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<nettime> Why the Web Will Win the Culture Wars for the Left |
[headited @ nettime -- mod (tb)] >From: CTheory Editors <ctech@alcor.concordia.ca> >Reply-To: CTheory Editors <ctech@alcor.concordia.ca> >To: ctheory@concordia.ca >Subject: Article 125 - Why the Web Will Win the Culture Wars for the Left >Date: Tue, 15 Apr 2003 13:37:33 -0400 > > _____________________________________________________________________ > CTHEORY THEORY, TECHNOLOGY AND CULTURE VOL 26, NOS 1-2 > *** Visit CTHEORY Online: http://www.ctheory.net *** > > Article 125 03/04/15 Editors: Arthur and Marilouise Kroker > _____________________________________________________________________ > > > Why the Web Will Win the Culture Wars for the Left: > Deconstructing Hyperlinks > ========================================================== > > > ~Peter Lurie~ > > > Cultural conservatives in the United States have a lot of worries. > They fear that Grand Theft Auto and other video games will turn their > kids into crowbar-wielding criminals, they believe that Hollywood > will turn their daughters to floozies and sons to gigolos, and they > despise the constitutional barrier between church and state as an > unnecessary evil that has estranged religious beliefs from public > life and eroded the core values of our country. Underlying all these > concerns is the overarching belief that moral relativism -- which > holds that competing claims to right and wrong cannot be judged > objectively -- is making America a godless, bankrupt country, and a > very dangerous place to raise a kid. > > With Southern Republicans in control of all three branches of > government, conservative barricades appear well manned. Just one > justice short of an invincibly reactionary majority on the Supreme > Court -- excluding moderate conservatives, for seven of the nine > current justices are Republican appointees -- and relentlessly > stocking the district and appellate courts with the most conservative > jurists they can find, the Republicans are pressing a deeply > reactionary social agenda. The culture wars between the religious, > traditionalist right and the liberal, pluralist left have started to > look like a rout everywhere but in the larger, coastal cities. > Conservatives are recasting communities to be more comfortable with, > if not prostrate to, received authority in the form of literalist > interpretations of religious and political texts. > > That success will be short-lived. Long after the next bubble has > burst, the internet will have surpassed the hype generated by the > last one. Not by changing the way we live and work, but by impacting > the culture wars and tipping the battle decisively to the left. > > This will result not from the range of content available online, but > rather the process of finding it. The architecture of the web, and > the way users navigate it, closely resembles theories about the > authority and coherence of texts that liberal deconstructionist > critics have offered for thirty years. Deconstructionists believe > that close analysis reduces any text -- novel, statute, religious > work -- to meaningless blather. The popular response to > deconstruction has always been that it's counterintuitive, that no > one reads that way, that it lacks common sense. > > That will change. Like reading or breathing, web browsing itself is > agnostic with respect to politics and culture. Unlike reading or > breathing, however, surfing mimics a postmodern, deconstructionist > perspective by undermining the authority of texts. Anyone who has > spent a lot of time online, particularly the very young, will find > themselves thinking about content -- articles, texts, pictures -- in > ways that would be familiar to any deconstructionist critic. And a > community of citizens who think like Jacques Derrida will not be a > particularly conservative one. > > > HTML, hyperlinks, frames, and meta-tags are the essential building > blocks of the web. They combine to create a highly associative, > endlessly referential and contingent environment that provides an > expanse of information at the same time that it subverts any claim to > authority, since another view is just a click away. > > These basic technical tools are similar to deconstructionist > analytical tools. Hypertext markup language (HTML) provides graphic > display instructions to the web browser. Codes control the > presentation of each web page, including pictures, colors, fonts and > the organization of text. Without HTML, a web browser would show a > continuous scroll of plain text. Although HTML is normally > invisible, the viewer can select a viewing option that exposes the > program codes. With HTML visible, the structure of each web page is > laid bare, like a theater with transparent curtains and sets, so the > lighting crew, scaffolding, director and actors in the wings were all > visible. Hyperlinks, which often appear in underlined blue text, > provide the essential connectivity of the web, enabling the user