Inke Arns on Tue, 27 Apr 1999 14:09:36 +0200 |
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Syndicate: Convergence Call for papers/Latest iss |
From: "Convergence" <CONVERGENCE@luton.ac.uk> Organization: University of Luton Date: Tue, 27 Apr 1999 12:24:48 GMT Subject: Call for papers/Latest issue Reply-to: Convergence@luton.ac.uk Convergence: The Journal of Research into New Media Technologies *CALL FOR PAPERS* The Summer 2000 issue of Convergence (vol. 6, no. 2) will be a special issue on Synthesisers, Sound and Music. Contributors are invited to submit papers on any aspect of the relationship between synthesisers, sound and music in audio and/or audio-visual media over the last 50 years. Copy deadline for refereed research articles: 30 October 1999 But expressions of interest are encouraged as soon as possible as several papers are already under consideration. All proposals and submissions for this special issue to: Philip Hayward, Director of the Centre for Contemporary Music Studies, Macquarie University, Sydney, NSW 2109, Australia. phone: +61 2 805 7111 fax: +61 2 9850 9245 email: phayward@humanities.mq.edu.au All other inquiries, proposals for articles or completed papers should be sent to: Julia Knight or Alexis Weedon, Editors, Convergence, Dept of Media Arts, University of Luton, 75 Castle Street, Luton, LU1 3AJ, United Kingdom. Web site: www.luton.ac.uk/Convergence Tel: +44 1582 734111, fax: + 44 1582 489014, email: Convergence@luton.ac.uk *LATEST ISSUE* Spring 1999 (vol. 5 no. 1) Contents Debates Peter Braunstein The Case for Lateral Thinking: Discerning New Thought Patterns in the Contemporary Info-Sphere Christie Carson Digital Resources: Do They Entrench or Enliven the Canon? Articles Amy Bruckman The Day After Net Day: Approaches to Educational Use of the Internet Philip Hayward Inter-Planetary Soundclash: Music, Technology and Territorialisation in Mars Attacks! Marjorie D. Kibby The Didj and the Web: Networks of Articulation and Appropriation Feature Reports Dan Fleming Wired Scholarship: The Invisible College Revisited Ted Krueger Intelligence and Autonomy Reviews Rebecca Coyle Resounding Technologies Joel Chadabe, Electric Sound: The Past and Promise of Electronic Music; and Paul Theberge, Any Sound You Can Imagine: Making Music/Consuming Technology Margaret Morse The Beat Goes On: Materialist and Embodied Approaches to the Virtual Sean Cubitt, Digital Aesthetics; and John Wood (ed), The Virtual Embodied: Presence/Practice/Technology Micheline Frenette Media, Education Culture: A Series in Search of Direction Sue Howard (ed), Wired-Up, Young people and the electronic media; and J. Sefton-Green (ed), Digital diversions, Youth culture in the age of multimedia Bruce C. Klopfenstein The New Internet Math: Webonomics Evan I. Schwartz, Webonomics: Nine Essential Principles for Growing Your Business on the World Wide Web Mary C Dyson Artworks for Learning Masterworks for Learning: a college collection catalogue, Allen Memorial Art Museum ***************** i n k e . a r n s __________________________ b e r l i n ___ 49.(0)30.3136678 | inke@berlin.snafu.de | http://www.v2.nl/~arns/ mikro: http://www.mikro.org | Syndicate Network: http://www.v2.nl/east/ ------Syndicate mailinglist-------------------- Syndicate network for media culture and media art information and archive: http://www.v2.nl/east/ to unsubscribe, write to <syndicate-request@aec.at> in the body of the msg: unsubscribe your@email.adress