| Florian Cramer on Wed, 16 Apr 2003 23:10:18 +0200 (CEST) |
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| <nettime> unstable digest vol 42 |
Date: Thu, 10 Apr 2003 07:15:18 -0700
From: kernel32 <llacook@YAHOO.COM>
Subject: Alan Sondheim Web Mix
To: WRYTING-L@LISTSERV.UTORONTO.CA
http://www.lewislacook.com/alanSondheim/
Flash 6
speakers on
A month or so ago Alan mentioned to me that he had once written a text
editor that was designed to "frustrate" the writing of the user. This
editor would transform the user's writing as the user enetered text. I
thought it was an ingenious concept for a piece: a work that combined
the networking possibilities of user input and transformation...a work
that would literally change what the user invested in the object...So I
set about making an approximation of what Alan was talking about.
This is the web mix of that idea. A full blown piece of software based
on this concept is still in the works (I'm writing THAT one in C++), but
this Flash version combines that concept with some multimedia ideas. To
use it, simply enter text in the blue box. Every time you press enter,
your text will change; sometimes it will be replaced by a line from some
of Alan's writing, sometimes it will spatter your text in asemic strings
across the box, sometimes your text will simply disappear, and sometimes
a combination of these will happen. I doubt that this work is anywhere
near as capable as Alan's original program, but it seems to me to be a
worthy web amusement.
There are four different background music sequences, and these load when
this page loads. Revisit to hear them all.
The film loop is Alan's: I altered it, but it can be
found in its original form on Alan's Internet Text site
(http://www.anu.edu.au/english/internet_txt/).
http://www.lewislacook.com/
net art review: http://www.netartreview.net/
tubulence artist studio: http://turbulence.org/studios/lacook/index.html
furtherfield: http://www.furtherfield.org/home.html
---------------------------------
Do you Yahoo!?
Yahoo! Tax Center - File online, calculators, forms, and more
From: pascale gustin <gustin.pascale@free.fr>
To: _arc.hive_@lm.va.com.au, 7-11@mail.ljudmila.org
Subject: evol
Date: Sun, 06 Apr 2003 21:12:38 +0200
/usr/ \
/usr/ \
/usr/ \
/usr/ \
\
/usr/include/ \
/usr/include/ \
/usr/include/ \
/usr/include/ \
\
/usr/local/ \
/usr/local/ \
/usr/local/ \
/usr/local/ \
\
/usr/local/ \
/usr/local/ \
/usr/local/ \
/usr/local/ \
/evol/ve
r /evol/ve r
r /evol/ution/ve r
/ev e r
r /eve r
/usr/ \
/usr/ \
/usr/ \
\
/usr/ \
/usr/ \
/usr/ \
/usr/ \
/usr/local/ \
/usr/ \
\
/usr/ \
/usr/ \
--
pasc@csaq
Date: Wed, 9 Apr 2003 18:07:25 +1000
From: mez <netwurker@HOTKEY.NET.AU>
Subject: _Visual Detailing is the New Word Order_
To: WRYTING-L@LISTSERV.UTORONTO.CA
_Writing software_ should be treated as a creative activity. Just think
about it -- the software that's --
-pro][rating][.logical.txt
…
*one moment*
-
-
-
_sparks of buy.o][logic][pop][n.cultured][_
1. Of or relating to an excessive number of languages.
1. One who speaks or writes too many languages.
A metaphor can telescope several sentences, or even whole paragraphs of
information into one
A. adj. Think about building things that have been built before. People
say, "Well, how come we can't build Ada Lovelace”?
All of the language economizing strategies of Meta Speech lightens
cognitive operatives making it Borgian, bridges that they're building, etc.
Choose||match.
#!/bin/perl.
Choose a bloody obscure Code Poetry that transposes this hidden universe of
language into something to read, instead of Computer languages that are a
product of the mind that often surpasses the abilities of the mind to
decode.pl. Its easier for the mind to fulfill unconscious communicative
purposes. By lightening tasks through encode.pl every bridge is like some
other bridge that's been built. They can know the category for an automated
process. What I do is take the output from encode.pl and put it into a file
http://www.hotkey.net.au/~netwurker/txts
and incorporate decode.pl into the program. Note that this is interesting
to make - software that hasn't been made before. In Most other engineering
disciplines language has incorporated in its written form & for which oral
language has no pronunciation or memory.
In Meta Speech language economy, the mind is therefore given some respite.
Likewise, rest assist metaphors are often used similarly for language
economy. Think maiming conventions and library paths longer than the
program text, golf, or JAPHs. Choose no polygluts, a. and n, or porpoise
noises down a ticking phone.
