,
interviews, statements about a video of other participants, or fiction. No
institutional politics should be involved but current institutional forms
should be criticized, or counter-institutional points of view could be
developed.
The editorial group (April 1998): A group of artists and theoreticians has
been formed at my suggestion, which will from now on be looking for new
partners in relation to their research and subject fields. Each member of
this group is personally related to the subject of the fortress Europe,
either through their own biography, or through the content of their work.
This group acts as an editorial group in which information can be processed
and brought together. The artists of the "editorial group" are: G=1Fls=1Fn
Karamustafa (Istambul), who has often worked on the theme of migration and
works as a correspondent for the complex "suitcase economy", in the Black
Sea region ( Bulgaria, Georgia, Turkey); Marion Baruch, as artist "Name
Diffusion" (Paris, Milan), a former Jewish Romanian migrant who will be our
editorial correspondent for Romania/Ex-Yugoslavia, as well as for migrants
from these countries living in Paris or Milan. Marie Ringler and Meike
Schmidt Gleim (PublicNetbase, Vienna) are invited to monitor the feminist
perspective of the project. Geert Lovink, nettime Amsterdam, will inter-link
the different media activist groups, and is himself asked to work on the
question of Georg Sorros in the "East". The art historian Edith Andras,
former correspondent in New York for Hungary, is invited to work on the
representation of "Eastern art" in the West . She has made the first contacts
with economists, sociologists, activists, artists and art historians made,
together with Susi Koltai, Pro Helvetia Hungary. The group of editorial
correspondant members can and will be enlarged.
Marion v.Osten
Please send your comments or contributions to shedhalle@access.ch
...........................................5..........
Date: Fri, 22 May 1998 12:15:15 -0700
From: ricardo dominguez <rdom@thing.net>
Subject: SWARM: An ECD Project for ARS Electronica '98
SWARM: An ECD Project for ARS Electronica '98
by
Ricardo Dominguez
Stefan Wray
Brett Stalbaum
Carmin Karasic
1998 Tactical Theater Schedule
http://www.nyu.edu/projects/wray/ecd98.html
Electronic Civil Disobedience
ARS Electronica Festival '98
http://web.aec.at/infowar/index.html
*The information revolution is the key to the development of
new designs and capabilities for sustainable swarming--from
the establishment of an initial posture of dispersed forces, to
the coalescing of those forces for an attack, to their
dissevering
return to the safety of wide dispersion, and their preparation
for a new pulse. Only a new generation of robust information
gathering and distribution systems can support such pulsing.*
--In Athena's Camp
1.1 Digital Zapatismo as InfoSwarm Systems.
http://www.eco.utexas.edu:80/Homepages/Faculty/Cleaver/zapsincyber.html
The Zapatista movement in Chiapas, without benefit
of any technological infrastructure, has been able
to manifest itself as a transnational network of
email based activism that has constrained the Mexican
Goverment from crushing them immediately. The advent
of these networks has up to now been able to do the
work that is needed--to spread information about
the situation in Chiapas on a mass scale. This
continues to be the most vital element of
Zapatismo on-line.
Digital Zapatismo is now concentrating on replacing
the InfoWar doctrine of cyber-terrorism by pushing
Electronic Civil Disobedience to the forefront of
mass media discussion. This will be the main thread
of the project within the INFOWAR list.
1.2 Electronic Pulse Systems.
Digital Zapatimo calls all individuals and groups
to participate in research and development
of new methods of Electronic Civil Disobedience
that move beyond email lists and information
sites.
This investigation should focus on non-violent
Electronic Pulse Systems (EPS), that function
beyond the Tactical Flood Nets that we have already
built (http://www.thing.net/~rdom/zapsTactical/zaps.html),
that will enable mass public participation in Zapatista
actions between now and the end of ARS Electronica.
We are also building a Zapatista Spider to hit specific
URLS.
1.3 Infrastructure and Swarm Tactics
Digital Zapatismo calls for the development of
mobile infrastructures consisting of multiorganizational
networks. This would be done by bringing together
independent infrastructure nodes (The Thing in NYC ,
AZ in Austin, TX,CADRE Institute, San Jose, California,
groups on La Neta, in Mexico, and nodes in Europe).
These nodes would investigate the development of mobile
infrastructures of defense and security of a server to
be setup in a Zapatista Community in Chiapas. To protect
Zapatista sites and actions from counter-attacks via
remote firewall setups and the training of the Zapatista
nodes in Chiapas.
Finally, and most importantly, to develop a process by which
the the myth of *CyberZapatistas* in Chiapas can be made into
a Reality. To create a network of supplies to build a mobile
digital infrastructure in the Lacondona jungle as soon
as possible and by any means necessary.
Ricardo Dominguez
1998 Tactical Theater Schedule
http://www.nyu.edu/projects/wray/ecd98.html
Electronic Civil Disobedience
http://www.nyu.edu/projects/wray/ecd.html
---
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