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[rohrpost-announce]
Today's Topics:
1. =?Windows-1252?Q?Vortrag_und_Gespr=E4ch?= (galerie@kmza.de)
2. montagsPRAXIS (b_books)
3. documenta 11... (stuttgarter kunstverein)
--__--__--
Message: 1
To: "Stein, Longest F" <longest@kmza.de>
From: <galerie@kmza.de>
Date: Sun, 9 Jun 2002 11:25:45 +0200
Subject: [Rohrpost-announce]=?Windows-1252?Q?Vortrag_und_Gespr=E4ch?=
Reply-To: rohrpost@mikrolisten.de
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"(un)sichtbar leben =96=20
neue Medienkunst aus migrantischer Perspektive"
Adresse: Kunst- und Medienzentrum Adlershof, D=F6rpfeldstr. 56, 12489 =
Berlin,=20
Tel. 030-67 77 68 11, Fax. 030-67 77 68 12,=20
e-mail: galerie@kmza.de
Internet: http://www.kmza.de
=D6ffnungszeiten: Mo 11-17 Uhr, Di, Do, Fr 11-19 Uhr, So 14-19 Uhr, Mi, =
Sa und an gesetzlichen Feiertagen geschlossen.
Montag, den 10. Juni 02, 19 Uhr:=20
2 Vortr=E4ge und anschlie=DFende Diskussion
Massimo Perinelli (Kanak Attak, K=F6ln): Kanakoperaismus und das Ende =
des Antirassismus und Anmerkungen zu linken Videos zum Thema =
Antirassismus
Matthias Thiele (Dortmund): Die Darstellung von Fl=FCchtlingen im =
deutschen Fernsehen=20
Zur Diskussion werden u.a. anwesend sein:
Herr Ahmad (Interkulturelle Begegnungsst=E4tte Adlershof, Indische =
Solidarit=E4tsaktion e.V.)
Pfarrer Ziehbart (Abschiebeknast Gr=FCnau)
Frau Hartwig (Ausl=E4nderbeauftragte des Bezirks Treptow/K=F6penick)
N.N. Dialog e.V. Adlershof
Roland Schefferski, K=FCnstler der Ausstellung
Asri Seyrac, K=FCnstler der Ausstellung
Radka Hladka, K=FCnstlerin der Ausstellung
FrauenLesbenFilmCollektiv, K=FCnstlerinnen der Ausstellung
Sie erhalten diese Nachricht, da uns die Mailadresse zugesandt wurde.=20
Sollten Sie keine Informationen mehr w=FCnschen, senden Sie uns bitte =
Ihre=20
e-Mail-Adresse zu und vermerken im "Betreff" das Wort "unsubscribe".=20
Sollten Sie lieber eine reine Textversion dieser mail erhalten wollen, =
so geben Sie uns ebenfalls Bescheid.
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Dwindows-1252"><BASE=20
href=3D"file://C:\Programme\Gemeinsame Dateien\Microsoft =
Shared\Stationery\">
<STYLE>BODY {
BACKGROUND-POSITION: left top; MARGIN-TOP: 25px; FONT-SIZE: 12pt; =
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<DIV>
<DIV><B><FONT face=3DArial size=3D5>
<P>"(un)sichtbar leben =96 </P>
<P>neue Medienkunst aus migrantischer Perspektive"</P></B></FONT><FONT=20
face=3DArial size=3D2></FONT><B><FONT face=3DArial size=3D1>
<P>Adresse:</B> Kunst- und Medienzentrum Adlershof, D=F6rpfeldstr. 56, =
12489=20
Berlin, <BR>Tel. 030-67 77 68 11, Fax. 030-67 77 68 12, <BR>e-mail: <A=20
href=3D"mailto:galerie@kmza.de";>galerie@kmza.de</A><BR>Internet: <A=20
href=3D"http://www.kmza.de/";>http://www.kmza.de</A><BR>=D6ffnungszeiten: =
Mo 11-17=20
Uhr, Di, Do, Fr 11-19 Uhr, So 14-19 Uhr, Mi, Sa und an gesetzlichen =
Feiertagen=20
geschlossen.</P></FONT><FONT face=3DArial size=3D2>
<P> </P></FONT><B><U><FONT face=3DArial>
<P>Montag, den 10. Juni 02, 19 Uhr:</B> </P></U>
<P>2 Vortr=E4ge und anschlie=DFende Diskussion</P><U></U><B>
<P>Massimo Perinelli (Kanak Attak, K=F6ln):<I> </B></I>Kanakoperaismus =
und das=20
Ende des Antirassismus und Anmerkungen zu linken Videos zum Thema=20
Antirassismus</P><B>
<P>Matthias Thiele (Dortmund):</B> Die Darstellung von Fl=FCchtlingen im =
deutschen=20
Fernsehen </P>
<P> </P>
<P>Zur Diskussion werden u.a. anwesend sein:</P><B>
<P>Herr Ahmad</B> (Interkulturelle Begegnungsst=E4tte Adlershof, =
Indische=20
Solidarit=E4tsaktion e.V.)</P><B>
<P>Pfarrer Ziehbart</B> (Abschiebeknast Gr=FCnau)</P><B>