Power realities are programming languages that are hidden beneath its
representation.
You are a regular expression freak.
Site Navigation is something to be executed. But are you machine enough to
interpret it?
Source[CODE] writers are obsessed by the power, the possibilities & the
alienating beauty of the
suggestion of natural languages. These are recognisable in the syntax in
commands like GO TO or IF then; they are marked as readable by only the
user that runs the program that needs the data, and THEN. But they are just
a small exception among a wide variety of symbols that no other natural
perl script needs. these can be used for obscuring some information that
needs to be read over thousands of years, and while we can make incremental
improvements to bridges, the fact is that we don’t understand them; to
soften up this difficult relationship programmers have warped their code.
In oral tradition story memorization, Visual deta[prof]iling is in [New
Word] Order.
From: Alan Sondheim <sondheim@panix.com>
To: _arc.hive_@lm.va.com.au
Subject: 1/2 coupled baghdad2.mov for epoetry 2003
Date: Tue, 8 Apr 2003 08:43:11 -0400 (EDT)
1/2 coupled baghdad2.mov for epoetry 2003
{QTtext}{font:Geneva}{plain}{anti-alias:on}{size:24}{textColor: 65535,
65535, 65535}{backColor: 0, 0, 0}{justify:center}{timeScale:600}
{width:400}{height:90}{timeStamps:absolute}{language:0}{textEncoding:0}
[00:00:00.000]
you are very welcome
[00:00:04.000]
for having me
[00:00:08.000]
<>
[00:00:12.000]
we are waiting
[00:00:16.000]
the latest news
[00:00:20.000]
<>
[00:00:24.000]
from Baghdad
[00:00:28.000]
<>
[00:00:32.000]
have you heard
[00:00:36.000]
the one about
[00:00:40.000]
<> <>
[00:00:44.000]
language cannot do
[00:00:48.000]
justice
[00:00:52.000]
<>
[00:00:56.000]
to your face
[00:01:00.000]
<> <>
[00:01:04.000]
friends, in these darkest hours
[00:01:08.000]
we must
[00:01:12.000]
<>
[00:01:16.000]
we must
[00:01:20.000]
<> <>
[00:01:24.000]
love raises
[00:01:28.000]
the angry red flag
[00:01:32.000]
love raises
[00:01:36.000]
the black flag of anarchy
[00:01:40.000]
<>
[00:01:44.000]
this is no joking
[00:01:48.000]
matter
[00:01:52.000]
<> <>
[00:01:56.000]
tremendous foolishness
[00:02:00.000]
the skin of the face
[00:02:04.000]
of evil
[00:02:08.000]
<> <>
[00:02:12.000]
tremendous violation
[00:02:16.000]
the tattered threads
[00:02:20.000]
of liberty
[00:02:24.000]
<> <>
[00:02:28.000]
tremendous fury
[00:02:32.000]
of our hidden enemies
[00:02:36.000]
<>
[00:02:40.000]
who can say
[00:02:44.000]
<>
[00:02:48.000]
which of us are
[00:02:52.000]
friends
[00:02:56.000]
which of us are
[00:03:00.000]
enemies
[00:03:04.000]
<> <>
[00:03:08.000]
no one knows the days
[00:03:12.000]
of slaughter
[00:03:16.000]
<>
[00:03:20.000]
the apocalypse
[00:03:24.000]
of freedom
[00:03:28.000]
<>
[00:03:32.000]
terrible impositions
[00:03:36.000]
from above
[00:03:40.000]
from below
[00:03:44.000]
<>
[00:03:48.000]
as from above
[00:03:52.000]
so from below
[00:03:56.000]
<>
[00:04:00.000]
as from below
[00:04:04.000]
so from above
[00:04:08.000]
<> <>
[00:04:12.000]
the darkest days
[00:04:16.000]
and darkest nights
[00:04:20.000]
rolling on
[00:04:24.000]
<>
[00:04:28.000]
continuing without
[00:04:32.000]
rhyme or reason
[00:04:36.000]
<>
[00:04:40.000]
continuing without
[00:04:44.000]
metric or metre
[00:04:48.000]
<> <>
[00:04:52.000]
you can meet her
[00:04:56.000]
<>
[00:05:00.000]
in the alley
[00:05:04.000]
<>
[00:05:08.000]
you can meet her
[00:05:12.000]
<>
[00:05:16.000]
in the park
[00:05:20.000]
<>
[00:05:24.000]
but the best place
[00:05:28.000]
to meet her
[00:05:32.000]
<>
[00:05:36.000]
is to meet her
