| Senzational In arta on Fri, 29 Oct 2010 18:38:51 +0200 (CEST) |
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| [Nettime-ro] Re : Pretentiile lui .................Perjovschi Dan |
________________________________
SENZATIONAL................. Marea tristete a lui Perjovschi vine, bag de
seama de pe urma luarii atelierului cum ne spune chiar el, si regretele pe care
le are pt oamenii in care a avut incredere, totodata institutii...
________________________________
Aminteste scriind de tot felul de cuvinte cum ar fii : comunisti ,
UNA, Ministerul Educatiei, MNAC, rector ; Viena, Venetia,....are un discurs de
plangacios impotent cu care ne-am obisnuit de ani de zile, Perjovschi
constuindu-si si cariera artistica pe temelia asta de asuprit din toate
directiile; de victima a fostului regim, al actualului regim, al mediului
artistic din Romania, in general al oamenilor care il critica sau nu il plac ca
om sau ca artist, postandu-se peste tot victimizat, o idee impartasita de multi
sau mai bine zis de toti.
Acest caricaturist, acest Don Quixote al artei romanesti ar fii bine sa
inteleaga ca daca la straini merge sau mergea cu para, cu victimizarea care era
la moda imediat dupa revolutie prin vest, aici la noi nu punem botul, (asta ca
sa folosesc sintagma lui) cel putin nu toti.
Poate multi dintre voi stiti si ati vazut cladirea despre care
vorbeste Perjovschi , dar pentru ceilalti care nu stiu ,va spun eu ca e o
caldire in paragina, o cladire care la un moment dat avea bulina rosie si care
arata jalnic atat in exterior cat si in interior are niste spatii insalubre,
ziduri crapate cu o sansa reala de surpare.
Daca tu te lauzi ca ai stat 20 de ani si n-ai facut nimic , tu si ceilalti
artisti sa puneti bani sa o reparati , sa tencuiti, sa consolidati cladirea
respectiva , partial sau integral din banii vostrii (ca daca va ducea capul
primeati bani de la primarie sau de la Ministerul Culturii), si va placut sa
traiti ca si gandacii pt. ca nu era proprietatea voastra si va placut chiria aia
modica ajutand la degradarea ei rusine sa-ti fie tie caricaturist periculos si
infractor.
Cladirea respectiva din cate stiu apartine UNA (Universitatea Nationala de Arta
din Bucuresti), foarte bine ca va dat afara , sper ca pe toti , ca mai sunt
cativa gandaci greu de exterminat pe acolo...., trebuie consolidata de la 0 ,
adica santier ca altfel daca o zugravesti , nu rezolvi nimic , si apoi utilizata
de UNA in scopurile pe care cred ei ca ar trebui sa o utilizeze, mi se pare
foarte firesc.
Eu zic sa faca demersuri sa recupereze si alte spatii si sa le utilizeze
, cum ar fi fosta cantina a caminului UNA care sa transformat in bar si casa
nunti si de petreceri , ar mai fii caladirea Muzeul Kalinderu, trebuiesc
recuperate si puse la dispozitia Universitatii dar asta e o alta discutie...
Asa ca ar fi bine sa taci Dan"e, sa nu te mai plangi atat, sa iti iei
cu demnitate un spatiu in chirie, ca e f. ieftin acum ...si sa iti vezi in
continuare de viata.
Iar daca te lauzi ca ai o arhiva CAA Arhiva de Arta Contemporana cum ai
denumit-o tu , doneaz-o unui muzeu, doneaz-o UNA, la biblioteca UAP,daca te
gandesti la binele studentilor , daca ai documente carti si albume care sunt
unice si pe care vrei sa le inpartasesti studentilor doneaz-o bineinteles
legal, adauga clauze la contract, cine te opreste? sau cunoasterea asta ar
trebuii sa vina doar prin tine.........