to > jump from one page to another, a sort of black hole through which a > viewer can jump in and emerge in another place. Framing divides a > web site into separate windows, each displayed in a separate part of > the screen and independently functional. Hyperlinks connect each > frame, allowing the user to move among screens without leaving the > site. Search engines organize information on the web as well, while > helping users locate information they want. Google returns a short > description of and hyperlink to a list of sites ranked by likely > relevance. In many cases the web page communicates to the search > engine through metatags, which are encoded in the HTML and usually > consist of key words that provide an associative description of the > site itself. > > A person engages the web in much the same way that a > deconstructionist critic approaches a text. Deconstruction, which > denotes a process rather than a belief system, shows how novels, > statutes and court opinions collapse upon themselves, making their > underlying assumptions absurd. For the deconstructionist, each text > is endlessly referential, a web of associations and connections that > is finally ambiguous. The structuralist critic Ferdinand de Saussure > set the foundation of postmodern thought by describing language as a > system of signs. Each sign was made up of a signifier (the word > itself) and the signified (the concept or meaning). [1] Saussure's > first principle was that such signs are arbitrary. [2] The letters s, > i, s, t, e and r suggest a girl or woman who shares the same parents > as the referent, but the idea of this woman "is not linked by any > inner relationship to the succession of sounds s-o-r which serves as > its signifier in French." [3] Indeed, the woman at issue could as > simply be represented by another succession of letters or sounds. > For de Saussure, the relationship between the signifier and the > signified was merely historical and therefore arbitrary. The letters > b, o, o and k could have signified a flying animal, but were instead > doomed to represent a bound sheaf of printed papers too rarely > capable of flight. Since each sign (the word) has meaning only > because it doesn't signify something else (the actual book), and the > words themselves are arbitrarily assigned, meaning itself is only > relational -- it cannot be grasped on its own. > > Meaning, then, is not contained or conveyed by a word or series of > words because it is dependent on what those words do not contain or > convey. Meaning is part of a process, in which words are examined > with respect to other words, which lend meaning only in relation to > still more words. As Terry Eagleton wrote ten years before anyone > other than Tim Berners-Lee had heard of the World Wide Web, language > "look[s] much more like a sprawling limitless web where there is a > constant interchange and circulation of elements." [4] > Deconstructionists advanced de Saussure's work by detaching the > signifier from the signified and arguing that meaning is present only > in words that themselves are indeterminate and relational. [5] Each > word or sign in a sentence is linked to all the others, forming an > infinite or at least inexhaustible network. Every text, fiction and > nonfiction, statutes and religious works, has a flickering or > suspended quality: its meaning is whatever may be grasped by a > particular reader at a particular time. [6] > > Deconstructionists believe that writing and reading is a discourse, a > kind of open conversation or play, through which the reader pieces > together a meaning by distinguishing one word from another. A > favorite tactic of such critics is to analyze a detail in the text > until it unravels the entire structure of the work and renders it > incoherent. [7] Widely-accepted interpretations -- such as the moral > of the story of Exodus is the inevitable empowerment of repressed > groups -- come to appear naive. Indeed, the Supreme Court has done > something similar with the 11th Amendment. After 200 years as a > curious backwater of the Constitution, the 11th Amendment now stands > at the center of the Court's jurisprudence, the foundation of the > increasingly broad doctrine of sovereign immunity (a phrase found > nowhere in the constitution), that is radically broadening the power > of state government at the expense of both Congress and citizens, at > the same time that it casts doubt upon received ideas about nearly > every other aspect of the United States Constitution. A > deconstructionist would not argue that the Supreme Court is right or > wrong about federalism and state power, but only that such radically > divergent interpretations of the same text indicate that any appeal > to an authoritative meaning, including an investigation into the > intent of the author (in this case, the framers of the Constitution > and Bill of Rights), will be a misguided and ultimately fruitless > project. > > > The Web is a postmodernist tool that inevitably produces a > postmodernist