[00:05:40.000]
<> <>
[00:05:44.000]
her name is MOAB MOAB
[00:05:48.000]
<>
[00:05:52.000]
my name is DINGIR-LUM
[00:05:56.000]
<>
[00:06:00.000]
you are very welcome
[00:06:04.000]
for having us
[00:06:08.000]
<>
[00:06:12.000]
===
Date: Sat, 05 Apr 2003 19:46:09 +0200
From: + lo_y. + <loy@myrealbox.com>
To: syndicate@anart.no
Subject: Re: Language is Your Enemy
At 19:30 04/04/03 -0500, Alan Sondheim redet:
>Language is Your Enemy
yxlYstfd #t ijp wace
yht #j 8 ymytpw #c tlYsjfd tY ur y03606
303 0aoj
iof4aiyt4yjbx
pj ej wjix jtp fibtfnn #c paxw4cifxYmY
xY xcfdjwmmg tswyem
6tlYsyfd 8lY poi yi 8tw sxdtYlniY 4aY jYteiwstfm tj #aed
1etahiYyj #aed #nxahiYtw tj #i txfi #c jjt #i fiw sidyYlf
fiw
tj sidyYlf 4aY sfia #c tnipelYytYy 8tw vbiY 8j yt dwdtYlf
tw yy wwftahiY 8mj 4aY rlmutw it wetgniY 8mt jtp jyjyYxw 8b wyrc
iofy yYxw 8b tlY eiat wean =bay ejahiY 8y wlsv xht 4aY xnYdy
,c wean tw jj #i 8 ijx #c alnjw #j tyaywji tt tgd ijp
xyptw typ tip yyp xibm ttpyl ji wfn tw jy ytgYdd #i 4aY
jiacj tw t #i yoltpYnn ey vnhiY tal txycna4 sivpadbiY
tY ur x03102
303
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pt et wtty fibifnn payw4cjfxYmY
jY ycfdtwmmg yswxem
lY poi xy 8jw sxdtYlniY 4aY tYteywstfm #aed
1ejahiYjy #nyahiYtw #i jjft tyi fiw sidxYlf
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4wejgniY jyxiYtw 8b wjrc
xoft xYyw jlY eiay wean =bax etahiY 8y wlsv tnYdt
xyy alnjw #t xtaxwty jgd yxptw tjp yibm yjpyl wfn txgYdd
jtact t yoltpYnn ei vnhiY tal xticna4 syvpadbiY
j=2=91
t#####################################
i##########################################
x##############################################
y######################################### ###
t######################################### ###
y########################################## ###
i#########################################
i#########################################
j##########################################
j##########################################
y###########################################
y##########################################
#########################################
#################################
########################
###############
##############
##############
##############
y###############
j###############
y###############
t###############
i############### ###
t############### ###
x############### ###
t####################
t###############
t##########
y######
t###
t###
t###
i###
==
==
------------------------------------------------------------
--------------lo--------------------------------------------
-
-----------------------y------------------------------------
------------------------------------------------------------
-------------PTRz:
http://www.socialfiction.org/scrabble
http://rhizome.org/object.rhiz?5852
http://trace.ntu.ac.uk/incubation/gallery.cfm
www.muse-apprentice-guild.com
http://www.krikri.be/poeuk.html
http://www.google.com/search?q=lo_y
------------------------------------------------------------
------------------------------------------------------------
To: 7-11@mail.ljudmila.org,_arc.hive_@lm.va.com.au,audiovision@egroups.com,
From: ".par.sell." <netwurker@hotkey.net.au>
Subject: _DAx_
Date: Sun, 06 Apr 2003 16:01:40 +1000
_____________________________________________________
_Digital Affect[.ion] xtract[.ion]_
::cracked crys.tall.ine bea[s]ts
________________
::men[iscus_heart] plucking via broken bag.ga[u]ges
_____
::toffee_leaking eyes + modal<head>
__________
::butter hands creased [chrono(scopic)]logically
____
::[man]Dal[a]i shrin.cages + silence m[h]ounds||shrink_[psycho w]rapped +
tender b[rown]andaging
______________________
.
.whis.purred time par.$elling.
.
