Evelyn Mund on Thu, 25 Sep 1997 10:34:25 +0100


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Syndicate: Digitale 97 program


Digitale '97
Digital Dialects,
October 1 - 3, 1997
CINEMATHEK Kâ?¦LN

Sâ?¹o Paulo
Moscow
Tokyo
Operating Systems

The computer has transformed itself from number-cruncher to a digital
technology that enforces worldwide use of a new universallanguage.
Directors, artists-developers and cineasts from Sâ?¹o Paulo, Moscow and
Tokyo are invited to present and discuss how electronic and digital technology
is used in their film production. Can we say that there are digital dialects
present at the creation of moving images? Videoartists from Sâ?¹o Paulo
use non-linear editing techniques to present a form of image-dribbling
within the apparatus of large television networks; here the actual
situation
determines the relation of man and image.
In Moscow, agglomerations between the avantgarde of the past and the new
age of the machine are formed. Digital technology is used to restore
historical animation and to build independent production facilities like
the Studio of Vladimir Kobrin.
Tokyo's artists have developed a hybrid language and formed special machine
designs. They work in the shadow of a megacity which seems to be
permanently aware of natural and military catastrophes.

The morning sessions - Operating Systems - are dedicated to new large
format films that require unforeseen dimensions of computer technology.

In the Cinemathek a videolounge will allow to view separately the visual
works from these cities.

An experimental server will be configurated for the Internet that reflects
the moving images from Sâ?¹o Paulo, Moscow, Tokyo and the Operating Systems.


Wednesday, October 1, 1997

Operating systems, October 1, 10.00 - 12.30 h

10.00h  Siegfried Zielinski (Academy of Media Arts Cologne)
        Welcome to the Digitale '97

        Udo von Karhan (Imax)
        The genesis and development of a great experience

10.45h  Christine Lemoine (Euromax/Productions du Futuroscope)
        15 perf/70mm format in Europe

11.30h  John Wyver (Illuminations Television)
        Panoramania: Small thoughts from the past about
        big pictures in the future

12.30h  Break


Workshops: Sâ?¹o Paulo, October 1, 14.00 - 18.00 h

14.00h  Marcondes Dourado
        Ogodâ?¢ Ano 2000 (1996)

        Nils RÅ¡ller (Academy of Media Arts Cologne)
        Introduction: Digital Dialects

        Solange Farkas
        What do you think people think Brazil is? -
        Short review of Brazilian videoart, including:

        Marcos Prado e Johnny Jardim
        The coalmen (Os carvoreiros) (1991)
        Sandra Kogut
        What do you think people think Brazil is? (1990)
        Lucila Meireles
        Pivete (1987)
        Pedro Vieira
        Duel of gods (Duelo dos deuses 1988)

15.00h  Marcelo Tas
        Dribbling (Lecture and film)

15.45h  Break

16.15h  Carlos Nader
        Imaginal world (Plano imaginal)
        (Lecture and film Portrait of a serial kisser, (Beijoqueiro))

16.45h  Eder Santos
        Lecture and films including:
        JanaÅ?ba,
        This nervous thing (Essa coisa nervosa),
        Trailer: Confusing people (Enredando as Pessoas)

17.30h  Martha Nehring and Maria Oliveira
        15 sons and daughters (15 filhos)
        (Discussion and film)

        Moderation:
        Solange Farkas and Erika Verzutti

18.00h  End

19.00h  General reception at the Restaurant "Alter Wartesaal"


Presentations, October 1, 1997, 21.00 h

21.00h  Performance: Waly Salomâ?¹o
        Screening: Trovoada by Carlos Nader



Thursday, October 2, 1997


Operating systems, October 2, 10.00 - 12.30 h

10.00h  Lynn McCroskey (Sonics)
        3D Sound for a 3D picture

10.45h  Hugh Murray (Imax)
        IMAX(r): 3D and computer animation - The perfect marriage?

12.30h  Break


Workshops: Moscow, October 2, 14.00 - 18.00 h

14.00h  Vadim Koshkin
        Fucking electricity - Currents of death (Video)
        presented by Vladimir Kobrin

14.20h  Alexei Shulgin
        Introduction to the current developing cyberscene in Russia
        (including a visit to the Moscow WWWArt Center site)

15.00h  Tatiana Detkina
        Bridging the cyberworld with the era of earliest Russian
        animation and montage (Lecture and presentation)

15.15h  Nikolaj Izvolov
        Unknown early animation masterpieces.
        Included are:
        Mikhail Zikhanovsky:
        The Post (1931) and Pacific 231 (1930)
        Alexander Alexeev:
        The Night on bald mountain (ca. 1935)
        Alexander Medvedkin:
        Tit, or the Tale of the Big Spoon (ca. 1934)
        Dziga Vertov:
        Leninskaya Kinopravda No. 21