Poate intr-o alta postare voi vorbii si despre "inconstientul
infractor" : Perjovschi Dan......ma mai gandesc. : ))))
Cu bine..................................................., astept pareri ,
remarci, critici, idei scrise mai bune : ))))
________________________________
Today's Topics:
1. UNA m-a dat afara ca sa expuna in atelierul meu (perjovschi dan)
2. Fwd: Graduate Program in Curatorial Practice at California
College of the Arts (stefan rusu)
3. Invitatie / Megh?v?_MEME @ MAGMA_nov. 2 (baji vetro)
----------------------------------------------------------------------
Message: 1
Date: Thu, 28 Oct 2010 02:19:57 -0700 (PDT)
From: perjovschi dan <perjovschi@yahoo.com>
Subject: [Nettime-ro] UNA m-a dat afara ca sa expuna in atelierul meu
To: nettime-ro@nettime.org
Message-ID: <913374.27933.qm@web32404.mail.mud.yahoo.com>
Content-Type: text/plain; charset=iso-8859-1
Scriu acest mesaj cu mare tristete. Am primit o invitatie la o expozitie de arta
contemporana in Casa Ghica (aflata in curtea scolii de arta). Acolo a fost locul
unde am avut atelier (preluat de la Geta Bratescu) timp de 20 de ani din 1990
pina in iulie anul asta cind UNA m-a data insfarsit afara. pe mine si pe toti
artistii din cladire. Nu comunistii tampiti, nu capitalistii verosi ci
Universitatea de arta ne-a aruncat in strada. Fara alternativa.
Oficial ni s-a spus ca nu ni se mai poate asigura intergritatea (ha! ha!),
cladirea fiind subreda de la cutremur (mama ce grija! pe bune asa scrie pe
tidula primita de la juristul scolii), neoficial ni s-a spus ca studentii nu mai
au loc (asta cred sincer pentru ca sint asa de multi cei care platesc studiile
si fac deci salariile profesorilor ca dau pe dinafara) si mai neoficial ca
zgarie norul de vis-a vis a amenintat scolala ca o transforma in parcare si deci
vezi noi artistii trebuie sa fim solidari si sa ne caram dracului din Casa Ghica
care fiind de patrimoniu nu poate fi demolata si deci UNA care a primit-o cadou
de la Ministerul Educatiei scapa si ea. Bravo UNA!
A fost o moarte lunga (ni s-a spus roiul! acum doi ani, dupa care raminind fara
contract de inchirieire am stat toti fara curent si fara apa, tipic pentru
conditia artistului in secolul 21 romanesc si tipic pentru felul in care scola
de arta contribuie la aceasta conditie. Am fost tolerati 2 ani in aceasta
situatie nu pentru ca UNA ne iubeste ci pentru ca n-a avut bani sa refaca
cladirea). N-am gasit nici-o alternativa pentru ca in 2007 cind a inceput
sfarsitul nu se putea inchiria nimic preturile fiind mai mari ca la Viena. Pina
la urma in disperare am dus toate cataloagele acasa la sibiu.
De 20 de ani am folosit atelierul nu pentru arta mea ci pentru arta in general,
acolo avind sediul CAA Arhiva de arta contemporana, am facut zeci de prezentari,
dezbateri, discutii si cite si mai cite. Unii dintre cititorii acestei liste au
participat activ, altii intimplator, unii au auzit ceva si probabil o parte
habar n-au de locul ala. Intr-o vreme cine era activ sau cine era suparat pe
sistem ajungea la CAA. Am tinut loc de institutii cind aproape toate s-au
desfiintat si loc de critica cind aproape tota lumea apus botul. Asta nu ne-a
facut prea simpatici (tnti minte polemica cu zirul Detectie Draft care critica
MNAC?). Noi faceam altfel de scoala. Aveam o baza de date (cataloage, documente)
unica in Romania iar experienta mea si a Liei in practica artei contemporane
luata impreuna este neeglalata in aceasta tara. Am oferit aceasta experienta si
arhiva, scolii: pastrati arhiva si noi ne angajam sa facem seminarii cu
studentii vostri. Am vorbit cu surzii... Nu-i asa doamna rector? V-am dat o
carte cu istoria CAA. Am dat-o degeaba. Pe urma am vazut pe planul care a
castigat concursul de amenajare (de care am aflat din presa ca nimeni nu s-a
obosit sa-mi spuna boule facem concurs pe spatiul tau) unde in locul arhivei
noastre urma sa fi arhiva lor. Bravo UNA!