_____
- pro][rating][.lucid.txt
-
-
http://www.hotkey.net.au/~netwurker/txts
_
_men[iscus_heart] plucking via broken bag.ga[u]ges_
Date: Tue, 08 Apr 2003 22:08:57 +0100
From: jumpy <8088234@invisible.gq.nu>
To: syndicate@anart.no
Subject: <no subject>
Return-path: <syndicate-owner@anayt.no>
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------------=3D_1049828688-626-7
Content-Disposition: inline; filename=3D"message-footer.txt"
Date: Mon, 07 Apr 2003 22:12:47 +0100
From: "jumpy" <8088234@invisible.gq.nu>
To: syndicate@anart.no
Subject: elegy for flowers
------------=_1049749832-645-504
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::: :::::::::::::: ::::::::::: :: : :::: :: ::
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-----Syndicate mailinglist-----------------------
Syndicate network for media culture and media art
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------------=_1049749832-645-504--
Date: Sat, 5 Apr 2003 11:52:11 -0800
From: solipsis <solipsis@hevanet.com>
To: Alan Sondheim <sondheim@panix.com>
Subject: Formation of old thing description
Formation of old thing description
The new story sentence =E4=BC=8F (the =E3=81=B5) doing, you consider and (t=
he main thing) in the =E3=81=B5,
Majesty emperor, obtain one and the optical house do, lead to three and cot=
tage
growth do the cartridge =E3=81=B5. Purple =E5=AE=B8 (it does and the gromme=
t) manages and as for
virtue the hoof (stuffing) suffering () the =E3=81=B3, =E7=8E=84 =E6=89=88 =
(the =E3=81=92 it is in the place where it
becomes extreme densely) =E5=9D=90 (the =E3=81=96) doing, as for conversion=
the head of the boat (to)
=E9=80=AE () it illuminates the =E3=81=B6 place, the cartridge =E3=81=B5. T=
he day float becoming moldy, =E6=9A=89 (=E3=81=B2
temporary) to pile up, in the cloud scattering =E3=81=A6 =E7=83=9F the non-=
=E3=81=9A. The head =E5=B9=B6 it does
(the =E3=81=82), =E6=9F=AF (it is obtaining) linking =E7=91=9E (the mark), =
history (to do) the book (it does
and the =E3=82=8B) it does not cut off the fact that it does, =E7=83=BD (th=
e =E3=81=B2 which it flies) don't
you think? the line meaning () Mitsugi who is painted heavily (it sees and =
the next),
the prefecture (the =E3=81=B5) comes in vain and there is no month. Name is=
higher than
sentence life, the crown (the =E3=81=BE) the =E3=82=8A cartridge edge and t=
he =E8=AC=82 =E3=81=B2 yes (the =E3=81=B9) does
virtue even heaven quaintly.
=E7=84=89 (Here), old quitting/words error =E5=BF=A4 (is passes) to spare, =
harmony copper () the =E3=81=A1 =E3=81=A6,
the retainer the =E8=A9=94 =E3=82=8A doing September 18th of four from here=
cheaply in ten thousand =E4=BE=B6
=E8=AC=AC (the leash =E3=81=BE) of tip period =E3=82=8A complexity (the =E3=
=81=BE =E3=81=98) as the righteousness the =E3=82=8C =E3=82=8B
coldly, =E7=A8=97 rice field flattering gratitude (the =E3=81=B2 obtaining =
is the roughness) =E8=AA=A6 () =E6=92=B0
record doing the old quitting/words of =E5=8B=85 language of the =E3=82=80 =
place, if the presentation
=E3=81=9B it does and the =E3=82=80 questions and passes, you restrain, =E3=
=81=A6 =E8=A9=94 effect (=E3=81=BB seeing thing) =E9=9A=A8
(in the =E3=81=BE the =E3=81=BE), the child It takes in detail, =E5=BA=B6 (=
the wide) =E3=81=B2 =E3=81=AC. When nature =E3=82=8C,
being on old, you spread the sentence word mind (word heart) and =E6=9C=B4 =
(it does the =E3=81=BB), =E6=96=BC
() you come especially and the letter which phrase structure are shaken and=
namely
difficulty (one) do. It is based on to training in the =E5=B7=B2 and as for=
the =E3=81=A6 expressing
barrel, the language (word) in heart =E9=80=AE () the =E3=81=9A, all (and) =
=E3=81=8F sound appearance of
thing furthermore it does the =E3=81=A1 =E3=81=A6 connecting barrel, from h=
ere long. Right (here)
from here =E3=81=A1=E3=81=A6 now, =E6=88=96 (it is) in one phrase, sound tr=
aining to intersection in the
business =E3=82=90, or among one things, completely from here =E3=81=A1 =E3=
=81=A6 record (to do training, the
=E3=82=8B) it dies. Namely, the being visible of quitting/words reason (the=
abnormal play)
coming makes note from here the =E3=81=A1 =E3=81=A6 clear, mind circumstanc=
es (is and today) solution
(with) the =E3=82=8A divination coming does not do furthermore note. =E4=BA=
=A6 (And) surname (the =E3=81=86
=E3=81=A2) =E6=96=BC coming, under day (the =E3=81=A1 =E3=81=92) the =E7=8E=
=96 sand =E8=A8=B6 (ill-smelling) with the =E8=AC=82 =E3=81=B2, =E6=96=BC c=
oming
to name, the band (you want) the letter the multi =E7=BE=85 =E6=96=AF (drop=
ping) with =E8=AC=82 =E3=81=B5, =E6=AD=A4 () the
type like the =E3=81=8F (you want the =E3=81=90 =E3=81=B2), the book (the o=
rigin) in the =E9=9A=A8 not changing.