perspective. It is an unobvious result. After all, > social conservatism is the kind of grass-roots movement that the > internet should complement. The Web improves the coordination of > far-flung constituents, aiding organization, recruiting and the > dissemination of information while reinforcing beliefs by increasing > the number of sources with consistent viewpoints. Conservatives who > have long complained of the liberal bias of the major media can now > avoid those sources altogether, customizing a diet of news from > like-minded online sources. Cass Sunstein has emphasized the > danger inherent in what he calls cybercascades, where people who > share similar views communicate only with each other, reinforcing > their own perspectives but precluding exposure to new ones. [8] > There have always been conservative and liberal newspapers, Sunstein > notes, "[b]ut the emerging situation does contain large differences, > stemming above all from a dramatic increase in available options, a > simultaneous increase in individual control over content, and a > corresponding decrease in the power of general interest > intermediaries." [9] As options multiply, intermediaries narrow. If > every consumer of information creates a "daily me", which filters all > unpalatable news and opinions, the citizenry will become increasingly > parochial. [10] More broadly, Sunstein worries that cybercascades > will fragment society, slim political and cultural discourse and > clear the shelves and stalls of the marketplace of ideas. [11] > Credited to Oliver Wendell Holmes, Jr. and based on a theory that > John Stuart Mill first sketched, this marketplace sifts and exposes > the truth and value of competing theories. If the marketplace > metastasizes into isolated stalls, free speech will quickly lose its > value and the marketplace of ideas will close for lack of customers. > > Sunstein's prophecy is politically neutral: the internet will > enervate the intellectual vigor of all movements by isolating them in > cyber chambers that echo with cheers and wild applause. There is > every reason to believe, however, that the Web will subvert > conservative thought even if conservatives themselves browse friendly > terrain, from family.org to heritage.org to fed-soc.org. The content > available online is much less important than the manner in which it > is delivered, indeed, the way the Web is structured. Its influence > is structural rather than informational, and its structure is > agnostic. For that reason, parental controls of the sort that AOL > can offer gives no comfort to conservatives. It's not that Johnny > will Google "hardcore" or "T&A" rather than "family values;" rather, > it's that Johnny will come to think, consciously or not, of > everything he reads as linked, associative and contingent. He will > be disinclined to accept the authority of any text, whether > religious, political or artistic, since he has learned that there is > no such thing as the last word, or indeed even a series of words that > do not link, in some way, to some other text or game. For those who > grow up reading online, reading will come to seem a game, one that > endlessly plays out in unlimited directions. The web, in providing > link after associative link, commentary upon every picture and > paragraph, allows, indeed requires, users to engage in a > postmodernist inquiry. > > Reading the bible online at _www.bible.org_ is a typically > interactive effort, one that despite the intentions of the Biblical > Studies Foundation, which operates the site, explodes the authority > of the text. The viewer chooses any of eighteen different versions > of the bible, and then finds a matrix of hyperlinks organized by > chapter and verse that link to the requested section. Four frames > provide the biblical text and accompanying information, including > footnotes hyperlinked to other sources with explanatory material, a > hyperlinked index of every other chapter, and links to the Biblical > Studies Foundation's homepage, as well as other related sources. The > site also contains the customary search function, which appears on > the left, and of course the internet browser itself has a search > function that is always visible, so that an engaged reader may be > constantly toggling between biblical text, commentary in the > footnotes, word searches suggested by the bible or footnotes or a > combination of both. Readers unfamiliar with a word may click on the > footnote with a short definition or synonym. If that is > unsatisfactory, typing the word into the search function will yield a > link to a dictionary of biblical words, terms and phrases that may > offer a more refined and accurate definition. The reader may be > satisfied and return to the text or pursue the matter further, > needing just two clicks to find the same passage in an alternative > translation. If the reader is interested in a historical analysis of > the passage, a search for 'biblical history' yields and array of > relevant academic and religious sites from all