In tara asta toata lumea plinge ca n-are bani si n-are resurse. Am stat 20 de
ani la 4 metri de scoala si n-am fost invitati niciodata sa facem un lecture sau
un workshop. In schimb am facut literalmente in toata lumea. Am fi pus arhiva la
dispozitie, am fi facut discutii si am fi dat din practica noastra gratis. Dar
aici in Bucuresti nu are nimeni nevoie (nici de critica nici de documente).
Am inghitit in sec, am ambalat 20 de ani de arta si activism artistic si i-am
carat la Sibiu. Noi ne descurcam (binisor dupa cum vedeti anunturile pe e-flux).
Voi pierdeti sau mai bine zis studentii pierd.
Aprope am uitat toata tarasenia si imi vedeam de treaba cind am primit pe
nettime ro invitatia la o expozitie care se face in atelierul meu. ce tare!!!!
Bravo UNA!
Aurora, eu n-as expune in locul Galeriei Noi chiar daca n-am fost fanul
prograului tau si chiar daca au trecut atitia ani de cind ti-au luat-o. Joji
n-as expune nici mort in atelierul tau daca il mai ai si daca te vor da afara
vreodata. Dragi profesori artisti doctori ai UNA nu voi expune niciodata in
atelierele voastre si daca UNA va fi facuta parcare (ceea ce sgur se va intimpla
dupa cum deja ca ati cedat curtea) promit sa nu-mi parchez masina acolo...
Ce sa inteleg eu din acest proiect al vostru?
Ca de-abea ati asteptat sa ma dati afara? sa scapati dracului de noi si de felul
diferit in care inteleg educatia artistica? ce fel de arta predati voi acolo? ce
fel de definitie a artei aveti voi in cap? cine sintei voi?
Aurora ai fost in atelier la CAA la zilele Vienei la bucuresti cind CAA a fost
initiator si parte a proiectului, Ioji ti-ai prezentat pe diapozitive in
atelierul meu proiectul la Venetia nu? Calin Dan, subRealule ti-am luat interviu
in atelierul meu pentru ca TVR nu mai avea studiouri libere? Va faceti ca nu
stiti?
Profesorilor, doctorilor vreti sprijin? vreti solidaritate?
sa va fie rusine!
dan perjovschi
------------------------------
Message: 2
Date: Fri, 29 Oct 2010 04:36:42 +0300
From: stefan rusu <suhebator@gmail.com>
Subject: [Nettime-ro] Fwd: Graduate Program in Curatorial Practice at
California College of the Arts
To: stefan rusu <suhebator@gmail.com>
Message-ID:
<AANLkTimm2w6=ar6DgN2RCJbgFVFf1rxU1PsLv2GNAt8V@mail.gmail.com>
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---------- Forwarded message ----------
From: Art&Education <edu-news@mailer.e-flux.com>
Date: Fri, Oct 29, 2010 at 4:12 AM
Subject: Graduate Program in Curatorial Practice at California College of
the Arts
To: suhebator@gmail.com
October 28, 2010 [image: Art and Education]<http://artandeducation.net/>
<http://www.cca.edu/curatorialpractice> Installation view of *The Secret
of the Ninth Planet*, the thesis exhibition of the CCA Graduate Program in
Curatorial Practice class of 2009 California College of the Arts Graduate
Program in Curatorial Practice at California College of the
ArtsApplications are now being accepted for the fall 2011 incoming
class
*Application deadline:* January 5, 2011
*California College of the Arts*
San Francisco
http://www.cca.edu/curatorialpractice ; Share this announcement on:
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The Graduate Program in Curatorial Practice at California College of
the
Arts in San Francisco offers an expanded perspective on curating
contemporary art and culture. Alongside traditional forms of exhibition
making, this two-year master?s degree program emphasizes artist-led
initiatives, public art projects, site-specific commissions, and other such
experimental endeavors that have had a momentous impact in the last
half-century. The program is distinguished by an international,
interdisciplinary perspective, and it reflects San Francisco?s unique
location and culture by placing a particular importance on the study of
curatorial and artistic practices in Asia and Latin America. Our graduates
have gone on to successful careers in the fields of independent curating,
museums, galleries, public art agencies, and arts publishing.