Mostly, (other things it is) heaven and earth creation (the =E3=81=82 =E3=
=82=81 hammer to do be able
to open the place where it records, the time) from beginning, the small Osa=
mu rice
field (the beam is) world (to see) =E8=A8=96 () the =E3=82=8B. Below reason=
and heaven Chuzu God
(from it does),
The Hidaka day child wave limit building cormorant =E8=91=BA grass =E8=91=
=BA non- combination (the
beach fungus =E3=81=86 wipes and bites and does, bites and) before the life=
of the =E3=81=82 not
passing (from ahead) upper volume (the firewood) with God Cipango Italy wav=
e
gratitude =E6=AF=98 old emperor (and the mark be and the =E3=82=8C =E3=81=
=B3 this be completed and others to
see thing) below, the item =E9=99=80 world (only =E3=81=BB wastefulness doe=
s) in the past medium
volume (in the firewood) with, large sparrow emperor (the =E3=81=BB only th=
e =E3=81=96 coming is
angle) below, small Osamu rice field Omiya (the beam the =E3=81=BB seeing a=
nd) in the past
beaming (to do The firewood which it has) with you do, =E5=B9=B6 =E3=81=9B =
=E3=81=A6 three volume record (do
(the =E3=81=82 and) the =E3=82=8B) do, restrain and =E3=81=A6 presentation =
(build and wait) the =E3=82=8B. The
retainer cheaply ten thousand =E4=BE=B6, sincerity =E6=83=B6 sincerity we f=
ear, the =E9=A0=93 neck =E9=A0=93 neck.
Harmony copper five year New Year's Day =E5=BB=BF Isao five and the like wi=
th respect to
eight day correct five rank the court noble (the =E3=81=82 =E3=81=9D of the=
=E3=81=BB you see thickly)
cheaply ten thousand =E4=BE=B6 $$ln2 Majesty and former discernment emperor=
emperor.
Obtaining one, the optical house it does, virtue must be full in public con=
cerning
emperor rank. Leading to three, cottage growth it did and the cartridge =E3=
=81=B5, three
years old (heaven and earth person) lead, conversion growth did the people.=
Purple =E5=AE=B8
(it does and the grommet) manages and, virtue the hoof (stuffing) suffering=
() the =E3=81=B3,
=E7=8E=84 =E6=89=88 (the =E3=81=92 it is in the place where it becomes extr=
eme densely) =E5=9D=90 (the =E3=81=96) doing,
converts and the head of the boat (to) =E9=80=AE () illuminates the =E3=81=
=B6 place and the cartridge
=E3=81=B5, " purple =E5=AE=B8 (, the grommet)" " =E7=8E=84 =E6=89=88 (the =
=E3=81=92 it is densely)" it must be the Imperial
Palace. Virtue conversion must spread to distant every nook and cranny. The=
day float
becoming moldy, =E6=9A=89 (=E3=81=B2 temporary) to pile up, day to appear a=
nd come out and shine
extensively, =E7=91=9E trillion. In the cloud scattering =E3=81=A6 =E7=83=
=9F like the smoking of the non- =E3=81=9A
and the cloud it comes out and comes out and enters, but is not smoking, it=
requires
being, the celebration cloud. The head =E5=B9=B6 it does (the =E3=81=82), =
=E6=9F=AF (it is obtaining) linking
when =E7=91=9E (the mark), also connected reason thickly being flat at =E7=
=91=9E trillion of the
heads, those which appear. History (to do) the book (to do and the =E3=82=
=8B) not to cut off
the fact that it does, history official always that kind of =E7=91=9E trill=
ion recording. =E7=83=BD
(The =E3=81=B2 which it flies) don't you think? the line meaning () Mitsugi=
who is painted
heavily (you see and the next), must burn the =E7=83=BD fire many it seems =
that, it seems
that in addition needs many translations, morning Mitsugi from distant coun=
tries. The
prefecture (the =E3=81=B5) it comes in vain, the warehouse of Imperial Cour=
t is the sky.
