Tillmann Allmer on Tue, 6 Aug 2002 18:55:02 +0200 (CEST) |
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[rohrpost] Fwd: MelbourneDAC: call for papers |
>X-Flags: 0000 >Delivered-To: GMX delivery to tallmer@gmx.de >X-Authentication-Warning: lists.village.Virginia.EDU: domo set sender to >owner-film-theory@localhost using -f >X-Sender: smkal@hermes.svf.uib.no >Date: Tue, 6 Aug 2002 21:54:27 +1000 >To: film-theory@lists.village.virginia.edu >From: Adrian Miles <adrian.miles@uib.no> >Subject: MelbourneDAC: call for papers >X-checked-clean: by exiscan on noralf >X-Scanner: e029402f2d0b9af49ae40386530ef067 http://tjinfo.uib.no/virus.html >X-UiB-SpamFlag: NO UIB: 0 hits, 8 required; >Sender: owner-film-theory@lists.village.virginia.edu >Reply-To: film-theory@lists.village.virginia.edu >X-Modified-Forwards: 2D.Paging address tallmer@gmx.de > >Apologies for any cross posting that may occur. >This announcement may be of interest to some list members. > >---------- >Digital Arts and Culture::2003::Streaming Wor(l)ds >The 2003 iteration of the Digital Arts and Culture (DAC) international >conference series is to be held on the city campus of RMIT University, >Melbourne, Australia from May 19 to 23, 2003. > >keywords: Augmented Reality, Cyberculture, Electronic Fiction, Electronic >Music, Electronic Nonfiction, Electronic Poetry, Electronic Spatiality, >Electronic Temporality, Flash Fiction, Flash Nonfiction, Games Culture, >Games Sociology, Games System Design, Games Theory , Hypertext >Literature , Hypertext Theory , Interactive Architecture, Interactive >Cinema and Video , Interactive Graphic Narrative, Interactive >Performance, MOOs, MUDs, RPG, Networked Improvisation, Networked >performance, Streaming Narrative, Time Based Interactive Media, Virtual >Reality, Virtual Worlds, , > >++proposals++ >Artists, scholars, developers and practitioners working in these and >cognate fields are invited to submit 500 word proposals for papers and >panels by September 15, 2002. All proposals for papers and panels must be >submitted via the submission page which will shortly be available from the >conference web site: >http://hypertext.rmit.edu.au/dac/ > >All contributions will be reviewed by the conference academic board and >short listed nominations will be contacted by November 1, 2002. > >Short listing does not mean that your work has been accepted for the >conference. Short listing means you will be invited to write a full paper, >panel proposal, or forum description for review by the program committee. >Only complete papers, panel submissions and forum descriptions will be >considered for acceptance and this is subject to full peer review by the >program committee. > >Paper and panel submissions must be completed and submitted by February 1, >2003 for final peer review and consideration. All accepted work will be >published in a full conference proceedings. > >++papers++ >Papers are academic presentations that reflect any of the conference >themes. Proposals for papers are limited to 500 words and should give the >program committee an indication of your major argument or arguments, and >your theoretical approach. It is expected that only abstracts that suggest >an original contribution to the field will be short listed. > >++panels++ >Panels are themed discussions that concentrate on any of the conference >themes. Panels are to consist of a position statement (that may or may not >be collectively authored) that panel members respond and contribute to. >Panel proposals ought to include a draft position statement (maximum of >500 words) and list the members of the panel. Panels are expected to make >a constructive and original contribution to debate and ideas in the field. > > >++what is dac?++ >DAC is an international conference focusing on new media theory and >practice in critical contexts. It has nurtured a significant international >community of young and innovative researchers, artists and scholars in the >interdisciplinary field of new media, and has become the benchmark >conference for research and collaborative endeavour in new media. DAC has >always offered a specialised forum that has emphasised the importance of >bringing together leading practitioners for the exchange of ideas and to >develop international professional networks and knowledge economies. >MelbourneDAC:Streaming Wor(l)ds recognises and intends to continue this >role through the papers, panels, and forums it hosts, and the innovative >series of collaborative workshops and events that will be undertaken by >all conference participants. The mission of MelbourneDAC is to not only >exchange ideas and promote new developments in digital arts and culture >but to ensure that all participants develop relevant and sustainable >professional communities. > >Adrian Miles Conference Chair >adrian.miles@rmit.edu.au > >Antoanetta Ivanova Conference Producer >antoanetta@novamediaarts.net > >_______________________________ >end of announcement >-- > >+ lecturer in new media and cinema studies >[http://hypertext.rmit.edu.au/vog/vlog] >+ interactive desktop video developer [http://hypertext.rmit.edu.au/vog/] >+ hypertext rmit [http://hypertext.rmit.edu.au] >+ InterMedia:UiB. university of bergen [http://www.intermedia.uib.no] > > > > --- from list film-theory@lists.village.virginia.edu --- ------------------------------------------------------- rohrpost - deutschsprachige Liste zur Kultur digitaler Medien und Netze Archiv: http://www.nettime.org/rohrpost http://post.openoffice.de/pipermail/rohrpost/ Ent/Subskribieren: http://post.openoffice.de/cgi-bin/mailman/listinfo/rohrpost/