perspectives. A > reader might devote a day to pursuing a single passage, a single > line, finding herself farther and farther afield from the original > text and translation. Indeed, she might forget which site she was > reading. Reading the bible online is an exploration of multiple > sources, commentators and bibliographic tributaries. > > Reading any other presumptively authoritative text online presents a > similar experience. The US Constitution is available at, among other > sites, _www.usconstitution.net_. Most clauses include hyperlinks to > commentary from well-known and lesser authorities. Footnotes provide > short summaries of legislative history and important court decisions. > A review of the Second Amendment, upon which the entire gun control > debate rests, led this reader to twenty-four different sites, each > directly or indirectly linked, offering finely spun phrase-by-phrase > analysis. And that was just the first sentence of this short > amendment. By the time the curious reader returns to the original > text, her head will be cocked back, distrustful, possibly exhausted, > certainly skeptical if not despairing of any authoritative > interpretation. Indeed, she may come to believe that there is no > original meaning at all. Eagleton wrote: > > That any such transcendental meaning is a fiction ... is one > consequence of [deconstruction]. there is no concept which is > not embroiled in an open-ended play of signification, shot > through with traces and fragments of other ideas.... Consider, in > our own society, Freedom, the Family, Democracy, Independence, > Authority, Order and so on. Sometimes such meanings are seen as > the _origin_ of all the others, the source from which they flow; > but this ... is a curious way of thinking, because for this > meaning ever to have been possible other signs must already have > existed. It is difficult to think of an origin without wanting > to go back beyond it. [12] > > The Web invites, even demands that its users go back, forward, around > and elsewhere in an associative search for meaning. Jonathan Culler, > in a discussion of Barthes, writes: "The text is ceaselessly > traversed by codes, which are the source of its meanings." [13] > Structuralists such as Barthes and Deconstructionists like Derrida > created a revolution in hermeneutics by identifying the codes that > inhered in every line of prose. Not long ago, one had to be a > graduate student to grasp the concept. No longer. The Web > illuminates these codes for everyone to see and, much more > importantly, use. > > > In this light, the conservatives' fear of moral relativism is > well-founded. Absent some divine authority, or lacking any consensus > about the existence or nature of such authority, relativists believe > that morality is socially determined, wholly dependent on standards > existing in a community at a particular place and time. In a > pluralist society, then, there can be no consensus regarding good and > evil. If it is not quite true that anything goes, tolerance dictates > that we must respect the choices that others make, even if they are > repugnant to others in the community. Same-sex marriage, under this > view, is no more right or wrong than the traditional variety, and we > cannot condemn those who practice it. Moral relativism is often > considered to be inversely proportional to the strength of religion. > The prevalence of the former, however, has surprisingly little to do > with the decline of the latter. Religion is hardly in decline, at > least in the United States. A higher percentage of Americans go to > church, mosque or temple each week than went both one and two > centuries ago. By any measure, America is the most religious of all > Western industrialized nations and arguably the most religious of any > country outside Islam. > > Perhaps for that reason, conservatives blame the kind of liberal > elites who tend to congregate in New York newsrooms and Northeastern > classrooms. These usual suspects condescend toward religion at the > same time that they mandate tolerance for all lifestyles and teach > postmodern theories suggesting that received beliefs tend to be > arbitrary or self-serving or both. This argument tends to overstate > both the liberalism and elitism of the accused along with their > influence, and it misses the most powerful and pervasive source of > moral relativism: the Web. > > Technology undermines traditional belief systems even as it creates a > belief in a kind of heavenly paradise, a kind of Technopia. In his > book _The Future of Ideas: The Fate of the Commons in a Connected > World, _Larry Lessig argues for an open society in which everyone has > access to information and the tools necessary to contribute to the > community and succeed within it. [14] A former colleague of > Sunstein's at the University of Chicago who migrated to Stanford, the > very capital of Technopia, Professor Lessig believes that the Web > could create an interconnected, information- and idea-rich republic. > He warns, however, that