<P>Frau Hartwig</B> (Ausl=E4nderbeauftragte des Bezirks =
Treptow/K=F6penick)</P>
<P>N.N. <B>Dialog e.V.</B> Adlershof</P><B>
<P>Roland Schefferski</B>, K=FCnstler der Ausstellung</P><B>
<P>Asri Seyrac</B>, K=FCnstler der Ausstellung</P><B>
<P>Radka Hladka</B>, K=FCnstlerin der Ausstellung</P><B>
<P>FrauenLesbenFilmCollektiv</B>, K=FCnstlerinnen der Ausstellung</P>
<P> </P>
<P><FONT size=3D1> </FONT><FONT size=3D1>Sie erhalten diese =
Nachricht, da uns=20
die Mailadresse zugesandt wurde. <BR>Sollten Sie keine Informationen =
mehr=20
w=FCnschen, senden Sie uns bitte Ihre <BR>e-Mail-Adresse zu und =
vermerken im=20
"Betreff" das Wort "unsubscribe". </FONT></P><FONT size=3D2></FONT><FONT =
face=3DArial size=3D1>
<P>Sollten Sie lieber eine reine Textversion dieser mail erhalten=20
wollen,</FONT><FONT face=3D"Times New Roman" size=3D2> </FONT><FONT =
face=3DArial=20
size=3D1>so geben Sie uns ebenfalls=20
Bescheid.</P></FONT></FONT></DIV></DIV></BODY></HTML>
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Message: 2
Date: Sat, 08 Jun 2002 20:33:17 +0200
To: montagsPraxis: ;
From: b_books <x@bbooksz.de>
Subject: [Rohrpost-announce]montagsPRAXIS
Reply-To: rohrpost@mikrolisten.de
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montagsPRAXIS 10.6.
Muqaddimah Li-Nihayat Jidal (Introduction to the end of an argument)
Speaking for oneself...Speaking for others...
=A9 1990, 41:00, stereo
a videotape by Jayce Salloum and Elia Suleiman
With a combination of Hollywood, European and Israeli film, documentary,=
news
coverage and excerpts of 'live' footage shot in the West Bank and Gaza=
strip,
Introduction to the end of an argument... critiques representation of the
Middle East, Arab culture, and the Palestinian people produced by the West.
The tape mimics the dominant media's forms of representation, subverting=20
its methodology and construction. A process of displacement and=
deconstruction
is enacted attempting to arrest the imagery and ideology, decolonizing and
recontextualizing it to provide a space for a marginalized voice=
consistently
denied expression in the media.
Intifada, the Palestinian uprising in the Occupied Territories, has come to
us courtesy of the media. And it is through the media that our impressions
of the uprising have accreted via image and text. Jayce Salloum a
Lebanese-Canadian artist and Elia Suleiman, a Palestinian filmmaker living=
in
New York have taken on our accumulated (mis)impressions by tracing their
genesis in cinema and television. This highly kinetic tableau of
appropriated sights and sounds works most earnestly to expose the racial
biases concealed in familiar images. The storehouse of misconstrued ideas
about Arab culture is shown in all its cinematic splendor, from the
denigrating seraglios in films such as Elvis Presley's Harem Scarum and
Valentino's The Sheik, to the dehumanization of Arabs as evinced by epics
like Indiana Jones and the Temple of Doom. Speaking for oneself... would be
compelling if it were nothing more than this compendium of Arab stereo=
types,
but it is much more. Taking snippets from feature films (Exodus, Lawrence of
Arabia, Black Sunday, Little Drummer Girl etc.) and network news, Salloum=
and
Suleiman have constructed an oddly wry narrative, mimicking the history of
Mideast politics. Through key political phrases...we see repetitive
distortions transformed into foreign policy. The injustice is of course, is
that this is our history of their struggle. Speaking for oneself... is a
first attempt at making the image and the act one and the same. - Steve
Seid, Pacific Film Archives.