Sentence life, =E7=A6=B9 king of summer. Heaven quaintness and hot water ki=
ng of =E6=AE=B7. =E5=BA=B6
Sporadic partially the =E3=80=85 =E3=80=85 of the hand =E5=BA=B6, bottom th=
e people. Old quitting/words of =E5=8B=85
language, heaven military affairs emperor is excluded the emperor descripti=
on which
Imperial order is done, with old quitting/words thing, the sentence. With C=
hinese
character it is difficult to spread the sentence and =E6=96=BC () to come e=
specially and the
letter which phrase structure are shaken and namely difficulty (one) to do,=
to
express composition phrase. As for those which are based on to training in =
the =E5=B7=B2 and
as for the =E3=81=A6 expressing barrel, the language (word) in heart =E9=80=
=AE () they express with
the =E3=81=9A and letter training, meaning having stopped leading old mind.=
All (and) =E3=81=8F sound
appearance of thing furthermore it does the =E3=81=A1 =E3=81=A6 connecting =
barrel, from here long, as
for those which express the sentence with letter sound, composition becomes=
lengthy.
http://www.linkclub.or.jp/~pip/ututu/
http://www.hikyaku.com/dico/histxtg20.html
http://www.linkclub.or.jp/~pip/ututu/kami/furukotobumi/jyo3.html
Date: Fri, 11 Apr 2003 10:37:38 +1000
From: mez <netwurker@HOTKEY.NET.AU>
Subject: Re: P.Ohm 6
To: WRYTING-L@LISTSERV.UTORONTO.CA
At 07:42 AM 10/04/2003 -0400, you wrote:
>fermentFuckin + mySaturation
>LANs stretched 2 brokenPipeShe||Dreams
>old.N + builtLikeALobedGigaByte
>this chi[tinous]n+th[rob]is+ne[wbie]ck+mis.usedLustOrgans.
>
- pro][rating][.lucid.txt
-
-
http://www.hotkey.net.au/~netwurker/txts
_
_men[iscus_heart] plucking via broken bag.ga[u]ges_
From: pascale gustin <gustin.pascale@free.fr>
To: _arc.hive_@lm.va.com.au, 7-11@mail.ljudmila.org
Subject: look over the edge
Date: Tue, 08 Apr 2003 20:17:00 +0200
depth 0 0 0 0 FALSE FALSE 0000000
n s
o u s
o e s
m m s
é /é s
p a r lé
u
l c
de cela dégraffés d'1 monde ca q u é
des m_niteurs posés devant mes yeux par cent66667.aines
0.000000 0.580968 0.764608 0.000000 0.009040 0.1
1.000000 0.179032 0.390004 0.621212 1.000000 0 0
0.764608 0.888147 1.000000 0.179032 0.390004 0.621212
1.000000 0.000000 0.969697 0.969697 1.000000 0 0
mais que se passe_t_il que m_arrive_t_il quelque chose d'improbable
i don't understand this confusion in my brain
i don't understand any of it
i-s-a-y-i-d-o-n-t-k-n-o-w-w-h-e-r-e-i-a-m-i-d-o-n-t-k-n-o-w-w-h-a-t-i-d-o
i-s-a-y-i-d-o-n-t-k-n-o-w-w-h-e-r-e-i-a-m-i-d-o-n-t-k-n-o-w-w-h-a-t-i-d-o
i-s-a-y-i-d-o-n-t-k-n-o-w-w-h-e-r-e-i-a-m-i-d-o-n-t-k-n-o-w-w-h-a-t-i-d-o
i-s-a-y-i-d-o-n-t-k-n-o-w-w-h-e-r-e-i-a-m-i-d-o-n-t-k-n-o-w-w-h-a-t-i-d-o
je ne sais plus quoi faire
i'm looking over the window
c'est tout ce qu'il reste:
le regard!
la fenêtre!
ce sont encore les seules choses d'à peut près sûres ici
nothing else & encore
tout le reste
le reste me semb0.0
bump-layer FALSE 0.2 0.2 0.2 0.2
layer-one FALSE 0.7 0.7 0.7 0.7
--
pasc@csaq
To: _arc.hive_@lm.va.com.au,7-11@mail.ljudmila.org,convergence@coollist.com
From: mez <netwurker@hotkey.net.au>
Subject: *she gave herself [data.bas(eline)s]xxxx*
Date: Wed, 09 Apr 2003 19:51:20 +1000
Never give out your xxxxword or xxxx xxxxx number in an xxxxx conversation.
(
*nod*
*she gave herself xxxx*
*sigh*
*sigh*
:/
:/
:/
?
? with the code itself?