unless we balance private ownership of > intellectual property and the public's ability to refine and build > upon it, we will never inhabit such a place. [15] > > Open, shared platforms of content and code must be the foundation of > such a radically free, creative and informed society, but an unholy > trinity of Congress, the courts and large corporations has > effectively sealed media and software platforms by lengthening > copyright laws and strengthening intellectual property protections. > The most recent example is the Sonny Bono Copyright Term Extension > Act, which extended by 20 years both existing copyrights and future > copyrights. A copyright grant is a limited monopoly, a reward for > innovation, but the reward, if too generous (long), will surely > stifle it, for any increase in copyright term strengthens monopolist > practice and isolates innovation from improvement in much the same > way that Sunstein fears that cybercascades weaken the dialogue of > democracy. [16] For that reason Lessig predicts that > > ...two companies -- AOL Time Warner and Microsoft -- will define > the next five years of the Internet's life. Neither company has > committed itself to a neutral and open platform. Hence, the > next five years will be radically different from the past ten. > Innovation in content and applications will be as these platform > owners permit. Additions that benefit either company will be > encouraged; additions that don't, won't....Content and access > will once again be controlled; the innovation commons will have > been carved up and sold. [17] > > If software code, the DNA of the internet, is privately held, > citizens will be cyberserfs on corporate estates. There can be no > freedom without commons. Businesspersons, artists and academics must > be free to graze on the rich field of ideas that lead to further > innovation. In his previous book Professor Lessig argued that just > as police regulate cities, code regulates cyberspace. [18] If state > police power was the principal concern of the 20th century, corporate > control of code should be that of the 21st. [19] Just as we defeated > Hitler and Stalin, the argument continues implicitly, so must we > strike AOL and Microsoft. Corporations wield power invidiously, > veiled by the promise of free markets, effectively co-opting the > institutions that should balance public and private ownership. > > Lessig will. For many technologists -- those who believe that > technology, properly configured, will save the planet -- he is the > much-lauded (and well-schooled) David against an array of corporate > Goliaths. As chairman of www.creativecommons.org, which is dedicated > to increasing the sum and access of intellectual property online, > [20] and as lead counsel for the petitioner in _Eldred v Ashcroft_, > [21] in which he challenged the constitutionality of the Bono > Copyright Extension Act, Lessig has argued that Congress had > overstepped the authority vested by the Constitution by essentially > marching the copyright term toward perpetuity. [22] In January, the > Supreme Court disagreed, upholding the act. His fight continues. > > Victory will not elude Professor Lessig, though it may surprise him. > A public weaned on the Web will be increasingly sensitive to the > value of open platforms and the possibilities inherent in shared > media and code. The increasing ease with which even moderately > trained musicians mix and sample recorded works, and the resulting > battle between the Recording Industry Association of America and the > music lovers that support its member companies, is just the first of > many disputes that will reshape copyright law and practice. Citizens > who are no longer awed by received authority will use the > instantiations of that authority -- whether in the form of text, > graphics, music or code -- for their own purposes. > > Professors Lessig and Sunstein sketch despairing visions because they > have missed the essentially deconstructionist nature of the Web. The > architecture that media and technology companies control to stifle > innovation, and that citizens use to cordon themselves from genuine > debate, will at the same time foster an open, inquisitive and > markedly liberal spirit. Problems associated with the control of > ideas and the compartmentalization of dialogue will persist, but a > newly emergent majority on the Left will rise to tackle them. It's > all in the code. > > > > Notes: > ------ > > > [1] Ferdinand de Saussure, _Course in General Linguistics, _Wade > Baskins, trans., (New York: McGraw-Hill, 1965), ch. 1. > > [2] Ibid, 12-14. > > [3] Ibid. > > [4] Terry Eagleton, _Literary Theory _(Minneapolis: University of > Minnesota Press, 1983), 129. > > [5] Ibid, 128. See also Jonathan Culler, _Structuralist Poetics: > Structuralism, Linguistics and the Study of Literature_ (Ithaca: > Cornell University Press, 1975), 243-245, discussing Jacques Derrida, > _Writing and Difference_, Alan Bass, trans. (Chicago: University of > Chicago Press, 1980). > > [6] Eagleton, 