16.00h  Break

16.15h  Andrei Smirnov
        The Theremin Center - Workshop for contemporary digital arts (Lecture)

        Stanislav Kreichi
        The photoelectronic ANS
        (Alexander Nikolayevich Scriabin)-synthesizer
        (Lecture)
        Viacheslav Koleichuk
        Russian Kineticism (Lecture)

16.45h  Videos produced at the Theremin Center,
        presented by Andrei Smirnov.
        Included are:
        Natalia Borisova: The Scarlet Flower
        Juka Lukicheva:  The Flesh
        Olga Kumeger: Metamorphoses for ANS Synthesizer
        Jorge Campos: Kon-Tiki for processed Ovaloid
        Olga Kumeger and Victor Ulianich: Cassiopeia

17.15h  Viacheslav Koleichuk, Stanislav Kreichi, Andrei Smirnov
        Reflections in Time and Metal - Music for Ovaloid and tape
       (Performance)

       Moderation: Adele Eisenstein, Alexei Shulgin, Andrei Smirnov.

18.00h  End


Presentations, October 2, 1997, 20.30 h

20.30h  Films from Kobrin's Studio
        With Vladimir Kobrin, moderated by Wilfried Reichart

        The third reality II (1996)
        The first apocryph (1992/93)
        The steps to nowhere (1992)
        The group portrait in still life (1993)
        The last dream of Anatoly Vassilivich (1990)



Friday, October 3, 1997


Operating Systems, October 3, 10.00 - 12.30 h

10.00h  Bigger is better?
        Discussion moderated by Keith Griffiths
        (Koninck & Illuminations Films).
        With Hugh Murray and guests of the Digitale.

12.30h  Break


Workshops: Tokyo, October 3, 14.00 - 18.00 h

14.00h  Buichi Terasawa
        Manga and Anime: Character-Design
        (Lecture and film)

15.00h  Junco Ito
        Women's sensibilities - Production and network of Manga
        (Lecture and film)

15.45h  Keita Kurosaka
        Personal city (Film)

16.00h  Break


16.15h  Keita Kurosaka
        Clips and Sea roar
        (Lecture and film)

16.45h  Koichi Ohata
        Geno-Cyber: Mecha-Design
        (Lecture and film)

17.30h  Toshiya Ueno
        Techno-Orientalism (Lecture)

        Moderation: Nils RÅ¡ller

18.00h  End


Presentations, October 3, 20.30 h

20.30h  Man-Machines in Tokyo
        Films of Shinya Tsukamoto presented
        by Nobu Kanaoka (Actress)

        Cineastic contributions on urban claustrophobia, masochism
        and technological acceleration:

        Tetsuo - The ironman (1989) and
        Tokyo Fist (1995)




Admission:
Day ticket (Operating Systems and Workshops): DM 20,00

Students: DM 10,00

Evening ticket (Presentations): DM 15,00

Students: DM 8,00

Academy of Media Arts Cologne
Peter-Welter-Platz 2
50676 Cologne
Telefon +49(0)221-20189115
Telefax +49(0)221-2018917
digitale@khm.de
http://www.digitale.khm.de

Media Kultur KÅ¡ln GmbH
Im MediaPark 5b
50670 KÅ¡ln
Telefon +49(0)221-4543202
Telefax +49(0)221-4543209
mediakulturkoeln@netcologne.de


Colophon:

Concept and Realisation:
Nils RÅ¡ller und Siegfried Zielinski

Correspondents:
Solange Farkas und Erika Verzutti (Sâ?¹o Paulo),
Adele Eisenstein (Moscow), Karl-Heinz Neubert (Tokyo)
supported by Stefan Holl und Christoph Lamprecht

Co-ordination and editorial assistance:
Evelyn Mund

www: knowbotic research

Futuroscope-Inserts:
TimothŽe Ingen-Housz, Michael Mikina,
Herwig Weiser, Andreas Wodraschke

Special Thanks to the staff of the
technical department and the administration
of the Academy of Media Arts Cologne.

PR & Organisation:
Media Kultur KÅ¡ln GmbH

The Digitale '97 is organised by the Academy of
Media Arts Cologne commissioned by the Ministry of Economics, Technology
and Transport of Northrhine-Westfalia and in co-operation with the City of
Cologne. Responsible for concept and realisation are Nils RÅ¡ller and
Siegfried Zielinski. The Digitale '97 is supported by SONY Germany within
its program for the arts.

Evelyn Mund
Kunsthochschule fuer Medien
FG Medienkunst
Peter-Welter-Platz 2
50676 Koeln
T: +49-221-201 89 115
F: +49-221-201 89 124
e-mail: evelyn@khm.de