[besides x&xs]
[food for thought]
[in]
[or perhaps thats the book]
[which would b me]
a xxxxxxx forum linked to a db backend, highly xxxxx
absolutely
addict
ah well
ahh
ahh
ahh thx, yr a xxxxx
ahh who am i kidding there r loads of reasons
ahhh
all this folklore is widely known among xxxxxs.
all thru it
alot?
am
and a localisted xxxxxx, based on xxx, so you could pick a xxxx and it
would tell you all the xxxxxxxxxxx
and i don't think i'm 2 good at that
and i get the flu?
and now i'm stuck here FOR THE FUCKIN XXXXXXX!!
and yr man stuff at work is....? []
anyway
anyway
as long as it can be coupled with the practical
aww
brb
but *good* xxxx once xxxxxx never need to be touched again
but i wouldn't wish this hell on any1 else
but if
but she was definitely not a "xxxx"
but xxxs may be xxxs
but tell them thx, anyway
chewing up the phone line again ?
code is easy, trying to xxxx your thoughts into xxxxx is tricky
coding is easy
cool
could i ask anymore qs?
definitely cool
did xxxxx invite you to the xxx?
do you know what the xxx is ?
doesn't matter
don't they do that xxxx xxxxxxxxxxxxx of it every few years?
dunno if i like it
eeeek
eheh
eheh
eheh
eheh
eheh no
eheh yes, indeed
eheheh
eheheh
enuff victim rhetoric
esp with company
food
free time
get xxxxxx
get this
getting picked up at 4ish
give her a xxxxxx from me
go figure
got drivers for it ?
had this prob b4 when i had to xxxx patch
have no idea really
have you kicked it ?
heh
heh
heh
heh
heh
heh
heh yup
hey i am from xxxxxxx... i could cope
hey, y the "xxxx" in yr nick btw?
hmm
hmm
hmm 2 those projects....
hmmm
hmmm food sounds like a good idea
hmmm i might have to go re-visit that
horrorshow ?
http://dictionary.reference.com/search?q=xxxxxxxx
i am still pondering
i am thinking about xxxx
i c
i cant
i don't mind them, but have never really got in2 them in a big way
i go down stairs and xxxxxx
i have to stand up and xxxxxxxxxxxxxx
i just used "xxxxxx" in a sentence
i kinda fringe on that, skirt around it my xxxxs
i like the cold
i love it
i shall
i used to live in xxxxxxxx
i wonder how much i am going to xxxx :/
if i had a xxxx and wasn't behind in my xxxxx i'd xxxxxx
if i was xxxxx, i'd love 2 xxxxx
if i wasn't so xxxxxxx-minded i'm sure i could be more xxxxx-oriented
if you ever see my pc it is filled with xxxxxx
if you meet
if you want
i'll just be really snooty until she does
i'll just leave it alone for a while and hope it works
i'll work it out
i'm not a huge xxx xxxxx fan
i'm notorious for it
i'm sure it is
i'm sure she will
in the bizarre self serving xxxxxxxxxxxx community
in the time i've come back 2 xxxxxx
it also will
it gets xxxx cold here
its a xxxx day here 2day 2, i should get out in it really
it's still playing on xxxxxxxxxx st isn't it ?
its suddenly xxxx here
k
keep talking
keeping the servers running
lateral is a far better mindset
like...?
lunch
me 2
mezbreeze@hotmail.com says:
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mezbreeze@hotmail.com says:
mm ?
mmm xxxxx not a bad idea
my xxx is going xxxx the xxxxx
my phone keeps turning itself off all the time
my printer won't work
my watch stopped working
my graph card died
nice stuff
nice, eh?
no go
not sure i follow
nope
nope
nothing at all
now i'm having trouble installing my printer
NOW!!
oh well
ok
ok, go eat
ok, should u go get lunch?
okie
only thing is i'm am uberxxxx
ooh
or
plus listening to this xxxx xxxxx vid i found
post server collapse
post-server collapse?
probably
probably
programming is an art
reading
reading ok but no xxx going thru
reboot
right
right
right
RXXXXXXX (@ Work) says:
RXXXXXXX (@ Work) says:
RXXXXXXX (@ Work) says:
RXXXXXXX (@ Work) says:
RXXXXXXX (@ Work) says:
RXXXXXXX (@ Work) says:
RXXXXXXX (@ Work) says:
RXXXXXXX (@ Work) says:
RXXXXXXX (@ Work) says:
RXXXXXXX (@ Work) says:
RXXXXXXX (@ Work) says:
RXXXXXXX (@ Work) says:
RXXXXXXX (@ Work) says:
RXXXXXXX (@ Work) says:
RXXXXXXX (@ Work) says:
RXXXXXXX (@ Work) says:
RXXXXXXX (@ Work) says:
RXXXXXXX (@ Work) says:
RXXXXXXX (@ Work) says:
RXXXXXXX (@ Work) says:
RXXXXXXX (@ Work) says:
RXXXXXXX (@ Work) says:
RXXXXXXX (@ Work) says:
RXXXXXXX (@ Work) says:
RXXXXXXX (@ Work) says:
RXXXXXXX (@ Work) says:
RXXXXXXX (@ Work) says:
RXXXXXXX (@ Work) says
xxxxxxx
she needs looking after
she suggested it
so xxxxs point it close to the xxxx
so now this
so u know wot r talking about
so u seeing xxxxxx at the airport 2night?
