geert lovink on 25 Jan 2001 08:48:33 -0000 |
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[Nettime-nl] cosign 2001, amsterdam 12-14 september 2001 (computational semiotics) |
apologies for cross postings regards adrian miles >************************************************ >* >* First Call For Papers >* --------------------- >* >* COSIGN 2001 >* >* 1st International Conference on >* >* COMPUTATIONAL SEMIOTICS IN GAMES >* AND NEW MEDIA (COSIGN 2001) >* >* (http://www.kinonet.com/cosign2001) >* >* Amsterdam (The Netherlands) >* >* September 12 - September 14, 2001 >* >************************************************ > >CONFERENCE SCOPE > >This cross-disciplinary conference explores the ways in which semiotics >(and related theories such as structuralism and post-structuralism) can be >applied to creating and analysing computer-based media. It is intended for >anyone with an interest in areas of overlap (or potential overlap) between >semiotics and interactive digital media - including artists, designers, >critics, computer scientists, HCI and AI practitioners, semioticians, >narratologists and new media practitioners. > >Semiotics is the study of signs, symbols and signification, and is >therefore the study of how meaning is created, encoded and understood. >Computational semiotics is understood here to be the application of >semiotic theories to interactive digital media and has three main areas >(which overlap). They are: > >* The way in which meaning can be created by, encoded in, or understood by, >the computer (using systems or techniques based upon semiotics). > >* The way in which meaning in interactive digital media is understood by the >viewer or user (again using systems or techniques based upon semiotics). > >* The use of semiotics as the starting point for a system for looking >critically at the content of interactive digital media - devising a >critical framework equivalent in status and depth to art theory or academic >film criticism. > >Interactive digital media here refers to computer-based media that responds >to the user's input. This response can either be in real-time, responding >continuously to the changing input of the user, or generatively, based on >initial settings provided by the user. It incorporates one or more >modalities including digital video and audio, live-rendered and >pre-rendered 2D or 3D graphics, still images and text, etc. > >Input may make use of conventional keyboard, mouse, joystick or game pad, >data glove, or sensor technology of any type. Output may be through >conventional screen technology (including data projectors), 3D >visualization systems (including VR goggles and CAVE systems), haptics, and >other new interaction technologies. > >Media that make use of the unique capabilities of digital systems are of >particular interest to this conference. These include: computer games, >interactive narratives and other forms of interactive entertainment; >interactive video, virtual reality systems and virtual environments; and >hypermedia. > >COSIGN 2001 invites the following submissions: >1. Academic Papers >2. Media Artworks >3. Posters and technical demonstrations > >IMPORTANT DATES AND DEADLINES: > >1. Academic Papers >Submission date for Academic Papers: 23rd March 2001 >Acceptance will be notified on or around 7th May 2001 >Authors of accepted papers will be required to return the revised >camera-ready copy and complete registration form (at least one per paper) >by 11th June 2001 >Electronic version for online publication to be submitted by 25th June 2001 > >2. Media Artwork Proposals >Submission date for Media Artwork proposals: 23rd March 2001 >Acceptance will be notified on or around 7th May 2001 > >3. Posters and Technical Demonstrations >Submission date for Posters and Technical Demonstrations proposals: 23rd >April 2001 >Acceptance will be notified on or around 21st May 2001 > >1. ACADEMIC PAPERS > >Papers are invited on any subject that explores areas of overlap (or >potential overlap) between semiotics and interactive digital media. >Examples of this include, but are not limited to, the following: > >* The use of semiotics in the study and criticism of digital >interactive media. >* Narratology in new media. >* The use of semiotics in the creation of generative narrative systems, >interactive digital games, entertainment and artworks. >* Semiotic-orientated HCI. >* Software architectures and technologies using (or based upon) semiotic >theories, systems or models. >* The use of semiotics in AI. >* Semiotics and Hypermedia. > >Papers should demonstrate an understanding of - and engagement with - the >principles of semiotics (understood here as the study of signs) and gain >something from this engagement. > >Submission Requirements for Academic Papers: > >Submission deadline: 23rd March 2001. >Authors will be notified regarding acceptance on or around 7th May 2001. > >Interested parties are invited to submit papers of not less than 2000 words >and not exceeding 5000 words. > >All papers must be submitted electronically in one of the following >formats: Postscript, Microsoft Word for Windows, RTF or PDF to BOTH the >following: craig@starlab.net (Craig Lindley) and g.r.mitchell@uel.ac.uk >(Grethe Mitchell) > >If authors have difficulty in submitting papers electronically please contact: > > Frank Nack > CWI - INS2 > Kruislaan 413 > P.O. Box 94079, > NL-1090 GB Amsterdam > Email: Frank.Nack@cwi.nl > Phone: +31 20 592 4223 > Fax: +31 20 592 4312 > >Other Deadlines: > >Authors of accepted papers will be required to return the revised >camera-ready copy and complete registration form (at least one per paper) >by 11th June 2001 >Electronic version for online publication to be submitted by 25th June 2001 > >Online Publication: > >Authors of accepted papers will be required to prepare an electronic >version for the online conference proceedings, which will supplement the >traditional printed volume. Authors of accepted papers will be asked to >submit their papers in validated HTML 4.0 or PDF format for online >publication. > >2. NEW MEDIA ARTWORKS > >In addition to academic and theoretical papers, presentations of >practice-based work relevant to the themes of this conference are also >invited. > >Proposals for the presentation of new media art works of all forms and in >all formats are invited. Selection of work for presentation at the >conference will be based upon relevance to the themes of the conference, >interest in demonstrating or exploring the potential of new media, or >challenging perceptions, theoretical assumptions, or understanding in any >areas related to the conference. Selection may also be constrained by >practical requirements for equipment, safety, etc. Final decisions will be >made by the Media Artwork Committee in consultation with the Programme >Committee. > >Submission Requirements for New Media Artworks: > >Submission deadlines: >Submission date for Media Artwork proposals: 23rd March 2001 >Acceptance will be notified on or around 7th May 2001 > >Proposals for media artworks must be presented on an online website (you >must guarantee stability of the files until the conference). The website >should display the following: >A textual description (maximum size equivalent to 2 pages of A4) of the >proposed artwork and any illustrations. >A biography of the artist(s)/author(s) >Contact details >Please submit the URL of the website containing your proposal to BOTH of >the following by email: andy@kinonet.com (Andrew Clarke) and >Frank.Nack@cwi.nl (Frank Nack) > >If artist(s)/author(s) have difficulty in submitting a URL then >please contact: > > Frank Nack > CWI - INS2 > Kruislaan 413 > P.O. Box 94079, > NL-1090 GB Amsterdam > Email: Frank.Nack@cwi.nl > Phone: +31 20 592 4223 > Fax: +31 20 592 4312 > >3. POSTERS AND TECHNICAL DEMONSTRATIONS > >A) Posters: > >There will be an opportunity for researchers to present new work and ideas >that are not yet ready for the full presentation. Short papers will be >presented in poster format, and will be included in both the hardcopy and >electronic proceedings. > >Submission Requirements for Posters: > >Submission deadline - Posters: >Submission date for Posters and Technical Demonstrations proposals: 23rd >April 2001 >Acceptance will be notified on or around 21st May 2001 > >Papers must be submitted electronically. >Please submit your work described in 2 to 4 pages of A4 size, double >spaced, either as a URL or in one of the following formats: Postscript, >Microsoft Word for Windows, RTF or PDF. Submissions to BOTH of the >following: andy@kinonet.com (Andrew Clarke) and P.C.Fencott@tees.ac.uk >(Clive Fencott) > >B) Technical Demonstrations: > >Demonstrations will include leading edge work and work in progress in every >area relating to Semiotics in New Media and Computing. Submissions will be >peer-reviewed to ensure quality. Submitters will be encouraged to provide >videotapes where applicable to show the proposed demonstrations. > >Submission Requirements for Technical Demonstrations: > >Submission deadline - Technical Demonstrations: >Submission date for Posters and Technical Demonstrations proposals: 23rd >April 2001 >Acceptance will be notified on or around 21st May 2001 > >Please submit your demonstration proposal by email to BOTH of the >following: P.C.Fencott@tees.ac.uk (Clive Fencott) and craig@starlab.net >(Craig Lindley). > >Organizing Committee: > >Andy Clarke - Kinonet (UK) >Clive Fencott - University of Teeside (UK) >Craig Lindley - Starlab (Belgium) >Grethe Mitchell - University of East London and Kinonet (UK) >Frank Nack - CWI (Netherlands) > >Programme Committee: > >Elisabeth Andre - DFKI (Germany) >JP Balpe - Universite Paris 8 (France) >Paul Brna - Leeds University (UK) >Kevin Brooks - Motorola Human Interface Labs (USA) >Andrew Clarke - Kinonet (UK) >Clive Fencott - University of Teeside (UK) >Monika Fleischman - GMD (Germany) >Ian Green - University of Westminster (UK) >Werner Kriechbaum - IBM (Germany) >Craig Lindley - Starlab (Belgium) >Grethe Mitchell - University of East London and Kinonet (UK) >Frank Nack - CWI (Netherlands) >Paolo Petta - OFAI (Austria) >Doug Rosenberg - University of Wisconsin-Madison (USA) >Adelheit Stein - GMD (Germany) >Ola Stockfelt - University of Goteborg/University of Skovde (Sweden) > >New Media Artworks Committee: > >Andrew Clarke - Kinonet (UK) >Maja Kuzmanovic - Starlab (Belgium) >Mari Mahr - Photographer/ Artist (UK) >Grethe Mitchell - University of East London and Kinonet (UK) >Doug Rosenberg - University of Wisconsin-Madison (USA) >Uli Spierling - ZGDV (Germany) >Linda Wallace - Machine Hunger/Australian National University (Aus) > >************************************************ - ______________________________________________________ * Verspreid via nettime-nl. 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