McKenzie Wark on Sat, 24 Apr 1999 18:48:23 +0200 (CEST) |
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<nettime> Murdoch's Indian Trial |
Sydney Morning Herald http://www.smh.com.au/ Saturday, April 24, 1999 INDIA Siege of the Mogul empire CHRISTOPHER KREMMER IN A cramped office, in one of the Indian capital's less salubrious neighbourhoods, an anonymous criminal lawyer works into the night on a case that may make him a household name. Anil Goel's clean-cut, boyish features would be more at home in the pages of a John Grisham novel than in this yellowing room with its daunting overflow of mouldy manilla folders piling onto the floors. But neither the growl and quack of passing motor rickshaws, the lowing of cows, nor the occasional fetid gust of breeze from the slum outside can distract the 30-year-old advocate's attention from what has become a David and Goliath legal battle against one of the world's most powerful men. Obscenity. The word seems to bounce off the dusty copies of the Companies Act that stare down grimly from their shelves at Arun Anil & Associates, the firm that persuaded an Indian court to issue an arrest warrant for the global media mogul Rupert Murdoch. On Christmas Eve 1996, Goel, representing his university batch-mate and legal partner, Arun Aggarwal, argued before the Chief Metropolitan Magistrate of Delhi that broadcasts by Murdoch's Asian satellite television company were "sweet-poisoning" Indian youth and undermining the extended family. "I was up late one night when a film by the name of Stripped to Kill was shown. It was about the violent demise of a nude cabaret dancer. I was shocked," Goel recalled in a recent interview with the Herald. "The next morning at the office I mentioned it to my partner, Arun Aggarwal, and he also was concerned about this violent, sexually explicit material. So we decided to do something about it." The first shot across the bow of Satellite Television Asia Region Ltd (Star TV) was a 26-page complaint laboriously prepared on a manual typewriter, alleging that the broadcasts were creating a rise in sex crimes and destroying the already fragile status of Indian women. "The programs are repulsive, filthy, loathsome, indecent, lewd and scurrilous," the complaint read. "We will have the impressionable youth of India believing that it is permissible to walk around naked as shown on Star Plus Baywatch." Not for the first time in his career, Murdoch was accused of undermining social standards and values in the pursuit of profit. This time, under the Indian Penal Code and Indecent Representation of Women (Prohibition) Act, he faced up to five years' imprisonment if the court found movies such as Big Bad Mama and Jigsaw Murders aired in November 1996 were obscene, and that he was responsible for broadcasting them. But as the case slow-marched its way through India's labyrinthine court system, Murdoch remained aloof. Summonses served at his US and Australian addresses were returned. His lieutenants in India did everything they could to protect their boss, even offering themselves to the court in his place. But such tactics proved counterproductive. The Chief Metropolitan Magistrate of Delhi, Prem Kumar, ordered that a list of the assets of Murdoch's Indian interests be prepared. The Indian courts have the power to seize assets of accused persons who fail to appear before them. The next step is as close as a newspaper advertisement away. The court has issued a notice declaring Murdoch a "proclaimed offender", and has given Goel and Aggarwal until June26 to publish the notice in an American newspaper. Once the notice is published, the News Corporation chief will have 30 days to appear in court, or face arrest should he ever set foot in India, a country that he believes will be one of the driving forces in media in the 21st century. It seems absurd to Star officials that a country that produces hundreds of films every year featuring highly suggestive dance sequences and enormous amounts of slapping, punching, shooting, strangulation, burning and stabbing, should object to the imported alternative. Nevertheless, they have engaged some of India's best legal minds to represent them in the case. In January, Goel was invited to a meeting with Murdoch's lawyers, who asked him to drop their client's name from the proceedings. "They said Mr Murdoch is not at all involved in the business of Star movies and offered that some responsible person from the company would appear in his place," Goel says. "We haven't heard from them since. Unless some serious proposal is made by their side which ensures that the offence cannot be repeated, we will proceed with the action." With a protracted legal battle looming, Star management refused requests from the Herald to comment on the case, but Rathikant Basu, Murdoch's top man in India, rejects the charge of obscenity. "In India, satellite broadcasters have shown an amazing degree of responsibility," he said. "So far there has been no regulation of content, and there hasn't been any really major breach of what you might call the social and moral codes pertaining to the country." Privately, Star officials play down the importance of the case, suggesting it is a put-up job by business rivals. Compared with their main problem - the company's inability for the past eight years to make a profit - the case of Aggarwal v Murdoch is indeed small beer. In the heady days of the early '90s, Murdoch bought into Star at an estimated cost of $US871million ($1.34billion), and has since poured in hundreds of millions more to stay ahead of the Asian TV pack. But despite an estimated 260million viewers in 53 countries, advertisers still prefer the much larger audiences of state-run television. India's national broadcaster, Doordarshan, boasts an audience of 330million viewers, triple that of the satellite broadcasters in that country. The other revenue stream - subscriptions - has been undermined by huge understating of their customer bases by India's 60,000 "cable wallahs", the middlemen who pay for the decoders required to receive the encrypted signal, and then distribute the service via cable in their neighbourhood. Star management admits the company still collects only about half the subscriptions that are