The program was established in 2003 by the curators Kate Fowle and Ralph
Rugoff. It provides practical training in curating and organizing
exhibitions as well as rigorous study in the history of the discipline,
modern and contemporary art history, theory, and criticism. Close, ongoing
partnerships with outside organizations (such as SFMOMA and the CCA Wattis
Institute for Contemporary Arts) bring students into direct contact with
artworks, archival materials, and artists, and allow them to engage in
original research and collaborative projects. CCA offers many opportunities
for interdisciplinary exchange, and we privilege collective forms of
practice. The program also organizes numerous exhibitions, lectures, and
symposia.
Our core faculty members include curators, art historians, and other art
professionals from prominent Bay Area institutions. More than 200 curators,
critics, scholars, and artists from around the world have taught courses
here since the program was launched.
** NEWS: CURATORIAL PRACTICE WITH A CONCENTRATION IN ARCHITECTURE or DESIGN*
CCA has extremely strong graduate programs in Architecture and Design, and
students interested in pursuing curatorial avenues in either field can now
apply for an MA in Curatorial Practice with a concentration in one or the
other. The curriculum combines core courses in Curatorial Practice with a
selection of theory and practice courses (including possibly a written
thesis) in the second discipline. Applicants who wish to pursue this should
indicate their interest in the personal statement that accompanies the
application.
*101 WATTIS CURATORIAL FELLOWSHIP*
The Graduate Program in Curatorial Practice, in collaboration with the CCA
Wattis Institute and the 101/Artnow Collection, supports one paid,
nine-month, postgraduate curatorial research fellowship each year. In
addition to regular curatorial duties at the CCA Wattis Institute, each
fellow organizes an exhibition of works from the 101 Collection and proposes
works for acquisition. This multiyear commitment on the part of the 101
Collection recognizes the importance of offering young curators professional
opportunities as well as our program?s dual emphasis on academic knowledge
and practical experience.
*QUALIFICATIONS FOR ADMISSION (deadline: January 5, 2011)*
? Undergraduate degree in the history of art, fine art, or other appropriate
area of the humanities or social sciences
? Relevant practical experience in the visual arts and a demonstrated
commitment to curating
? Strong interest in contemporary art
For full details on the application process and requirements please
visit **<http://www.cca.edu/admissions/grad>
*www.cca.edu/admissions/grad*. Our program manager, Sue Ellen Stone (
sstone@cca.edu or 415.551.9239), is always happy to answer questions.
*OPEN HOUSE & INFO NIGHT: NOVEMBER 3, 2010*
Prospective applicants are invited to attend our open house and info night
at 7 p.m. on Wednesday, November 3, 2010, where they can meet the program
chair, faculty, and current students. For more information or to RSVP please
contact Sue Ellen Stone at sstone@cca.edu or 415.551.9239.
*Graduate Program in Curatorial Practice at
California College of the Arts*
1111 Eighth Street
San Francisco CA 94107-2247
T: 415.551.9239
http://www.cca.edu/curatorialpractice
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Message: 3
Date: Fri, 29 Oct 2010 00:54:44 -0700 (PDT)
From: baji vetro <b_vetro@yahoo.com>
Subject: [Nettime-ro] Invitatie / Megh?v?_MEME @ MAGMA_nov. 2
To: Nettime-ro@nettime.org
Message-ID: <688898.86351.qm@web56501.mail.re3.yahoo.com>
Content-Type: text/plain; charset="utf-8"
Spa?iul Expozi?ional de Art? Contemporan? MAGMA
din Sf?ntu Gheorghe, v? invit? la vernisajul expozi?iei intitulat?
MEME
a arti?tilor N.E.U.R.O. ?i KOZOMA
(Rare? Moldovan / Kozma Levente)
vernisaj-ac?iune de Stefan TIRON, 2 noiembrie, 2010, orele 19:00
Expozi?ia va fi deschis? p?n? ?n 24 noiembrie, ?n fiecare zi cu excep?ia
zilei de luni, ?ntre orele 11-19. Sf?ntu Gheorghe, P-?a Libert??ii, nr. 2.
http://magma.maybe.ro/
Organizator / Asocia?ia Medium Contemporan MAGMA
Parteneri / Muzeul Na?ional Secuiesc, Consiliul Jude?ean Covasna
Cu sprijinul / SONAR, Prim?ria municipiului T?rgu Secuiesc
Kobak Design, Bon Sweet Bon, Dunapack Rambox, Brut?ria Di?szegi
Parteneri media / H?romsz?k, Sz?kely H?rmond?,
transindex.ro, modernism.ro, sepsiszentgyorgy.info
Expozi?ia a fost realizat? sub egida Anului Artelor Plastice ?n jude?ul Covasna
Rare? Moldovan (29 noiembrie, 1980, Arad)
artist vizual, tr?ie?te ?i lucreaz? ?n Timi?oara & Copenhaga, RO & DK.