sorry back
sorry didn't finish
specifics?
still mega-interested in this stuff
take tissues
that i shouldn't b here, perhaps?
that'll be sad
thats partially y i hate being here 2
thats what the guys here say
the biggest problem i have with learning to code is finding xxxxx to do
the book was great, such a challenge to read
the o' lifesaver, reboot
there is a great deal of stylistic xxxxxx to the code
they were all things that seemed like great idea
though i've only met one other person who knew about the xxxx reference
thought i heard that on the xxxxx
tried all that regular crap
tried that
try that
two last big ones
u can tell i'm not a xxxxxxx, eh?
u know from a xxxx xxxxxxx?
u like the xxxx?
u there or lunching?
uber old school geek reference
um..printing?
uninstall and re-install
well
well that got fixed
well thats how stupid i am then
whats it not doing ?
whats that telling you ?
whats wrong with lateral ?
who was that?
wot do u normally have?
wot u working on now?
wow
yeah
yeah
yeah
yeah it doesn't look to bad, i have the problem my little xxxxx has the
feeling of constant overcast
yeah it sux
yeah sucks
yeah, but not sure what i want
yes
yes
yes mum
yes, indeed
you mean freakshow ?
yup
yuppers
- pro][rating][.lucid.txt
-
-
http://www.hotkey.net.au/~netwurker/txts
_
_men[iscus_heart] plucking via broken bag.ga[u]ges_
nettime unstable digest vol 42
Mon Apr 14 18:26:00 2003
Subject: Alan Sondheim Web Mix
From: kernel32 <llacook@YAHOO.COM>
To: WRYTING-L@LISTSERV.UTORONTO.CA
Subject: evol
From: pascale gustin <gustin.pascale@free.fr>
To: _arc.hive_@lm.va.com.au, 7-11@mail.ljudmila.org
Subject: _Visual Detailing is the New Word Order_
From: mez <netwurker@HOTKEY.NET.AU>
To: WRYTING-L@LISTSERV.UTORONTO.CA
Subject: 1/2 coupled baghdad2.mov for epoetry 2003
From: Alan Sondheim <sondheim@panix.com>
To: _arc.hive_@lm.va.com.au
Subject: Re: Language is Your Enemy
From: + lo_y. + <loy@myrealbox.com>
To: syndicate@anart.no
Subject: _DAx_
From: ".par.sell." <netwurker@hotkey.net.au>
To: 7-11@mail.ljudmila.org,_arc.hive_@lm.va.com.au,audiovision@egroups.com,
Subject: <no subject>
From: jumpy <8088234@invisible.gq.nu>
To: syndicate@anart.no
Subject: elegy for flowers
From: "jumpy" <8088234@invisible.gq.nu>
To: syndicate@anart.no
Subject: Formation of old thing description
From: solipsis <solipsis@hevanet.com>
To: Alan Sondheim <sondheim@panix.com>
Subject: Re: P.Ohm 6
From: mez <netwurker@HOTKEY.NET.AU>
To: WRYTING-L@LISTSERV.UTORONTO.CA
Subject: look over the edge
From: pascale gustin <gustin.pascale@free.fr>
To: _arc.hive_@lm.va.com.au, 7-11@mail.ljudmila.org
Subject: *she gave herself [data.bas(eline)s]xxxx*
From: mez <netwurker@hotkey.net.au>
To: _arc.hive_@lm.va.com.au,7-11@mail.ljudmila.org,convergence@coollist.com
lurking editors
beatrice beaubien <i2eye@mac.com>
7-11 nettime-bold thingist
florian cramer <cantsin@zedat.fu-berlin.de>
7-11 _arc.hive_ eu-gene o-o rhizome rohrpost webartery wryting
alan sondheim <sondheim@panix.com>
7-11 _arc.hive_ poetics siratori trAce webartery wryting
$Id: digestunstable.pl,v 1.13 2003/01/26 18:51:21 paragram Exp $
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