l=FCbbenerstr. 14
10997 berlin
www.bbooksz.de
! vorschau : am 28.6. premiere im kino arsenal : Le Ping Pong D'Amour=20
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<html>
montagsPRAXIS 10.6.<br><br>
<font face=3D"MS Sans Serif, Geneva">Muqaddimah Li-Nihayat Jidal<b>
(Introduction to the end of an argument)<br>
</b>Speaking for oneself...Speaking for others...<br>
=A9 1990, 41:00, stereo<br>
a videotape by Jayce Salloum and Elia Suleiman <br>
With a combination of Hollywood, European and Israeli film, documentary,=
news <br>
coverage and excerpts of 'live' footage shot in the West Bank and Gaza=
strip, <br>
Introduction to the end of an argument... critiques representation of the=
<br>
Middle East, Arab culture, and the Palestinian people produced by the West.=
<br>
The tape mimics the dominant media's forms of representation, subverting its=
methodology and construction. A process of displacement and deconstruction=
<br>
is enacted attempting to arrest the imagery and ideology, decolonizing and=
<br>
recontextualizing it to provide a space for a marginalized voice=
consistently <br>
denied expression in the media.<br>
Intifada, the Palestinian uprising in the Occupied Territories, has come to=
<br>
us courtesy of the media. And it is through the media that our impressions=
<br>
of the uprising have accreted via image and text. Jayce Salloum a <br>
Lebanese-Canadian artist and Elia Suleiman, a Palestinian filmmaker living=
in <br>
New York have taken on our accumulated (mis)impressions by tracing their=
<br>
genesis in cinema and television. This highly kinetic tableau of <br>
appropriated sights and sounds works most earnestly to expose the racial=
<br>
biases concealed in familiar images. The storehouse of misconstrued ideas=
<br>
about Arab culture is shown in all its cinematic splendor, from the <br>
denigrating seraglios in films such as Elvis Presley's Harem Scarum and <br>
Valentino's The Sheik, to the dehumanization of Arabs as evinced by epics=
<br>
like Indiana Jones and the Temple of Doom. Speaking for oneself... would be=
<br>
compelling if it were nothing more than this compendium of Arab stereo=
types, <br>
but it is much more. Taking snippets from feature films (Exodus, Lawrence of=
<br>
Arabia, Black Sunday, Little Drummer Girl etc.) and network news, Salloum=
and <br>
Suleiman have constructed an oddly wry narrative, mimicking the history of=
<br>
Mideast politics. Through key political phrases...we see repetitive <br>
distortions transformed into foreign policy. The injustice is of course, is=
<br>
that this is our history of their struggle. Speaking for oneself... is a=
<br>
first attempt at making the image and the act one and the same. - Steve <br>
Seid, Pacific Film Archives.<br><br>
<br><br>
<br><br>
l=FCbbenerstr. 14<br>
10997 berlin<br>
<a href=3D"http://www.bbooksz.de/"=
eudora=3D"autourl">www.bbooksz.de</a><br><br>
<br><br>
<br>
! vorschau : am 28.6. premiere im kino arsenal : Le Ping Pong D'Amour </font=
></html>
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--__--__--
Message: 3
From: "stuttgarter kunstverein" <info@stuttgarter-kunstverein.de>
To: <rohrpost-announce@mikrolisten.de>
Date: Sun, 9 Jun 2002 23:47:56 +0200
Subject: [Rohrpost-announce]documenta 11...
Reply-To: rohrpost@mikrolisten.de
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...im tv sieht sie aus wie "onkel tom's huette" . warum steuert der =
kuenstlerische leiter im zeitalter der medienkunst da keinen besseren =
auftritt ? wenigstens tom sawyer waere doch angebracht - oder vielleicht =
doch noch einfacher: immanuel kant, georg friedrich wilhelm hegel und =
voltaire.
--------
herbert wehner
c/o stuttgarter kunstverein e.v.
filderstrasse 34
D-70180 stuttgart
++ 49 711 - 60 68 67
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<DIV><FONT face=3DArial size=3D2>
<DIV><FONT face=3DArial size=3D2>...im tv sieht sie aus wie "onkel tom's =
huette" .=20
warum steuert der kuenstlerische leiter im zeitalter der =
medienkunst da=20
keinen besseren auftritt ? wenigstens tom sawyer waere doch angebracht - =
oder=20
vielleicht doch noch einfacher: immanuel kant, georg friedrich wilhelm =
hegel und=20
voltaire.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>--------<BR>herbert wehner</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>c/o stuttgarter kunstverein =
e.v.<BR>filderstrasse=20
34<BR>D-70180 stuttgart<BR>++ 49 711 - 60 68=20
67</FONT></DIV></FONT></DIV></BODY></HTML>
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