Studii (1999-2004): Universitatea de Vest Timi?oara, Facultatea de Arte ?
Sec?ia sculptur?
Expozi?ii (2004-2010): Danemarca, Romania.
Levente Kozma (18 ianuarie, 1978, T?rgu Secuiesc)
artist vizual, curator ?i manager cultural, tr?ie?te ?i lucreaz? ?n Timi?oara,
Romania.
A studiat la Liceul de Art? din Sf. Gheorghe, apoi la Universitatea de Vest,
Timisoara ? Facultatea de Arte ?i a terminat ?n 2002. Lucreaz? cu video, foto,
instala?ie si performance. Ca artist a participat ?n numeroase proiecte ?n ?ar?,
Ungaria, Serbia, Irlanda de Nord, Germania, SUA.
Director ?i curator al festivalului Simultan de video, art? media ?i muzic?
experimental?.
Co-fondator al Asocia?iei Simultan, ONG cultural care patroneaz? ?i promoveaz?
manifest?ri ?n aria artei contemporane ?i a culturii.
/////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////
A sepsiszentgy?rgyi MAGMA Kort?rs M?v?szeti Ki?ll?t?t?r tisztelettel megh?vja
?nt
N.E.U.R.O. ?s KOZOMA
(Rare? Moldovan ?s Kozma Levente)
MEME c?m? ki?ll?t?s?nak megnyit?j?ra
2010. november 2-?n, kedden, 19 ?r?ra
megnyit? / akci?: Stefan TIRON
A ki?ll?t?s 2010. november 24-ig l?togathat?,
h?tf? kiv?tel?vel naponta 11-19 ?ra k?z?tt
MAGMA Kort?rs M?v?szeti Ki?ll?t?t?r / Szabads?g t?r 2.
www.magma.maybe.ro
Szervez? / MAGMA Kort?rs K?zeg Egyes?let
Partnerek / Sz?kely Nemzeti M?zeum, Kov?szna Megye Tan?csa
T?mogat? / SONAR, K?zdiv?s?rhely Polg?rmesteri Hivatala
Kobak Design, Bon Sweet Bon, Dunapack Rambox, Di?szegi P?ks?g
M?diapartnerek / H?romsz?k, Sz?kely H?rmond?, transindex.ro,
modernism.ro, sepsiszentgyorgy.info
A rendezv?ny a K?pz?m?v?szet ?ve H?romsz?ken 2010 program r?sze
Rare? Moldovan, k?pz?m?v?sz (1980, november 29, Arad)
Temesv?ron ?s Koppenh?g?ban ?l ?s alkot, RO & DK.
Tanulm?nyok (1999-2004): Temesv?ri Nyugati Egyetem, M?v?szeti kar ? Szobr?sz
diploma.
Ki?ll?t?sok (2004-2010): D?nia, Rom?nia.
Kozma Levente (1978, janu?r18, K?zdiv?s?rhely)
k?pz?m?v?sz, kur?tor, kultur?lis programok szervez?je, Temesv?ron ?l ?s alkot. A
sepsiszentgy?rgyi M?v?szet L?ceumba j?rt, majd a Nyugati Egyetem M?v?szeti Kar?n
tanult, ott diplom?zott 2002-ben. Vide?, install?ci? ?s performanszm?v?szettel
foglalkozik. Mint alkot? t?bb, sz?nes nemzetk?zi projektben is r?szt vett
itthon, Magyarorsz?gon, Szerbi?ban, ?szak-?rorsz?gban, N?metorsz?gban, az
Egyes?lt ?llamokban.
A Simultan nev? vide?, m?diam?v?szeti ?s k?s?rleti zenei fesztiv?l igazgat?ja,
kur?tora. A Simultan Egyes?let t?rs-alap?t?ja, amely el?seg?ti ?s t?mogatja a
kort?rs m?v?szet megnyilv?nul?sait.
------------------------------
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