128-129. > > [7] Ibid, 133. > > [8] Cass Sunstein, _republic.com _(Princeton: Princeton Univ. Press, > 2001), 49. > > [9] Ibid, 11. > > [10] Ibid, 13. > > [11] Ibid, 8-10. > > [12] Eagleton, 131. > > [13] Culler, 243. > > [14] Lawrence Lessig, _The Future of Ideas: The Fate of the Commons > in a Connected World_ (New York: Vintage Books, 2002) (first > published by Random House, 2001). > > [15] Ibid, xxi-xxii,6. > > [16] Ibid, xxi-xxii. > > [17] Ibid, 267. > > [18] Lawrence Lessig, _Code and Other Laws of Cyberspace _(Basic > Books, 1999), 86. > > [19] Ibid. > > [20] _www.creativecommons.org/learn/aboutus_. ("Our aim is not only > to increase the sum of raw source material online, but also to make > access to that material cheaper and easier. To this end, we have also > developed metadata that can be used to associate creative works with > their public domain or license status in a machine-readable way. We > hope this will enable people to use the our search application and > other online applications to find, for example, photographs that are > free to use provided that the original photographer is credited, or > songs that may be copied, distributed, or sampled with no > restrictions whatsoever. We hope that the ease of use fostered by > machine- readable licenses will further reduce barriers to > creativity.") > > [21] _Eldred v Ashcroft_, Sup Ct 01-618. Argued October 9, 2002; > decided January 15, 2003. > > [22] Brief for Petitioners, _Eldred_, 18. > > > > -------------------- > > Peter Lurie is a lawyer, a graduate of Dartmouth College and The > University of Chicago Law School, where he worked on two independent > papers with Judge Richard Posner, studied critical theory and the > interrelation between law and literature. He has written for the > _New York Press_ and _Shout Magazine_. He is also the cofounder of > Virgin Mobile USA, a wireless voice and internet company aimed at the > youth market, where he serves as General Counsel. > > The views expressed are his own. > > _____________________________________________________________________ > > * CTHEORY is an international journal of theory, technology and > * culture. Articles, interviews, and key book reviews in > * contemporary discourse are published weekly as well as > * theorisations of major "event-scenes" in the mediascape. > * > * Editors: Arthur and Marilouise Kroker > * > * Editorial Board: Jean Baudrillard (Paris), Paul Virilio (Paris), > * Bruce Sterling (Austin), R.U. Sirius (San Francisco), Siegfried > * Zielinski (Koeln), Stelarc (Melbourne), Richard Kadrey (San > * Francisco), DJ Spooky [Paul D. Miller] (NYC), Timothy Murray > * (Ithaca/Cornell), Lynn Hershman Leeson (San Francisco), Stephen > * Pfohl (Boston), Andrew Ross (NYC), David Cook (Toronto), Ralph > * Melcher (Sante Fe), Shannon Bell (Toronto), Gad Horowitz > * (Toronto), Deena Weinstein (Chicago), Michael Weinstein > * (Chicago), Andrew Wernick (Peterborough). > * > * In Memory: Kathy Acker > * > * Editorial Correspondents: Ken Hollings (UK), > * Maurice Charland (Canada) Steve Gibson (Canada/Sweden). > * > * Editorial Associate: Ted Hiebert > * WWW Design & Technical Advisor: Spencer Saunders (CTHEORY.NET) > * WWW Engineer Emeritus: Carl Steadman > > _____________________________________________________________________ > > To view CTHEORY online please visit: > http://www.ctheory.net/ > > To view CTHEORY MULTIMEDIA online please visit: > http://ctheorymultimedia.cornell.edu/ > > _____________________________________________________________________ > > * CTHEORY includes: > * > * 1. Electronic reviews of key books in contemporary theory. > * > * 2. Electronic articles on theory, technology and culture. > * > * 3. Event-scenes in politics, culture and the mediascape. > * > * 4. Interviews with significant theorists, artists, and writers. > * > * 5. Multimedia theme issues and projects. > * > * > * Special thanks to Concordia University. > * > * No commercial use of CTHEORY articles without permission. > * > * Mailing address: CTHEORY, Concordia University, 1455 de > * Maisonneuve, O., Montreal, Canada, H3G 1M8. > * > * Full text and microform versions are available from UMI, Ann Arbor, > * Michigan; and Canadian Periodical Index/Gale Canada, Toronto. > * > * Indexed in: International Political Science Abstracts/ > * Documentation politique international; Sociological Abstract > * Inc.; Advance Bibliography of Contents: Political Science and > * Government; Canadian Periodical Index; Film and Literature Index. > > _____________________________________________________________________ > _________________________________________________________________ MSN Zoeken, voor duidelijke zoekresultaten! http://search.msn.nl # distributed via <nettime>: no commercial use without permission # <nettime> is a moderated mailing list for net criticism, # collaborative text filtering and cultural politics of the nets # more info: majordomo@bbs.thing.net and "info nettime-l" in the msg body # archive: http://www.nettime.org contact: nettime@bbs.thing.net