| Olivia Nitis on Mon, 10 Dec 2012 09:42:37 +0100 (CET) |
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| [Nettime-ro] Pavilioane IEEB5 / Pavilions, Victoria Art Center, 12.12.2012, h 18.00 |
Asociatia Experimental Project in parteneriat cu Centrul Cultural âPalatele Brancovenestiâ Mogosoaia prezinta cea de-a 5-a editie a Bienalei Internationale de Gravura Experimentala (IEEB).  Evenimentele din cadrul IEEB5 vor fi prezentate la Palatul Mogosoaia, la Victoria Art Center si Atelier 030202 din Bucuresti in perioada 8 decembrie 2012 â 28 februarie 2013.  -----------------------------------------------------------------------------  Pavilioane  Vernisaj: Miercuri, 12.12.2012, ora 18.00 Victoria Art Center (Calea Victoriei 12C, Bucuresti)  curator: Olivia Nitis [RO]  Artisti:  Austria: Sigrid Langrehr / Eva Moseneder / Marusa Sagadin / Janine Polzl / Ilse Haider Polonia [Poland]: Izabela Gustowska / Jarema Drogowski Ungaria [Hungary]: Bianka Dobo / Pal Csaba    Aceasta editie a IEEB se va concentra asupra aspectelor socio-politice ale Europei Centrale si de Est in relaÈie cu cele occidentale, puse in evidenta prin tehnicile de multiplicare a imaginii Èi va adresa cateva intrebari esentiale:  â Care sunt (daca exista) diferentele conceptuale si estetice, dar si asemanarile dintre aceste zone reflectate de paradigma EST-VEST?  â Reflecta gravura contemporana trecutul ei socio-politic, iar occidentalizarea Europei de Est contribuie la definirea unei identitati culturale noi, dupa caderea regimului comunist?  â Influenteaza complexul societatii ex-comuniste relatia dintre artistii din Est si cei din Vest?  â Este gravura in Europa de Est inca legata de raspandirea informatiilor in favoarea unui sistem politic sau impotriva lui?  â Este functia utilitara, prin tehnica, avand in vedere mesajul subversiv, responsabila pentru scoaterea gravurii din âmainstreamâ?  â Vazuta doar in limitele tehnicii, este gravura mai putin importanta decat celelalte forme ale artei contemporane?    SUSTINATORII IEEB5  Sponsor Principal: OMV  Sponsori: Crama OpriÈor, KFC  Parteneri: Institutul Balassi â Centrul Cultural al Republicii Ungare BucureÈti, Institutul Polonez BucureÈti, Forumul Cultural Austriac, Atelier 030202, Victoria Art Center, E&H Ochsenfeld Scholarship and Residency Award, Square Media, Epson, Mons Medius Investments  Hotelul Oficial: K+K Hotels  Masina oficiala: BMW  Parteneri media: Modernism, Èapte Seri, RFI, G&E Print and Art Edition Magazine, Observator Cultural, Art Clue, Radio Romania Cultural, AgenÈia de Carte, Cultura, Arta, ArtBank.ro  _____________________________________________   Experimental Project Association in partnership with the âBrancovan Palacesâ Cultural Center MogoÈoaia presents the 5th edition of the International Experimental Engraving Biennial (IEEB).  The IEEB5 events will take place at the âBrancovan Palacesâ MogoÈoaia, Victoria Art Center and Atelier 030202 in Bucharest between 8th December 2012 and 28th of February 2013.  -----------------------------------------------------------------------------  Pavilions  Opening: Wednesday,12.12.2012, 6 P.M. Victoria Art Center (Calea Victoriei 12C, Bucharest)  curator: Olivia Nitis [RO]  Artists: Austria: Sigrid Langrehr / Eva Moseneder / Marusa Sagadin / Janine Polzl / Ilse Haider Polonia [Poland]: Izabela Gustowska / Jarema Drogowski Ungaria [Hungary]: Bianka Dobo / Pal Csaba    This edition of IEEB will focus on socio-political issues in Central and Eastern Europe in relation to the Western ones, highlighted by image multiplication techniques and will address several key questions:  â What are (if there are) the conceptual and aesthetic differences and similarities between  these areas reflected through the East -West paradigm?  â Does contemporary printmaking reflect its socio-political past and does the westernization  of Eastern Europe after the fall of the communist regime contribute to the definition of  a new cultural identity?  â Does the complex of being a former communist society influence the relationship between  Eastern and Western artists?  â How is printmaking in Eastern Europe still linked to its useful function of multiplying and  spreading information in favor of a political system or against it?  â Is the utilitarian function through technique, even considering its subversive message,  responsible for cutting off printmaking from the âmainstreamâ?  â Seen merely as a technique why is printmaking less important than the other techniques  of contemporary art, which are in fact not regarded as such?  IEEB5 SUPPORTERS  Main Sponsor: OMV  Sponsors: Crama OpriÈor, KFC  Partners: Balassi Institute â Hungarian Cultural Center Bucharest, Polish Institute Bucharest, Austrian Cultural Forum, Atelier 030202, Victoria Art Center, E&H Ochsenfeld Scholarship and Residency Award, Square Media, Epson, Mons Medius Investments  Official Hotel: K+K Hotels  Official Car: BMW  Media Partners: Modernism, Èapte Seri, RFI, G&E Print and Art Edition magazine, Observator Cultural, Art Clue, Radio Romania Cultural, AgenÈia de Carte, Cultura, Arta, ArtBank.ro  Olivia Nitis curator&art critic Vice-President of Experimental Project Association e-mail: olivia_nitis@yahoo.com phone:+4 0747491279 http://olivia.experimentalproject.ro www.perspectiveproject.ro _______________________________________________ Nettime-ro mailing list Nettime-ro@nettime.org http://www.nettime.org/cgi-bin/mailman/listinfo/nettime-ro --> arhiva: http://amsterdam.nettime.org/