rightfully its, and a new 24-hour news channel for India is hemorrhaging cash. The extent of the losses depends on whom you ask, and how you define a loss. One researcher who has studied the operation puts them at $US250million since 1994, not counting the acquisition cost. Other observers put the losses much higher. India still accounts for just 1per cent of News Corp's global business, but frantic efforts are under way to relaunch Star, the corporation's ugly duckling, in a new form that extracts more rupees from the Indian public. Direct-to-home (DTH) broadcasting - which uses miniaturised dishes similar to Murdoch's successful ventures in Japan and Europe - is the great hope. But everywhere he turns, Murdoch confronts hurdles. DTH has been awaiting the government green light for more than two years. Idle satellite transponders, and other overheads including 150 staff, are costing the firm more than $US20million a year. Having failed in a legal challenge to India's ban on broadcasting on the Ku-band, which DTH uses, the company began wooing the controversial Hindu-nationalist Bharatiya Janata Party (BJP), leader of India's then coalition government. Earlier this year, Star officials met the Information and Broadcasting Minister and BJP heavyweight, Pramod Mahajan, and offered to provide facilities at their central subscription management centre in New Delhi for round-the-clock monitoring of all DTH channels. They stressed, well-informed sources say, that their new system would allow the Government at the flick of a switch to black out broadcasts it objected to. In the words of one observer, "it was like giving a poacher the keys to a national park". When he entered the transnational television business in 1993, Murdoch boldly described the medium as a threat to "totalitarian regimes everywhere". Suitably warned, China restricted the use of satellite dishes, and to this day satellite television there is officially available only in expatriate housing colonies and hotels. By 1994, Star was seen as trying to curry favour with China when it dropped the highly regarded - but to Beijing often irksome - BBC World channel from the package available in Hong Kong and China. India may be a democracy, but here, too, profit comes first. "It is much easier to monitor a single DTH operator than 50,000 cable operators," Basu confirms. "When satellite television first came it was transnational broadcasting, with all countries receiving the same product. But as time went on, and programming got focused to markets, then I think the countries which receive the signals have a right to legislate at least on the services, because not only are beams getting more specific to different markets, but advertising revenues are also being collected from the same markets." That argument was music to the ear of Mahajan, who since becoming minister last December had rolled back the autonomy granted to the national broadcaster by previous governments. Soon, the Indian press was peppered with quotes from the minister extolling the virtues of DTH. Yet again, however, the fates have conspired to make Murdoch's passage to India a bumpy one. The BJP-led government fell on April17, and the Murdoch lobbying effort is back to square one. But the saga has left a sour taste in the mouth of Dr N. Bhaskara Rao, director of the Centre for Media Studies in New Delhi, and a pioneer of Indian television. He points to a landmark decision of the Supreme Court of India in February 1997 which ruled that the airwaves belonged to the public and should be regulated by an independent authority, not the government of the day. "Star circumvents that judgment, when it seeks to sell the Government the line that it will enjoy more control of the airwaves if it allows DTH, which Star just happens to enjoy a strategic advantage in," Bhaskara Rao says. "Both Star and the BJP Government were proceeding with unseemly haste. The public has become deeply suspicious." According to Rathikant Basu - a former senior bureaucrat whose monthly government salary of $520 soared when he joined Star - Murdoch is still "very bullish" on India. "He believes the future in Asia is India and China," he says. Whatever its critics might say, Star has revolutionised Asian viewing habits. Already broadcasting in Hindi and English, the company has signed with the South Indian private channel SUN-TV to begin broadcasting in Tamil, with Bengali and other regional languages following soon. About one in three Indian households has a television set, but this ratio is expected to double in the next 20 years. The penetration of cable will grow even faster than that, to 85per cent of all TV households by 2020, on current projections. The advent of satellite television unleashed an unprecedented wave of creative talent, freed from the constraints of stultifying government control. Now India has caught up with the trend and is pushing ahead with the development of export processing zones to produce the 250,000 hours of programming that the Asian satellite channels will require in the next 20 years. Being first out of the box has often been crucial to Murdoch's success. But in India he is being restrained, not just by government and critics, but by his principal business partner, a former commodities trader and head of Zee Telefilms, Subhash Chandra Goel. Goel - whose Zee Telefilms is the only profitable arm of Star - sees Murdoch's DTH push as an attempt to marginalise him, and has been using his influence in high places to delay a decision until he is ready to compete on the new playing field. Back at the firm of Arun Anil & Associates, they are bracing for the next round of legal hostilities. The complainant, Aggarwal, thinks it will take years before the case reaches a conclusion, but his lawyer and friend Anil Goel feels the action has already given Murdoch a wake-up call and forced Star to cease broadcasting lurid material. "Criminal law requires the presence of the accused. The court will make him appear," he insists. Besieged by friends and foes alike, and with rapid technological change punishing his vision, Rupert Murdoch may well ask whether he will ever find the pot of gold at the end of Asia's television rainbow. 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