toma cristina on Wed, 6 Feb 2008 22:11:44 +0100 (CET)


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[Nettime-ro] Fwd: expo



toma cristina <cuzina11@yahoo.com> wrote:  Date: Tue, 5 Feb 2008 06:51:25 -0800 (PST)
From: toma cristina <cuzina11@yahoo.com>
Subject: Fwd: expo
To: cuzina11@yahoo.com



    ACCES TO PINK
   
   
  CUZINA*s paintings
   
  at Curcubeul Gallery, Lipscani Street no 65
   
  opening  wednesday, 6 fev 2008,19.00 hours
   
  opened:   4.02-18.02
                10.00-18.00 o*clock
  saturday 10.00-14.00
  sunday   closed
  ACCES TO PINK                        
  UN PROIECT DESPRE PARADIS
  DESPRE ACESIBILITATE SI INACESIBILITATE
  DESPRE IDEALURI SI TINTE
  DORINTE
  DESPRE INTERFERENTE si originalitate
  TRANSFORMARE
  DESPRE IMPONDERABILITATE
   
  Pentru mine pink (siclam)  reprezinta o noua identitate, alter ego, exuberanta. La limita dintre gama calda si cea rece,  reprezinta libertatea, pasiunea de a percepe si a se exprima, sinceritatea, prezentul, firescul de a trai si a cugeta.
  Pink s-a impus totodata si ca simbol al generatiei actuale, o varianta socanta a rozului, asociata curajului generatiei tinere, avida de nou, de cunoastere, de schimbare, de experimentare.
   
  Cuzina?s painting displays us a world of intimacy as beauty is constructed in contemporary culture. She creates a space of urban dreaming and latex poems and she establishes new and personal places of visual imagery that also speak about her enthusiasm for some areas of pop culture.
  The ?neurotic joviality? atmosphere of her motifs encounter a formal composition of  emptiness and calm which comes as a result of her using principles of order to create the interior tension of the whole composition. Her dreams are viewed as under magnifying glass. They are very close to the retina. But at the same time in this approach comes the colorful bits, the slogans, clichés and the fat paint surface. This principle of intermediation the viewer?s contact with her painting universe leads to one of her influences that is graffiti art. She?s using various morphological elements like stencil and tagging that lay over the painted canvas. And if you look closely you realize that you have to dig into the paint to find the ?wall? made of concepts, dreams and love. She cuts pieces out of certain motifs and underlays them with outlandish images and she ranges from high gloss to mat hatching to create an eerie, a troubling effect.
  The whole mixture between approach/access and rejection and different vibrating medias makes her work contemporary smart and gives a vintage-candy look. 

  The life in her paintings has a fantastic lightness and speed. As she.
   
  denise radulescu
    
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